The Fall of the Pagoda, the first of two semi-autobiographical novels written originally by Eileen Chang in English, depicts in gripping detail her childhood years in Tianjin and Shanghai, while The Book of Change revolves around her wartime student days in Hong Kong. The Fall of the Pagoda introduces a young girl (called Lute) growing up amid many family entanglements with her divorced mother and spinster aunt during the 1930s in Shanghai’s International Settlement. Both novels shed light on the construction of selfhood in Chang’s other novels, through lengthy discussions of Chang’s difficult relationship with her selfishly demanding mother as well as of intricate dynamics in the extended families who emerged from aristocratic households of the late Qing Dynasty. While the main characters belong to the new Republican period, their worldviews and everyday life are still haunted by the shadows of the past.
Eileen Chang is the English name for Chinese author 張愛玲, who was born to a prominent family in Shanghai (one of her great-grandfathers was Li Hongzhang) in 1920.
She went to a prestigious girls' school in Shanghai, where she changed her name from Chang Ying to Chang Ai-ling to match her English name, Eileen. Afterwards, she attended the University of Hong Kong, but had to go back to Shanghai when Hong Kong fell to Japan during WWII. While in Shanghai, she was briefly married to Hu Lancheng, the notorious Japanese collaborator, but later got a divorce.
After WWII ended, she returned to Hong Kong and later immigrated to the United States in 1955. She married a scriptwriter in 1956 and worked as a screenwriter herself for a Hong Kong film studio for a number of years, before her husband's death in 1967. She moved from New York to Los Angeles in 1972 and became a hermit of sorts during her last years. She passed away alone in her apartment in 1995.
I love Eileen Chang and was so excited to read the first installment of her two-part autobiographical novel written in English. The first 100 pages dragged for me. It seemed like she spent too much time describing the personal lives of the servants in her household. It's interesting stuff, but I think she wanted to replicate The Sing-Song Girls of Shanghai, which she spent years translating. Once the story got going, however, it was a fascinating look into her troubled childhood. I enjoyed reading about her mother and paternal aunt, who sailed off to Europe for several years. Her father and step-mother were other colorful characters. I'm always game for anything set in pre-WWII Shanghai and in that respect, this book doesn't disappoint.
I can't believe Eileen Chang isn't a smash hit in the West yet. This novel, written in English during her exile, isn't quite as good as her Chinese-language material. But the emotional brutality is even more unbearable than "Half a Lifelong Romance" because of the characters' isolation — and because it's based on Chang's real life. Another excellent novel from one of our most underrated, essential authors.
Eileen Chang is cool! This isn't technically about real people as it's a semi-autobiographical novel, but it's close enough that the tag can stand. I found it interesting that the summary on the back refers to Chang's "selfishly demanding mother" when the monster of the book seems to be her dad.
It was really well written -- intelligent and unsentimental -- and especially interesting for the way Chang reconstructs her own history. I think it's quite transparent where, e.g., she explains the motives of the adults that Lute herself doesn't understand, and talks about what she should have done instead (like with her nurse -- saying she should have given her money when she left, instead of sweets as she did).
I got so furious when her father locked her up! I totally did not expect it, and knowing it was true made it even worse. Wah, how my heart beat when she was escaping; I was terrified that she'd be brought back. I respond very strongly to parental unreliability as a trope in fiction (cf. Diana Wynne Jones's books).
The Fall of the Pagoda is Eileen Chang's semi-autobiographic novel, recounting the heroine's childhood in the China of the 1920s and 1930s, picking up motives Chang used in several of her previous short stories and novellas.
Some novels help you to understand the fabric of world history more than any history book could. Eileen Chang masterfully captures the Zeitgeist in her writings, using the family story to make you understand the different forces pulling the Chinese society between feudal state and modern republic apart.
This book is set in Shanghai in the 1930s and it immerses the reader in the life of the society via the eyes of a girl growing up in these troubled times.