Lorca's singular language reveals compelling evidence of innate spiritual potential, influenced by poets from Christian, Sufi, Buddhist, and other mystic traditions, from his earliest works to its culmination in the technical mastery of his last poems
The content is thorough, the argument legitimate, even if I think the Buddhist bit is a total stretch and I question Fray Luis de León as primarily syncretic. The overwrought language is a real slog, but I identify with that problem.