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The Poems of Basil Bunting
The first critical edition of the complete poems of Basil Bunting, published on the fiftieth anniversary of his masterpiece, Briggflatts.
Basil Bunting is one of the most important British poets of the twentieth century, admired early on by Ezra Pound and Louis Zukofsky, and acknowledged since the 1930s as a major figure in the Modernist movement. Faber published a selection of his early work in Pound’sActive Anthology (1933), but Bunting’s reputation was not confirmed until decades later with the publication of his masterpiece, Briggflatts, by Fulcrum Press in 1966.
Bunting’s work was published throughout most of his life in editions from Oxford University Press, Bloodaxe Books, New Directions and various small presses. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Bunting’s often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Bunting’s sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Bunting’s poetic vocabulary and use of dialect.
This important work of literary scholarship offers, for the first time, an edition commensurate with the achievement of this neglected Modernist master.
Basil Bunting is one of the most important British poets of the twentieth century, admired early on by Ezra Pound and Louis Zukofsky, and acknowledged since the 1930s as a major figure in the Modernist movement. Faber published a selection of his early work in Pound’sActive Anthology (1933), but Bunting’s reputation was not confirmed until decades later with the publication of his masterpiece, Briggflatts, by Fulcrum Press in 1966.
Bunting’s work was published throughout most of his life in editions from Oxford University Press, Bloodaxe Books, New Directions and various small presses. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Bunting’s often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Bunting’s sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Bunting’s poetic vocabulary and use of dialect.
This important work of literary scholarship offers, for the first time, an edition commensurate with the achievement of this neglected Modernist master.
- GenresPoetry
624 pages, Hardcover
Published June 16, 2016
4 people are currently reading
133 people want to read
About the author
Basil Bunting
43 books37 followersBorn into a Quaker family, Bunting was educated at the Royal Grammar School there for two years. He then studied at two Quaker schools: from 1912–1916 at Ackworth School in Yorkshire and from 1916–1918 at Leighton Park School in Berkshire. His Quaker education strongly influenced his pacifist opposition to World War I, and in 1918 he was arrested as a conscientious objector, serving a sentence of more than a year in Wormwood Scrubs and Winchester prisons. These events were to have an important role in his first major poem, Villon (1925). Villon was one of a rather rare set of complexly structured poems that Bunting labelled "sonatas," thus underlining the sonic qualities of his verse and recalling his love of music. After his release from prison in 1920, traumatized by the time spent in jail, Bunting went to London, where he enrolled in the London School of Economics, and had his first contacts with journalists, social activists and Bohemia. Tradition has it that it was Nina Hamnett who introduced him to the works of Ezra Pound by lending him a copy of Homage to Sextus Propertius. The glamour of the cosmopolitan modernist examples of Nina Hamnett and Mina Loy seems to have influenced Bunting in his later move from London to Paris.
After having travelled in Northern Europe while holding small secretarial jobs in London, Bunting left the London School of Economics without a degree and went to France. There, in 1923, he became friendly with Pound, who years later would dedicate his Guide to Kulchur (1938) to both Bunting and Louis Zukofsky, "strugglers in the desert". Bunting's poetry began to show the influence of this friendship. He visited Pound in Rapallo, Italy, and later settled there with his family from 1931 to 1933. He was published in the Objectivist issue of Poetry magazine, in the Objectivist Anthology, and in Pound's Active Anthology. He also worked as a music critic during this time.
During World War II, Bunting served in British Military Intelligence in Persia. After the war, he continued to serve on the British Embassy staff in Tehran until he was expelled by Muhammad Mussadegh in 1952.
Back in Newcastle, he worked as a journalist on the Evening Chronicle until his rediscovery during the 1960s by young poets, notably Tom Pickard, who were interested in working in the modernist tradition. In 1966, he published his major long poem, Briggflatts, named for the Quaker meeting house in Cumbria where he is now buried.
After having travelled in Northern Europe while holding small secretarial jobs in London, Bunting left the London School of Economics without a degree and went to France. There, in 1923, he became friendly with Pound, who years later would dedicate his Guide to Kulchur (1938) to both Bunting and Louis Zukofsky, "strugglers in the desert". Bunting's poetry began to show the influence of this friendship. He visited Pound in Rapallo, Italy, and later settled there with his family from 1931 to 1933. He was published in the Objectivist issue of Poetry magazine, in the Objectivist Anthology, and in Pound's Active Anthology. He also worked as a music critic during this time.
During World War II, Bunting served in British Military Intelligence in Persia. After the war, he continued to serve on the British Embassy staff in Tehran until he was expelled by Muhammad Mussadegh in 1952.
Back in Newcastle, he worked as a journalist on the Evening Chronicle until his rediscovery during the 1960s by young poets, notably Tom Pickard, who were interested in working in the modernist tradition. In 1966, he published his major long poem, Briggflatts, named for the Quaker meeting house in Cumbria where he is now buried.
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Displaying 1 - 3 of 3 reviews
December 20, 2023
“Brag, sweet tenor bull, / descant on Rawthey’s madrigal, / each pebble its part / for the fells’ late spring.”
Have spent the Christmas days ensconced in the serpentine lines and magic of Basil Bunting’s epic poem, Briggflatts. Similar to The Wasteland and The Cantos in its high-modernist aesthetic, but more human and accessible than either. It weaves the autobiographical with the historic and the mythic, a meditation on a life lived, the ages of man echoing the cycle of the seasons over the poem’s intricate five parts, with the motif of a lost childhood love as counterpoint; love as heartbreakingly distant as starlight.
The poem has an incredible music when read aloud, a gnarly rugged cadence born of alliteration and internal rhyme. It alludes to the bards of Dark Age Briton, Aneirin and Taliesin, and the ghostly legacies of a pre-Anglo Saxon history of Northumberland.
This Faber & Faber edition of the Poems of Basil Bunting is fully annotated by Don Share, who presents illuminating notes to the poem gleaned from Bunting’s personal correspondence.
Kulchur Kat
Have spent the Christmas days ensconced in the serpentine lines and magic of Basil Bunting’s epic poem, Briggflatts. Similar to The Wasteland and The Cantos in its high-modernist aesthetic, but more human and accessible than either. It weaves the autobiographical with the historic and the mythic, a meditation on a life lived, the ages of man echoing the cycle of the seasons over the poem’s intricate five parts, with the motif of a lost childhood love as counterpoint; love as heartbreakingly distant as starlight.
The poem has an incredible music when read aloud, a gnarly rugged cadence born of alliteration and internal rhyme. It alludes to the bards of Dark Age Briton, Aneirin and Taliesin, and the ghostly legacies of a pre-Anglo Saxon history of Northumberland.
This Faber & Faber edition of the Poems of Basil Bunting is fully annotated by Don Share, who presents illuminating notes to the poem gleaned from Bunting’s personal correspondence.
Kulchur Kat
March 19, 2023
"We are less permanent than thought."
August 18, 2024
rereading with the aid of the notes didn't improve my overall opinion of bunting as an emphatically minor modernist. not helped by Share's scraping of the barrel about what to include, one poem appears in three versions with barely any differences, the three limericks are each alone on their pages, the good stuff is almost swamped by the lacklustre (and the annotations are often definitions of obvious words
Displaying 1 - 3 of 3 reviews