Of the Perry books I've read thus far, one thing emerges for me-- inconsistency. Thomas Perry seems to be able to write some really excellent stories, but for me, at least, manages to write others that fall short. It's not a drastic difference, just enough of one to be frustrating.
In Silence, we have a really good cat & mouse hunt, filled with close calls and some interesting possibilities. Jack Till, a retired L.A. Homicide detective, now a P.I., has helped Wendy Harper, a desperate woman whose life is in jeopardy, to leave behind a successful career in L. A. and establish a new identity elsewhere. He taught her well, and for six years, she's been successfully hidden. The mysterious character who wishes her dead seems intent on getting her back into the open long enough to have her killed. Till takes it upon himself to find her and help her return to L.A. to exonerate her former business partner, who'd been framed for her presumed murder. Complex? Sort of. Good hook to create a tension-filled plot, complete with killers tracking and chasing Till and Harper. Even the killers, Paul and Sylvie Turner, are interesting, in a creepy, psychologically unstable kind of way.
But instead of a tightly packed story, Perry stuffs about 100 extra pages into the tale, for no really good reason. Distracting at best, and interrupting the flow of the chase at worst, this flaw holds the book back. Perhaps it's me. I had a similar reaction to Perry's first "Butcher's Boy" book. He has the ability to write some compellingly tense, page-turning material. But then we veer off to read about ancillary characters, descriptions of expensive homes, or other distractions. It felt as though for every person the Turners murder, two instances of momentum are killed as well.
The story ends well, if somewhat predictably. There is a distinctly abrupt feeling to the finish, as though several other loose ends were kind of swept under the proverbial rug. Perhaps Perry tired of writing and wanted to be done. Pity, as it pulls this otherwise interesting and engaging story down from 4 stars to 3.5, rounded up 'cause it'll still keep you entertained and wondering just who will kill whom in the final analysis. Fans will be pleased, but newbies to Perry might wish to begin with "The Old Man," my favorite of his thus far.