This was quite entertaining--an epic tale of an Empire of Life locked in struggle with an Army of Death. It expands the Warhammer Fantasy ("Old World") lore, particularly the character arc of Sigmar, the first Emperor; in this way, its appeal depends largely on prior familiarity. If you know who Sigmar is, what he accomplished, and how this saga concludes (with Nagash’s defeat), you will likely enjoy it. If you aren’t invested in Warhammer lore just yet, you might prefer something less reliant on mythological backstory.
To some extent, the characters feel flat. This is because the novel is, at heart, the dramatization of a myth. Despite attempts to render Sigmar as a dynamic figure, he remains less a man than a symbol--static, monumental, made of marble. He has moments of psychological interest, but for the most part he embodies consistency rather than contradiction. In Freudian terms, he is libido channeled toward construction and preservation, while Nagash embodies the death drive, Thanatos, the impulse toward dissolution and return to nothingness. Their final philosophical exchange, staged against the clash of the living and the undead, dramatizes this confrontation between the instinct for life and the compulsion toward death. Honestly, that moment alone was worth the price of entry.
I especially enjoyed the early vampires. Khalid al-Muntasir, in particular, proved to be surprisingly compelling. The depictions of Nagash were properly sublime, conveying both dread and grandeur. Among the vast cast, Alaric the Mad and the two smiths (father and son), intent on reverse-engineering dwarfish engineering, stood out. Others, however, felt underdeveloped: Alfgeir, Sigmar’s close friend and chosen of Ulric, was enjoyable but ultimately little more than the archetype of the angry Germanic warrior.
That said, I’m glad I read this. At times, I did find myself yawning; before the climactic battle I was metaphorically checking my watch, but I definitely sat forward for the last sixty pages of so. Perhaps this was inevitable: if you know Warhammer lore, you know from the outset who must triumph. Still--For Sigmar!
Note: this is the third in a trilogy, with the first two being Heldenhammer followed by Empire, both by Graham McNeil.