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Murder by #2
Murder by Deception
When a dead and naked body shows up in his wheat field, Farmer MacPhearson is suspected of murder, but with the help of lawyer John Lloyd Branson, he hopes to prove his innocence
- GenresMystery
280 pages, Paperback
First published August 1, 1989
5 people are currently reading
40 people want to read
About the author
D.R. Meredith
33 books31 followers(from Fantastic Fiction online)
D.R. Meredith, Doris to friends and family, has a split personality--by day, she is a conservatively dressed legal secretary at her husband Mike's law firm. By night she turns into Mrs. Hyde dressed in jeans, flip-flops, and Texas Rangers tee shirt, and commits bloody murder.
She is now in double digits. In her fourth book in the Megan Clark mystery series, the 18th book of her career, D.R. Meredith has just committed her 35th murder.
"I usually average 2 murders a book, because one murder in a closed circle of suspects usually leads to another in the accepted Agatha Christie fashion. In TOME OF DEATH there are two murders, but they occur 150 years apart. I like linking the past and present and exploring the effect our past has on our present. I can't tell how I use the past without giving a broad hint to the killer's identity, but I will say that human beings don't change over time except in dress and customs. My Comanche warrior amateur sleuth isn't all that different in emotional feelings from modern paleopathologist Megan Clark, except Megan isn't into scalping."
D.R. Meredith, Doris to friends and family, has a split personality--by day, she is a conservatively dressed legal secretary at her husband Mike's law firm. By night she turns into Mrs. Hyde dressed in jeans, flip-flops, and Texas Rangers tee shirt, and commits bloody murder.
She is now in double digits. In her fourth book in the Megan Clark mystery series, the 18th book of her career, D.R. Meredith has just committed her 35th murder.
"I usually average 2 murders a book, because one murder in a closed circle of suspects usually leads to another in the accepted Agatha Christie fashion. In TOME OF DEATH there are two murders, but they occur 150 years apart. I like linking the past and present and exploring the effect our past has on our present. I can't tell how I use the past without giving a broad hint to the killer's identity, but I will say that human beings don't change over time except in dress and customs. My Comanche warrior amateur sleuth isn't all that different in emotional feelings from modern paleopathologist Megan Clark, except Megan isn't into scalping."
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Displaying 1 - 7 of 7 reviews
July 9, 2012
This is a review of all five books in the 'John Lloyd Branson' series
The John Lloyd Branson series, about an eccentric Texan attorney, was written by DR Meredith in 1988 and concluded with five books in 1993. This series was recommended to me by some crime-fiction aficionados on the Amazon discussion boards. Apparently the ‘John Lloyd Branson’ series is little-known, but hailed by the niche group of readers who live for all things crime-fiction. And I've got to say... I was impressed.
Each book starts with a crime, and the police officer who is on call to report it. In each instance that officer is Sergeant Larry Jenner of the Amarillo traffic police. Jenner is in his early thirties and happy to coast along as a traffic cop. But Ed Schroder, detective for the Special Crimes Unit, envisions great things for Sergeant Jenner... and in the first book Schroder takes the young cop under his wing (whether Jenner likes it or not.)
Meanwhile, in Canadian, twenty-four year old law student Lydia Fairchild is meeting John Lloyd Branson for the first time. Lydia has been assigned to understudy with the brilliant attorney on recommendation of her University Dean, but John Lloyd is not what Lydia expected. For one thing, John Lloyd is a southern gentlemen bordering on chauvinistic. He dresses like a riverboat gambler and his office is harks back to the Victorian era (though he’s 38 years-old). John Lloyd pushes all of Lydia’s buttons, and within a few minutes of meeting him she finds herself threatening to commit bodily harm on his person and cursing like a sailor... but John Lloyd seems to think theirs is a perfect partnership.
The mystery in each book varies greatly but with two consistencies; the first is that the murder is always the precipitating circumstance to bring all the characters together. The other constant is that each murder occurs in the Texas Panhandle; Schroder and Branson’s jurisdiction. Branson and Schroder investigate everything from prostitutes being killed by a Ripper serial killer, to a nasty divorce settlement that may have ended in poisoning. Branson investigates for his defence of the accused, while Schroder works to build the DA’s case.
Each book is a murder mystery, character exploration and family drama all rolled into one.
Branson and Schroder are the heavy-weights in their respective fields, and between them they leave no stone unturned. Character history is unravelled, eye-witnesses coaxed, last hours are played out and alternate suspects are sniffed out. In each book DR Meredith constructs a ‘whodunit’ mystery that is meticulous and brain-teasing. And there’s nothing in the technical crime-solving to hint that these novel’s were written in the late 80’s/early 90’s. Apart from a lack of mobile phones or mention of the Internet, there’s still forensic analysis and computer lab technology to placate crime-fiction connoisseurs.
I loved the narrative perspectives in each novel. Our two primary narrators are Lydia Fairchild and Sergeant Jenner. These two are navigating new partnerships with the ‘old-timers’ in their respective fields. For Jenner, he is partnered with Detective Schroder and unwittingly taken under the older policeman’s wing and taught how to defend the innocent and find the guilty party. Lydia Fairchild is likewise partnered with the best attorney in Texas (though to ask John Lloyd, he would say ‘the world’). Lydia is in her last year of law school and about to enter the courtroom arena, from John Lloyd she is learning about how to question witnesses, keep the police at a distance and uncover the truth away from prying eyes. I loved the contrast of old/new, up-and-coming versus old dogs. Just as Jenner and Fairchild are trying to figure out how their mentors tick, readers are likewise trying to keep up with these teachers.
But the absolute stand-out star of each novel (and the series overall) is without a doubt John Lloyd Branson. He’s a little bit of every witty curmudgeon, snobby intelligentsia and antihero hero that we love. I would liken him to Gregory House, Alan Shore and Sherlock Holmes... but with his own distinct style. He wears three-piece suits, boleros and Stetsons. He is a Southern gentleman through and through, but with a cut-throat sensibility. He doesn’t use contractions, and he prides himself on his manners. He is brilliant. And the best thing about John Lloyd Branson is that he is entirely believable. He opens his mouth and can cut a man down at twenty paces. He is *that* intellectually intimidating and sure of himself. But John Lloyd is only a man in his early thirties, and that comes across. John Lloyd has so much passion and fire, especially for the law and his role as an attorney, and when he talks about his responsibilities you know this is a man for whom the law is life, and his appreciation is infectious...
“You make it sound like a game, John Lloyd,” Lydia protested.
His hands tightened on the steering wheel and she suddenly noticed how strong his hands looked. He could wield a sword or a lance. And be totally merciless.
“What are games but life reduced to symbolic rituals? Trials are a symbolic re-enactment of the ancient practice of settling disputes by armed combat. Attorneys are champions chosen by each side to represent them on the field. We use statutes and case law rather than crude weapons, but we must use them just as skilfully. But my skill is useless if I cannot counter the thrust of my opponent’s sword because my limbs are bound and I lack freedom of movement.”
- ‘Murder by Impulse’ John Lloyd Branson #1
John Lloyd’s believable brilliance is not just in how other characters react to him either. It’s not a case of Schroder *saying* John Lloyd is clever and witty. It’s more a case of DR Meredith writing brilliantly acerbic dialogue for John Lloyd and perfecting his Southerly mannerisms. Still, it is hilarious to read character’s reactions to John Lloyd, and I think Schroder’s summary of his attorney reputation says it best;
“... you can figure we’ve caught the client with a smoking gun in his hand with his fingerprints on it, forty eyewitnesses, and video tapes taken by a passing TV cameraman. Not that it does us any good. John Lloyd Brandon will either prove the victim was stabbed, not shot, that the eyewitnesses were all legally blind, or that the video tape had been tampered with...”
- ‘Murder by Impulse’ John Lloyd Branson #1
Schroder and Branson have a wonderful dynamic. Schroder is perhaps the most mysterious character in the series, even more so than John Lloyd Branson. But we learn the most about Schroder’s character through his interactions with Branson. These two cowboys have been competing at the same rodeo for a few years now, and it shows. Every meeting between them feels like a cock fight and there’s lots of history, plenty of grudge but all tempered with a healthy dose of respect. Neither will admit it in front of the other, but spoken to Jenner and Fairchild we learn that Branson and Schroder acknowledge each other as being the best. These two push each other, compete with one another and have ended up being better for the competition.
Each novel is a murder-mystery of Machiavellian proportions, beautifully executed by DR Meredith’s talented pen. Whether John Lloyd Branson is posing as a sword-wielding pimp to uncover a serial murderer or Schroder is trying to get to the bottom of a deadly dinosaur... the mystery in each novel is superb. But what I responded to most of all (and much to my surprise) was the romance woven throughout...
From the get-go there’s definite heat and spark between Lydia and John Lloyd. Theirs is a slow-burn romance, since John Lloyd seems wholly aware of Lydia’s developing crush on him and hell-bent on preventing it. John Lloyd has secrets and a romantic past that impinge on his feelings for Lydia, which throughout five novels he is desperate to ignore. But John Lloyd can’t deny his feelings for long, or discreetly. Other characters remark on John Lloyd and Lydia’s dynamic and clear affection. Lydia herself is very honest in her feelings, and ruthless in her seduction. And the romance is made even greater by the pair’s push-and-pull dynamic. They trade verbal barbs one minute, and in the next John Lloyd is crushing Lydia to his side. It’s all very rollercoaster, and heart-palpitating.
“It is very difficult to kiss you when you are talking. I feel as if I am aiming for a moving target.”
“What?”
“It is your intention to kiss me, is it not? Since that activity is most rewarding when both parties participate, I intend to kiss you, also. Our decision is unwise, unprofessional, dangerously reckless, and one we shall undoubetedly both regret, but it is necessary.”
“Why?” she asked. If this were a dream, it beat the hell out of sea and sand and buccaneers.
“Thanksgiving,” he whispered. “That you are alive.”
- ‘Murder by Masquerade’ John Lloyd Branson #3
This series is superb. It is a crime-fiction delicacy to be savoured for its melt in your mouth brilliance. Everything comes together perfectly; the whodunit, the heroes and villains and an intimidating but brilliant protagonist to cut your teeth on. DR Meredith’s John Lloyd Branson series will go down as one of my all-time favourites.
The John Lloyd Branson series, about an eccentric Texan attorney, was written by DR Meredith in 1988 and concluded with five books in 1993. This series was recommended to me by some crime-fiction aficionados on the Amazon discussion boards. Apparently the ‘John Lloyd Branson’ series is little-known, but hailed by the niche group of readers who live for all things crime-fiction. And I've got to say... I was impressed.
Each book starts with a crime, and the police officer who is on call to report it. In each instance that officer is Sergeant Larry Jenner of the Amarillo traffic police. Jenner is in his early thirties and happy to coast along as a traffic cop. But Ed Schroder, detective for the Special Crimes Unit, envisions great things for Sergeant Jenner... and in the first book Schroder takes the young cop under his wing (whether Jenner likes it or not.)
Meanwhile, in Canadian, twenty-four year old law student Lydia Fairchild is meeting John Lloyd Branson for the first time. Lydia has been assigned to understudy with the brilliant attorney on recommendation of her University Dean, but John Lloyd is not what Lydia expected. For one thing, John Lloyd is a southern gentlemen bordering on chauvinistic. He dresses like a riverboat gambler and his office is harks back to the Victorian era (though he’s 38 years-old). John Lloyd pushes all of Lydia’s buttons, and within a few minutes of meeting him she finds herself threatening to commit bodily harm on his person and cursing like a sailor... but John Lloyd seems to think theirs is a perfect partnership.
The mystery in each book varies greatly but with two consistencies; the first is that the murder is always the precipitating circumstance to bring all the characters together. The other constant is that each murder occurs in the Texas Panhandle; Schroder and Branson’s jurisdiction. Branson and Schroder investigate everything from prostitutes being killed by a Ripper serial killer, to a nasty divorce settlement that may have ended in poisoning. Branson investigates for his defence of the accused, while Schroder works to build the DA’s case.
Each book is a murder mystery, character exploration and family drama all rolled into one.
Branson and Schroder are the heavy-weights in their respective fields, and between them they leave no stone unturned. Character history is unravelled, eye-witnesses coaxed, last hours are played out and alternate suspects are sniffed out. In each book DR Meredith constructs a ‘whodunit’ mystery that is meticulous and brain-teasing. And there’s nothing in the technical crime-solving to hint that these novel’s were written in the late 80’s/early 90’s. Apart from a lack of mobile phones or mention of the Internet, there’s still forensic analysis and computer lab technology to placate crime-fiction connoisseurs.
I loved the narrative perspectives in each novel. Our two primary narrators are Lydia Fairchild and Sergeant Jenner. These two are navigating new partnerships with the ‘old-timers’ in their respective fields. For Jenner, he is partnered with Detective Schroder and unwittingly taken under the older policeman’s wing and taught how to defend the innocent and find the guilty party. Lydia Fairchild is likewise partnered with the best attorney in Texas (though to ask John Lloyd, he would say ‘the world’). Lydia is in her last year of law school and about to enter the courtroom arena, from John Lloyd she is learning about how to question witnesses, keep the police at a distance and uncover the truth away from prying eyes. I loved the contrast of old/new, up-and-coming versus old dogs. Just as Jenner and Fairchild are trying to figure out how their mentors tick, readers are likewise trying to keep up with these teachers.
But the absolute stand-out star of each novel (and the series overall) is without a doubt John Lloyd Branson. He’s a little bit of every witty curmudgeon, snobby intelligentsia and antihero hero that we love. I would liken him to Gregory House, Alan Shore and Sherlock Holmes... but with his own distinct style. He wears three-piece suits, boleros and Stetsons. He is a Southern gentleman through and through, but with a cut-throat sensibility. He doesn’t use contractions, and he prides himself on his manners. He is brilliant. And the best thing about John Lloyd Branson is that he is entirely believable. He opens his mouth and can cut a man down at twenty paces. He is *that* intellectually intimidating and sure of himself. But John Lloyd is only a man in his early thirties, and that comes across. John Lloyd has so much passion and fire, especially for the law and his role as an attorney, and when he talks about his responsibilities you know this is a man for whom the law is life, and his appreciation is infectious...
“You make it sound like a game, John Lloyd,” Lydia protested.
His hands tightened on the steering wheel and she suddenly noticed how strong his hands looked. He could wield a sword or a lance. And be totally merciless.
“What are games but life reduced to symbolic rituals? Trials are a symbolic re-enactment of the ancient practice of settling disputes by armed combat. Attorneys are champions chosen by each side to represent them on the field. We use statutes and case law rather than crude weapons, but we must use them just as skilfully. But my skill is useless if I cannot counter the thrust of my opponent’s sword because my limbs are bound and I lack freedom of movement.”
- ‘Murder by Impulse’ John Lloyd Branson #1
John Lloyd’s believable brilliance is not just in how other characters react to him either. It’s not a case of Schroder *saying* John Lloyd is clever and witty. It’s more a case of DR Meredith writing brilliantly acerbic dialogue for John Lloyd and perfecting his Southerly mannerisms. Still, it is hilarious to read character’s reactions to John Lloyd, and I think Schroder’s summary of his attorney reputation says it best;
“... you can figure we’ve caught the client with a smoking gun in his hand with his fingerprints on it, forty eyewitnesses, and video tapes taken by a passing TV cameraman. Not that it does us any good. John Lloyd Brandon will either prove the victim was stabbed, not shot, that the eyewitnesses were all legally blind, or that the video tape had been tampered with...”
- ‘Murder by Impulse’ John Lloyd Branson #1
Schroder and Branson have a wonderful dynamic. Schroder is perhaps the most mysterious character in the series, even more so than John Lloyd Branson. But we learn the most about Schroder’s character through his interactions with Branson. These two cowboys have been competing at the same rodeo for a few years now, and it shows. Every meeting between them feels like a cock fight and there’s lots of history, plenty of grudge but all tempered with a healthy dose of respect. Neither will admit it in front of the other, but spoken to Jenner and Fairchild we learn that Branson and Schroder acknowledge each other as being the best. These two push each other, compete with one another and have ended up being better for the competition.
Each novel is a murder-mystery of Machiavellian proportions, beautifully executed by DR Meredith’s talented pen. Whether John Lloyd Branson is posing as a sword-wielding pimp to uncover a serial murderer or Schroder is trying to get to the bottom of a deadly dinosaur... the mystery in each novel is superb. But what I responded to most of all (and much to my surprise) was the romance woven throughout...
From the get-go there’s definite heat and spark between Lydia and John Lloyd. Theirs is a slow-burn romance, since John Lloyd seems wholly aware of Lydia’s developing crush on him and hell-bent on preventing it. John Lloyd has secrets and a romantic past that impinge on his feelings for Lydia, which throughout five novels he is desperate to ignore. But John Lloyd can’t deny his feelings for long, or discreetly. Other characters remark on John Lloyd and Lydia’s dynamic and clear affection. Lydia herself is very honest in her feelings, and ruthless in her seduction. And the romance is made even greater by the pair’s push-and-pull dynamic. They trade verbal barbs one minute, and in the next John Lloyd is crushing Lydia to his side. It’s all very rollercoaster, and heart-palpitating.
“It is very difficult to kiss you when you are talking. I feel as if I am aiming for a moving target.”
“What?”
“It is your intention to kiss me, is it not? Since that activity is most rewarding when both parties participate, I intend to kiss you, also. Our decision is unwise, unprofessional, dangerously reckless, and one we shall undoubetedly both regret, but it is necessary.”
“Why?” she asked. If this were a dream, it beat the hell out of sea and sand and buccaneers.
“Thanksgiving,” he whispered. “That you are alive.”
- ‘Murder by Masquerade’ John Lloyd Branson #3
This series is superb. It is a crime-fiction delicacy to be savoured for its melt in your mouth brilliance. Everything comes together perfectly; the whodunit, the heroes and villains and an intimidating but brilliant protagonist to cut your teeth on. DR Meredith’s John Lloyd Branson series will go down as one of my all-time favourites.
This entire review has been hidden because of spoilers.
March 2, 2021
Excellent but...
I liked this book. I loved the characters, the plot twists and the unexpected ending. I would have given this book 5 stars however, the kindle edition has MANY grammar mistakes for example: quotation marks in the wrong place, periods in the middle of sentences, 2 lines at the end of sentences suggesting a new subject or setting and then missing the 2 lines after sentences so we know the story is moving to a different place, missing words in sentences or too many words in a sentence or a word like the word but not the right word. All these "grammatical" mistakes interrupt the flow. As a former reader of D. R. Merdith's books I have the paperbacks. The paperbacks do not have all these errors.
I liked this book. I loved the characters, the plot twists and the unexpected ending. I would have given this book 5 stars however, the kindle edition has MANY grammar mistakes for example: quotation marks in the wrong place, periods in the middle of sentences, 2 lines at the end of sentences suggesting a new subject or setting and then missing the 2 lines after sentences so we know the story is moving to a different place, missing words in sentences or too many words in a sentence or a word like the word but not the right word. All these "grammatical" mistakes interrupt the flow. As a former reader of D. R. Merdith's books I have the paperbacks. The paperbacks do not have all these errors.
May 11, 2025
Very funny, but a story with twist and turns and a subject to think about
August 5, 2015
Well, I know after the fist book in the series I said I won't follow this author anymore, and yet I find myself with the second book in the series by the same author. Now to be consistent, it's not like I wanted to go over this book, it's just I do like the murder mystery style and I had nothing available around, but this book waiting for me, so why not give this author another chance.
What can I say about this book? Pretty much the same like about the previous one. Clearly part of a series the author designed to launch, sane characters, same places, in southern Texas and most irritating same Victorian old style English language used in dialog between characters. Now, don't get me wrong, it's nothing wrong with that style, it's just hard for me to digest it and even more, to find it entertaining. So I can't help but not to like it very much. I'm a city boy, grew up in the city and living in the modern times of the 21st century, so I'm not so crazy about the county style, old Victorian aristocratic style of conversation, and this book, like the previous one is full of this type of dialog.
Yes, the plot is there, is quite interesting if you find the patience to go over the book, there are some twists and turns that will make it even more interesting, but hey, unless you're an English major and enjoy old style of southern conversation, it's not entertaining at least not to me.
There is some value in this book, same as with the previous one in the series, that's why a three star rating will suffice, but they are not easy to digest, as such I will stop here, in my case I will turn to more entertaining books.
What can I say about this book? Pretty much the same like about the previous one. Clearly part of a series the author designed to launch, sane characters, same places, in southern Texas and most irritating same Victorian old style English language used in dialog between characters. Now, don't get me wrong, it's nothing wrong with that style, it's just hard for me to digest it and even more, to find it entertaining. So I can't help but not to like it very much. I'm a city boy, grew up in the city and living in the modern times of the 21st century, so I'm not so crazy about the county style, old Victorian aristocratic style of conversation, and this book, like the previous one is full of this type of dialog.
Yes, the plot is there, is quite interesting if you find the patience to go over the book, there are some twists and turns that will make it even more interesting, but hey, unless you're an English major and enjoy old style of southern conversation, it's not entertaining at least not to me.
There is some value in this book, same as with the previous one in the series, that's why a three star rating will suffice, but they are not easy to digest, as such I will stop here, in my case I will turn to more entertaining books.
September 20, 2025
They are defending a farmer who has the naked, dead body of a DoE agent on his field.
What I enjoyed most:
* So many deceptions and getting them all uncovered was very interesting
* Learning the government was stupid enough to consider risking major farming communities to dump radioactive waste and that eventually smart enough not to do so
* The slow-building romance between John Lloyd and Lydia
* Poor Jenner being forced to endure working on murders with Schroder
What I enjoyed most:
* So many deceptions and getting them all uncovered was very interesting
* Learning the government was stupid enough to consider risking major farming communities to dump radioactive waste and that eventually smart enough not to do so
* The slow-building romance between John Lloyd and Lydia
* Poor Jenner being forced to endure working on murders with Schroder
August 24, 2013
Hilarious. This book will make you laugh from the naked body on an old mans farm with 2 different colored socks to the whiny guy you think is the killer but may not be this book is really funny and also draws light to a few different environmental problems that you wouldn't have imagined would affect people in the pan handle of Texas.
January 14, 2015
A good read to be sure
If you can ignore the bad Texas language you can't help enjoying this mystery. The author has a sense of humor as well as writing a good mystery. I got so engrossed in the details, I overlooked the language without thinking about it.
If you can ignore the bad Texas language you can't help enjoying this mystery. The author has a sense of humor as well as writing a good mystery. I got so engrossed in the details, I overlooked the language without thinking about it.
Displaying 1 - 7 of 7 reviews