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Elsi, die seltsame Magd / Der Besenbinder von Rychiswyl
Elsi e Mareili, le protagoniste dei due racconti che compongono questo libro, sono assai diverse fra loro, ma accomunate da una segreta aristocrazia dell’anima. Nella prosa di Gotthelf, che fu anzitutto un grande scrittore epico, rappresentano quel timbro evocativo che in essa si nasconde e la fa vibrare. Elsi è una figura tragica, uno scudo purissimo opposto al fato avverso. Mareili è invece immersa in una natura amorevole, dove intesse lentamente la sua vita. Entrambe sfuggono ai canoni comuni della psicologia, tanto più di quella ottocentesca. E ci vengono incontro, dal fondo della Svizzera più chiusa, come due korai arcaiche, dall’espressione ferma, non toccata dal tempo.
Elsi, la strana serva fu pubblicato per la prima volta nel 1843, Mareili delle fragole nel 1851.
Elsi, la strana serva fu pubblicato per la prima volta nel 1843, Mareili delle fragole nel 1851.
- GenresClassics
72 pages, Paperback
First published January 1, 1843
20 people want to read
About the author
Jeremias Gotthelf
468 books25 followersHe was born at Murten, where his father was pastor. In 1804 the home was moved to Utzenstorf, a village in the Bernese Emmental. Here young Bitzius grew up, receiving his early education and consorting with the boys of the village, as well as helping his father to cultivate his glebe. In 1812 he went to complete his education at Bern. He was a founding member of the Student Society Zofingia, the second-oldest fraternity in Switzerland (founded in 1819).
In 1820 he was received as a pastor. In 1821 he visited the University of Göttingen, but returned home in 1822 to act as his father's assistant. On his father's death (1824) he went in the same capacity to Herzogenbuchsee, and later to Bern (1829). Early in 1831 he went as assistant to the aged pastor of the village of Lützelflüh, in the Lower Emmental (between Langnau and Burgdorf), being soon elected his successor (1832) and marrying one of his granddaughters (1833).
He spent the rest of his life in Lützelflüh, where he died, leaving three children (the son was a pastor, the two daughters married pastors). During the 1840s, he steadfastly opposed radicalism and secularism and placed a conservative emphasis on piety and ecclesiastical authority. There are lives of Bitzius by C. Manuel, in the Berlin edition of Bitzius's works (Berlin, 1861), and by J. Ammann in vol. i. (Bern, 1884) of the Sammlung Bernischer Biographien.
He started writing late in life. His first work, the Der Bauernspiegel, oder die Lebensgeschichte des Jeremias Gotthelf, appeared in 1837. It purported to be the life of Jeremias Gotthelf, narrated by himself, and this name was later adopted by the author as his pen name. It sketches the development of a poor country orphan boy, but is not an autobiography. It is a living picture of Bernese (or, strictly speaking, Emmental) village life, true to nature, and not attempting to gloss over its defects and failings. It is written (like the rest of his works) in German, but contains expressions from the Bernese dialect of the Emmental, though Bitzius was not (like Auerbach) a peasant by birth, but belonged to the educated classes, so that he reproduces what he had seen and learnt, and not what he had himself personally experienced. The book was a great success, as it was a picture of real life, and not of fancifully beribboned eighteenth-century villagers. Henceforth Bitzius was a prolific writer, and in the last 18 years of his life became one of the important novelists not only of Switzerland but of the German language in general.
Commemorative plaque at his birth house in Murten/Morat
His best known work is without doubt the short novel The Black Spider (Die schwarze Spinne), a semi-allegorical tale of the plague in form of the titular monster that devastates a Swiss valley community; first as a result of a pact with the devil born out of need and a second time due to the moral decay that releases the monster from its prison again.
Among his later tales are the Leiden und Freuden eines Schulmeisters (1838–1839), Uli der Knecht (The story of a poor peasant laborer who develops into the owner of a prosperous farm; 1841), with its continuation, Uli der Pächter (1849), Anne-Bäbi Jowäger (1843–1844), Käthi, die Großmutter (1846), Die Käserei in der Vehfreude (1850), and the Erlebnisse eines Schuldenbauers (1853). He also published several volumes of shorter tales.
His works were issued in 24 vols. at Berlin, 1856–1861, while 10 vols., giving the original text of each story, were issued at Bern, 1898–1900.
In 1820 he was received as a pastor. In 1821 he visited the University of Göttingen, but returned home in 1822 to act as his father's assistant. On his father's death (1824) he went in the same capacity to Herzogenbuchsee, and later to Bern (1829). Early in 1831 he went as assistant to the aged pastor of the village of Lützelflüh, in the Lower Emmental (between Langnau and Burgdorf), being soon elected his successor (1832) and marrying one of his granddaughters (1833).
He spent the rest of his life in Lützelflüh, where he died, leaving three children (the son was a pastor, the two daughters married pastors). During the 1840s, he steadfastly opposed radicalism and secularism and placed a conservative emphasis on piety and ecclesiastical authority. There are lives of Bitzius by C. Manuel, in the Berlin edition of Bitzius's works (Berlin, 1861), and by J. Ammann in vol. i. (Bern, 1884) of the Sammlung Bernischer Biographien.
He started writing late in life. His first work, the Der Bauernspiegel, oder die Lebensgeschichte des Jeremias Gotthelf, appeared in 1837. It purported to be the life of Jeremias Gotthelf, narrated by himself, and this name was later adopted by the author as his pen name. It sketches the development of a poor country orphan boy, but is not an autobiography. It is a living picture of Bernese (or, strictly speaking, Emmental) village life, true to nature, and not attempting to gloss over its defects and failings. It is written (like the rest of his works) in German, but contains expressions from the Bernese dialect of the Emmental, though Bitzius was not (like Auerbach) a peasant by birth, but belonged to the educated classes, so that he reproduces what he had seen and learnt, and not what he had himself personally experienced. The book was a great success, as it was a picture of real life, and not of fancifully beribboned eighteenth-century villagers. Henceforth Bitzius was a prolific writer, and in the last 18 years of his life became one of the important novelists not only of Switzerland but of the German language in general.
Commemorative plaque at his birth house in Murten/Morat
His best known work is without doubt the short novel The Black Spider (Die schwarze Spinne), a semi-allegorical tale of the plague in form of the titular monster that devastates a Swiss valley community; first as a result of a pact with the devil born out of need and a second time due to the moral decay that releases the monster from its prison again.
Among his later tales are the Leiden und Freuden eines Schulmeisters (1838–1839), Uli der Knecht (The story of a poor peasant laborer who develops into the owner of a prosperous farm; 1841), with its continuation, Uli der Pächter (1849), Anne-Bäbi Jowäger (1843–1844), Käthi, die Großmutter (1846), Die Käserei in der Vehfreude (1850), and the Erlebnisse eines Schuldenbauers (1853). He also published several volumes of shorter tales.
His works were issued in 24 vols. at Berlin, 1856–1861, while 10 vols., giving the original text of each story, were issued at Bern, 1898–1900.
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Displaying 1 - 4 of 4 reviews
September 10, 2023
Eine Meistererzählung aus dem Jahre 1843, die am Ende des 18. Jahrhunderts spielend die Gotthelfschen Themen Reputationsverlust und dessen Folgen, bäuerliches Leben im Emmental, Brautwerben und Krieg gegen Frankreich auf melodramatische Weise verbindet. Gerne hätte Gotthelf daraus einen Roman stricken mögen, den er neben die beiden Uli-Romane (1841 und 1849) hätte stellen können. Etwas später variiert er aber das Thema in den Erzählungen "Wie Christen eine Frau gewinnt" und "Die Schlachtfelder" (beide 1845).
December 16, 2024
BESENMANNLIIIIIIIIIIIIIIIIIIIII
This entire review has been hidden because of spoilers.
July 28, 2025
хреновая идея гнать крестьян воевать против профессиональной армии, шо тут скажешь
January 27, 2013
Due racconti, due giudizi
Il libro è composto da due racconti. Il primo, Elsi, la strana serva, è bello e complesso, centrato sulla figura di Elsi, che si impone una sorta di esilio di fronte alla bancarotta ed al disonore del padre, e che per non svelare questo suo passato sacrifica anche l'amore. L'ambientazione in un preciso momento storico, l'arrivo delle truppe napoleoniche, rafforza il senso di un'epoca che cambia, in cui anche nelle valli alpine della Svizzera ormai l'onore è borghesemente misurato con il successo economico.
Il secondo racconto, Mareili delle fragole è invece secondo me troppo intimista ed idilliaco, ed in Mareili si vede quasi una antesignana della Heidi dei cartoni animati.
Le tre stelle sono quindi la media di due giudizi molto diversi.
Il libro è composto da due racconti. Il primo, Elsi, la strana serva, è bello e complesso, centrato sulla figura di Elsi, che si impone una sorta di esilio di fronte alla bancarotta ed al disonore del padre, e che per non svelare questo suo passato sacrifica anche l'amore. L'ambientazione in un preciso momento storico, l'arrivo delle truppe napoleoniche, rafforza il senso di un'epoca che cambia, in cui anche nelle valli alpine della Svizzera ormai l'onore è borghesemente misurato con il successo economico.
Il secondo racconto, Mareili delle fragole è invece secondo me troppo intimista ed idilliaco, ed in Mareili si vede quasi una antesignana della Heidi dei cartoni animati.
Le tre stelle sono quindi la media di due giudizi molto diversi.
Displaying 1 - 4 of 4 reviews