Wells and Trent wander through ruins of a medical dictionary, digitalia, and collage to create a severe pose as commentary on destruction and decay of the body--and the body as phenomena. Wells, in his introduction, says "with art comes form, and with form come limits." And is not the body limited by the only human death? But, ultimately it is all about creation. I applaud the aesthetic of this collection of riveting images. Another required text for Asemia and Visual Poetry. --Kristine Snodgrass, author of RANK A brilliant exercise in both repetition and symmetry... Wells applies Trent's words to the page over and over in ways that remind the reader/viewer of the different effects that happenin a hall of mirrors. There is always another place to turn and look again from a new perspective. --Amanda Laughtland, publisher of Teeny Tiny Press
Letitia Trent's books include the novels Almost Dark and Echo Lake, the poetry collection One Perfect Bird, and the chapbooks The Women in Charge and You aren't in this movie. Her work has appeared in 32 poems, Fence, Black Warrior Review, Diode, Smokelong Quarterly, and Sou'Wester, among others. Trent's short story, Wilderness, was nominated for a Shirley Jackson award and included in Best Horror of the Year Volume 8, edited by Ellen Datlow. Trent is part of the horror podcast The Brood. She lives in Eureka Springs, Arkansas, with her husband, son, and three black cats.