Who knew a basement sleepover would lead to exploring a haunted house, putting eleven-year-olds Amber DeBarre and Courtney Richards in mortal jeopardy? It begins with the girls watching a movie at Amber's house in Blue Springs, Missouri. Courtney hasn't lived in the city for long, but she and Amber both enjoy scary shows. The one they're watching tonight is subpar, so Amber jokingly suggests they visit a local horror landmark, an abandoned house at the end of a lonely, unpaved road. Kids and adults avoid the "Madhouse", where strange incidents have been reported for years. Amber has no intention of actually going there, but Courtney's adventurous spirit takes hold and soon the girls are standing in front of the decrepit old house, trying to ignore the fear creeping over them both. It's just an abandoned building, right? Nothing horrible waits within.
After running into Scott Palmer, a friend from school, the three peer inside an open window of the Madhouse and are astounded to see a colorful, noisy carnival, full-sized rides extending up into a blue sky. Magic is at work here, but Courtney sees no reason for fear. She climbs through the window and joins the carnival fun, reluctantly joined by Amber and Scott. Time is suspended inside the house, a boy named Tony assures them; they can stay as long as they like without worrying their parents. It's a dream come true...until other kids at the carnival indicate no one is ever allowed to go home. Tony admits to Amber, Courtney, and Scott that the Madhouse was created by a wizard named Jeffrey. It's a center of endless fantasy realms, and the only hope of leaving is to track the wizard to his home and demand he release them. Amber, Courtney, and Scott follow Tony through a series of fantastic mindscapes, in and out of danger, as they trek toward Jeffrey, desperate to earn an audience with the wizard. Will they be the first kids who escape the Madhouse, or end up trapped in its halls of illusion for eternity?
Missouri Madhouse is more silly than scary. Dwayne Harris's cover art for the edition I read depicts a house of menace, but Jeffrey's illusions tend to be playful, even whimsical. The story has little to do with a haunted house; the Madhouse is just the conduit for a variety of adventures in fantasy lands, more comparable to L. Frank Baum's The Wonderful Wizard of Oz than one of R.L. Stine's Goosebumps books. I suppose I'd consider rating Missouri Madhouse one and a half stars, but if you want more pep in your juvenile horror, Terrible Tractors of Texas and Florida Fog Phantoms are better options in the American Chillers series. Johnathan Rand at his best is an effective storyteller.