This second volume in the series exploring the visual culture of Wales, explores the imaging of people and the land of Wales from the Tudor period until the 1960s. The development of images and image-making is examined in the broader context of the social, economic and political history of Wales.
Peter Lord is an art historian, who specialises in the study of the visual culture of Wales. He has particular interests in the artisan painters of the eighteenth and nineteenth centuries, in the imaging of industrial Wales in the first half of the twentieth century, and in the theoretical questions which arise from the study of visual culture in a nation regarded as marginal to the mainstream of western art history.