New Punk Cinema

Traditions in World Cinema

by Nicholas Rombes (Editor), Steven Schneider, Stacy Thompson (Contributor)

New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project , Time Code , Run Lola Run , Memento , The Celebration , Gummo , and Requiem for a Dream . New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Features* Offers a comprehensive examination of the term 'new punk' cinema.* Provides several new approaches for the study of digital cinema.* Includes close analysis of several key new punk films and directors.

Genres: Film

224 pages, Paperback

First published May 18, 2005

About the author

Nicholas Rombes works in Detroit. His novels include The Absolution of Roberto Acestes Laing (Two Dollar Radio), The Rachel Condition (CLASH Books), and Lisa 2, v 1.0 (Calamari Archives). He's written for The Believer, The Oxford American, n+1 online, & Filmmaker Magazine and is author of Ramones, from Bloomsbury's 33 1/3 series and 10/40/70 from Zer0 Books.

Reviews

[molly · Rating 2 out of 5]

blah blah blah