Thirty-plus years ago a dark rumble of noise gurgled up from the Lower East Side of New York City, made its way across the Atlantic to Great Britain, zigzagged back over the pond to the West Coast, and exploded. Its name—Punk. In Punk 365 , the most provocative photography documenting the performances, the looks, and the attitude has been gathered together, revealing reverberations that continue to shake up the status quo.
Here we see it Pre-punk pioneers, the Stooges, the New York Dolls, the MC5. New York’s harbingers of change, the Ramones, Patti Smith, Richard Hell & the Voidoids. London’s anarchists, the Sex Pistols, the Clash, the Slits. The West Coast’s anti-Beach Boys, X, the Germs . . .the list goes on. By the mid-1980s, from the Replacements to Bad Brains, the sound transmogrified into everything from garage punk to hardcore. Punk 365 has them all, including more than 300 different artists by the most talented photographers who captured the scene, including Bob Gruen, Roberta Bayley, Jill Furmanovsky, Stephanie Chernikowski, Godlis, Janette Beckman, and more.
I've been reading a couple pages at a time of Punk 365 for the past six months. It's fun to dip into it every few days and take a trip down memory lane. I became aware of punk just as it was evolving into hardcore and being superseded by New Wave. I still have a torn rotator cuff from slam dancing at some grungy little dive back in late '79.
There are a lot of great photos from that time which show you exactly how crappy those places were. Half the time there was no one in the place while the rest of the time the crowd was always way beyond a safe capacity. Which was sort of punk in a nutshell, really: full throttle or idling.
The only thing this book doesn't evoke is the smell of the era. All those clubs smelled of stale beer, weed, cigarettes and vomit, and by the early '80s there was also the faint but omnipresent metallic tang of blood. By then I was out of the scene.
The book does sort of lose the plot towards the end when it starts talking about pop stars who have only the most tangential connection to punk. I mean, there was always a serious pop sensibility to the movement, but it never included the likes of Madonna. But for the most part it does cover a nice range of the scene from the early '70s to mid-90s.
I also quite liked how so much information was packed into such a small space, getting across not just the flavor of the punk attitude but little dollops of information. Sometimes these nuggets would pay off many pages later as the other shoe dropped, so you get a nice sketch of a band's arc.
Some interesting photos, albeit far from all punk-related, but the lack of any educated copy editor results in some shockingly bad captions accompanying the images, from banal musings to irrelevant cut & paste quote jobs to endless factual errors. Truly embarrassing, this resembles nothing so much as a junior high school project, with writing to match.
The intro by Richard Hell is the best prose I've read by him.
What's remarkable about this book is how half the pages are populated by bands I've never heard of. Without the aura of my memories, those images lack resonance and don't connect. It makes me realize how invisible most human beings are. We pass through time but make no discernible dent in history, art, or memory. Perhaps there is fear in that awareness, but there's also freedom there. Invent yourself. Be who you wanna be. Nobody cares. So have fun while you can.
This feels like a haphazard collection of photos they happened to have access to put together by someone who vaguely heard of punk. I was confused by the organizational structure that was not parallel nor consistent within the sections and surprised at both some of the inclusions and exclusions.
Punk 365 By Holly George Warren Foreward by Richard Hell.
I am totally thankful to Jet for giving me this book at Xmas it is a real treat. Finally a great coffee table book on Punk featuring in a series of books of 365 photos on one subject such as say the Civil War or Golf Courses so naturally on to Punk. It covers it from it's origins with the Velvet Underground and Stooges MC5 through to Dgeneration in 1992 but written and published in 2007, so the bios and information on the whereabouts of the various punks featured is bang up to date. Loads of great shots of everyone from patti Smith through to Pylon and the Nervus Wrecks all taken by snappers including Bob Gruen and Jill Furmanovsky, Jenny Lens and Stephanie Chernikowski among others. Great to see cool shots of Jayne County, Lydia Lunch and on the section in the 80's a buch of bands I saw around the time the photos were taken, but sadly none that I could say were from shows that I actually saw. The closest they get is a very early photo of Crime And The City Solution taken at the Electric Cinema, I believe that was the second british gig they played and the first was at the Mean Fiddler in Harlesden the night before when they opened for I think either Nick Cave or Sonic Youth, still any book that brings back those sorts of memories is a big hit with me!!
it's got killer photos. if you love rock n' roll history like your life depends on it then this is indispensable. if you love good photography but hate rock n' roll you'll STILL love this, the photos are really that good. there's too many great ones to mention but personal faves include Iggy Pop onstage in moccasins, John Cale with a bowl cut and a bass, the Bad Brains, and every one that has Paul Simonon from The Clash. that guy is the SHIT!
Excellent photographic overview of the 1970's punk scene ,from the famous to the more obscure.It has an insiders type feel as it was edited by a woman who was heavily involved in the scene at that time.
As a huge Pistols fan, I can't help but wishing that they had been given the same amount of coverage as the Ramones.
That and the puzzling latter inclusion of several artists that have nothing to do with punk prevent me from giving the book a full 5 stars.
I absolutely love this book. Of course I love photos, old photos, old photos of shows from when it all started. I love the layout of photos on the right and a small amount of text on the left.