Of course shit hits the fan in New Jersey. It's always New Jersey. We're going to have to see if Johnny can manage to beat Valentine without turning his horse left.
Much of this volume is transition. It's kind of utilitarian in getting Johnny and Gyro on board the train while also introducing Love Train. But it's by no means bad. In particular the conductor's situation was a nice fakeout. His perilous situation took a minute for me to wrap my head around, but was actually ingenious.
Also, I think Hot Pants might have unceremoniously died? Which is kind of wack given how important she's been. I hope this isn't the end for her, because she's really fallen off as a character at the end here.
Love Train is a fantastic ability. It looks amazing in full color and the name is fantastic. It's cool to finally have a main villain who controls space, rather than time. Symbolically, it works really well. Yes, I'm about to get on my soapbox again.
Love Train's ability is one twofold. It centers the world around its user and exports all pain away from the user to be inflicted on someone else. So you have a president who centers the world around himself and makes random innocent people pay the price for any damage he has caused. It's pretty easy to see the symbolism. There is one instance where his power literally puts the bullet in the head of a child in a war-torn country. The president, and by the extension the United States, thrives by exporting brutality. We are deliberately divorced from the brutality that is necessary to create what we think of as "normal life". Slave labor, sweatshops, blood diamonds, factory farming of livestock, imperialism. The things we enjoy have been paid for with blood. But by monopolizing that brutality and exporting it away from where we can see it, the United States can maintain the facade of civility.
I'm really not reaching here. This probably only feels like subtext if you're from an imperialist country. The president states that the reality of the world is that one man must rule another. Then he activates an ability that kills innocent people so he can continue his pursuit of power. It's only subtle if you've been conditioned to ignore this kind of thing.
Shifting gears, I'm not sure I buy into Johnny's crisis of confidence. It came a little to quickly and Gyro's wounds were way too light. But I did like the parallels between Johnny's brother and Gyro. He sees a fraternal figure in peril and he's immediately taken back to being that scared kid again. Plus the source of his power up is really wholesome. The spin is powered up its users become aware of the divine beauty of nature. And he's powered up further by having his horse run as joyfully as possible and becoming attuned to that joy. The spin, as a powerset, is based on a connection to and appreciation of nature.