O livro do filosofo

by Friedrich Nietzsche

Os fragmentos que compõem 'O Livro do Filósofo', escritos entre 1872 e 1875, tiveram publicação póstuma, como boa parte da obra de Nietzsche e foram reorganizados em diversas edições. Só recentemente apareceram sob a forma de volume isolado. Quase sempre integraram as Obras Póstumas, correspondentes às primeiras edições alemãs, que reuniam notas, livros incompletos e muito material diversificado, que em grande parte o autor, bastante cuidadoso com o seu trabalho, muitas vezes até reelaborou. O Nascimento da Tragédia e Aurora, por exemplo, nem pretendia publicar. Ao final deste livro acrescentamos duas contribuições de caráter geral para o contato com a obra e a vida de Nietzsche. A presente edição da Centauro Editora procura oferecer ao leitor brasileiro uma boa tradução em português, compatível com as melhores e mais recentes publicações de O Livro do filósofo em alemão e francês. Nossa maior preocupação tem sido apresentar com clareza e propriedade o pensamento do próprio Nietzsche, mantendo a maneira peculiar em que ele se expressou agilmente nestes fragmentos.

Genres: Philosophy

122 pages

First published January 1, 1875

About the author

Friedrich Wilhelm Nietzsche was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. He began his career as a classical philologist before turning to philosophy. He became the youngest person to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24, but resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes.
Nietzsche's work spans philosophical polemics, poetry, cultural criticism, and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture, and science, and drew inspiration from Greek tragedy as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky, and Johann Wolfgang von Goethe.
After his death, Nietzsche's sister Elisabeth became the curator and editor of his manuscripts. She edited his unpublished writings to fit her German ultranationalist ideology, often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism. 20th-century scholars such as Walter Kaufmann, R.J. Hollingdale, and Georges Bataille defended Nietzsche against this interpretation, and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th- and early 21st-century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism, and post-structuralism—as well as art, literature, music, poetry, politics, and popular culture.

Reviews

[Azzzulnight · Rating 4 out of 5]

para entendidos
(no me incluyo)

[ricmarrod · Rating 3 out of 5]

Cuando habla de filosofía pues sin más. Pero cuando habla de arte y música es un librazo como pocos. Por lo que el título desde luego que no le hace justicia, ¿pero acaso algún título lo hace?

[Kojo · Rating 4 out of 5]

Euh...Donc.... Abat les sciences! Elles ne servent à rien et ne sont que pseudo-vérités anthropomorphistes et subjectives, illusions de nos sens et donc peu fiable! Abat la connaissance! Elle ne sert aucun but réel et amène même la société à stagner, car convaincue de détenir toutes vérités! Vive les philosophes! Seuls eux sont intelligents et porteur de vérité, car ils ne tombent pas dans les pièges maléfiques de la science... Ou en tout cas, vive tous ça si j'ai bien compris, parce que comme le dit si bien l'auteur, il faut être un surdoué talentueux doté d'un esprit élevé et hautement philosophique pour ne comprendre ne serait-ce que l'introduction...mais bon, c'est Nietzsche... Intéressant, mais perplexant, polarisant, mais hautement imbu de lui même. Comme d'habitude, au fond.