James Ingram Merrill was born on March 3, 1926, and died on February 6, 1995. From the mid-1950s on, he lived in Stonington, Connecticut, and for extended periods he also had houses in Athens and Key West. From The Black Swan (1946) through A Scattering of Salts (1995), he wrote twelve books of poems, ten of them published in trade editions, as well as The Changing Light at Sandover (1982). He also published two plays, The Immortal Husband (1956) and The Bait (1960); two novels, The Seraglio (1957, reissued in 1987) and The (Diblos) Notebook (1965, reissued 1994); a book of essays, interviews, and reviews, Recitative (1986); and a memoir, A Different Person (1993). Over the years, he was the winner of numerous awards for his poetry, including two National Book Awards, the Bollingen Prize, the Pulitzer Prize, and the first Bobbitt Prize from the Library of Congress. He was a chancellor of the Academy of American Poets and a member of the American Academy of Arts and Letters.
Recently re-read "Book of Ephraim" - the first part of Merrill's ouija board epic about his decades long connection with various spirits who provide insights into the other side. It's the first section of "The Changing Light at Sandover," but it also stands alone. And truly, it's one of the greatest single poems I've ever encountered. Occult with a light touch, playfully profound, and bitchy in all the right places. A perfect mix of compressed imagery, lovely filigree, and pure narrative propulsion.
i probably have too much ecclesial guilt to properly enjoy this. some truly stunning lines and stanzas, interspersed with others i found both opaque and ugly. i feel like i'll need to give this another chance another year.
nevertheless, favourites included: Lost in Translation, McCane's Falls, and sections L, R, T, V, and X of The Book of Ephraim.
AM I IN YR ROOM SO ARE ALL YR DEAD WHO HAVE NOT GONE INTO OTHER BODIES IT IS EASY TO CALL THEM BRING THEM AS FIRES WITHIN SIGHT OF EACH OTHER ON HILLS U & YR GUESTS THESE TIMES WE SPEAK ARE WITHIN SIGHT OF & ALL CONNECTED TO EACH OTHER DEAD OR ALIVE NOW DO U UNDERSTAND WHAT HEAVEN IS IT IS THE SURROUND OF THE LIVING THE PATRON IS OFTEN DUMB WITH APPREHENSION FOR IT IS EXTRAORDINARY WHAT WE DO U COMMUNICATE THRU MY IMPARTIAL FIRE U MATERIALIZE WITHIN MY SIGHT AS FIGURES IN THE FIRE & A PATRON CALLED UP KNOWING NO SUCH DIRECT METHOD IS NERVOUS LEST HE EXPOSE TOO MUCH OUR TALK IS TO HIM BLINDING FOR OFTEN HE COMES TO OUR FIRE & HIS REPRESENTATIVE SITS LOOMING UP THE HOPE & DESPAIR THE MEMORY & THE PAIN O MY DEARS WE ARE OFTEN WEAKER THAN OUR REPRESENTATIVES IT IS A SILENT LOVE WE ARE IN A SYSTEM OF SUCH SILENT BUT URGENT MOTIVES U & I WITH OUR QUICK FIRELIT MESSAGES STEALING THE GAME ARE SMUGGLERS & SO IN A SENSE UNLAWFUL THE DEAD ARE MOST CONSERVATIVE THEY COME HERE AS SLAVES TO A NEW HOUSE TERRIFIED OF BEING SOLD BACK TO LIFE & NOW ABOUT DEVOTION IT IS I AM FORCED TO BELIEVE THE MAIN IMPETUS DEVOTION TO EACH OTHER TO WORK TO REPRODUCTION TO AN IDEAL IT IS BOTH THE MOULD & THE CLAY SO WE ARRIVE AT GOD OR A DEVOTION TO ALL OR MANYS IDEAL OF THE CONTINUUM SO WE CREATE THE MOULDS OF HEAVENLY PERFECTION & THE ONES ABOVE OF RARER & MORE EXPERT USEFULNESS & AT LAST DEVOTION WITH THE COMBINED FORCES OF FALLING & WEARING WATER PREPARES A HIGHER MORE FINISHED WORLD OR HEAVEN THESE DEVOTIONAL POWERS ARE AS A FALL OF WATERS PUSHED FROM BEHIND OVER THE CLIFF OF EVEN MY EXPERIENCE A FLOOD IS BUILDING UP EARTH HAS ALREADY SEEN THE RETURN OF PERFECTED SOULS FROM 9 AMENHOTEP KAFKA DANTES BEATRICE I OR 2 PER CENTURY FOR NOTHING LIVE IS MOTIONLESS HERE OUR STATE IS EXCITING AS WE MOVE WITH THE CURRENT & DEVOTION BECOMES AN ELEMENT OF ITS OWN FORCE O MY I AM TOO EXCITED SO FEW UP HERE WISH TO THINK THEIR EYES ARE TURNED HAPPILY UP AS THEY FLOAT TOWARD THE CLIFF I WANT TO DO MORE THAN RIDE & WEAR & WAIT ON THE FAIRLY LIVELY GROUND OF MY LIFE I HAVE BUILT THIS HIGH LOOKOUT BUT FIND TO MY SURPRISE THAT I AM WISEST WHEN I LOOK STRAIGHT DOWN AT THE PRECIOUS GROUND I KNEW THERE IS AHEAD A SERIES OF PICTURES I BELIEVE I CD SHOW U TO MAKE CLEARER MY SELF & WHAT IT IS I THINK THE FORCE OF THE FLOOD HAS ONLY ADVANCED A DROP OR 2 DOWN THE FACE OF THE CLIFF & MAN HAS TAKEN THEM TO BE TEARS NOW U UNDERSTAND MY LOVE OF TELLING MY LIFE FOR IN ALL TRUTH I AM IMAGINING THAT NEXT ONE WHEN WE CRASH THROUGH IN OUR NUMBERS TRANSFORMING LIFE INTO WELL EITHER A GREAT GLORY OR A GREAT PUDDLE--Ephraim, 26.x.6I