In accumulation sonnets, Jay MillAr "listens in" to hear the language that passes through him, rather than the language he retains. He if you throw out the nets, what will be caught? What will be missed? What will be miss-represented? And then, as time passes, what shall we do with these linear fragments of time that interleave their lyric eye among the wreckage of their own attention? Read them, of course. This sequence of 15-line sonnets operates in the way that Spicer spoke of the serial you have to let the poems lead the way or you'll just wind up lost in the woods.
forlorn falls of autumn the light shrinks to whole itself the size of night putting the shape of letters into each size as an equation meaning respectively speaks for this moment of that one trades black for blues pens' commercialism 'the true value' a line on this inside out there the family a group of different sizes of acknowledge the passage of one's age
2
open twenty-four ours of perfectly ordinary seams the list of things to do grows a list of reasons we can no longer say things we want to understand how the payoff has anything to do with believing we can screw language this is between me and my word then someone died remind me there's nothing to fear but the games we all play we all like living this way as family includes no is a pack of wolves includes no was
3
push press for begins wonder at shapes held by cloth dad - what's a lung? a delivered pornographic diagram of geography where less is more looking for new gods to scratch the surface of safety small birds on ice for seed to enter the community where nobody knows nobody else or cares one way or the other who drifts away falls silent never writes again fuckups and dies dad - what's a lung?
4
oh so this is your sidewalk the software of weather so mysterious to clouds i don't know about you people or machines of the overcoat i would like to transcribe the rain hear an elegant example of extortion personified suspects fall for december the year the eyes fell open against winter and cried for pulp there is some abstraction going on deep in aspic of language this wet city wants words meticulous or some other
5
the bits of light that don't repeat the notes off keys sky cabin fever buzz or burn of scotch tape sounds or stereo phonic purr of soft slurred ice something to call memory presents gifts beyond things figmented techniques between sounds like between to me artificial followers and breeding whirlwinds for energy we require caffeine at least i do anyway green caterpillar a pure state of floor once at all