I think three books in, and I’m finally becoming somewhat numb to the ever-present teen-speak lingo. At the very least, I’m able to ignore it much better in favor of the story.
As Beth and Cam’s friendship slowly erodes, Alex is slowly integrating better with the Barnes family, especially adoptive brother Dylan. When Beth joins the volunteer group Helping Hands, it pushes her even farther from Cam and the rest of their Six Pack of friends. But is Helping Hands really what it seems? Or is it somehow connected to the jewelry store robbery Cam and Alex prevented at the start of the story? Meanwhile, Thantos has kidnapped Karsh to lure Ileana away from the twins just when they need help again. Who needs the T*Witches help more, Karsh or Beth? And what will happen if Cam and Alex choose wrong?
If I had to pin down why this series continues to feel like light, teen fluff to me, I think it’s because the characters end up more pushed by the plot than by their own characterization – it is plot-driven, not character-driven. In this book, it starts when Cam and Alex decide they are “in danger” from whatever plot is happening with the fundraising organization Helping Hands (which actually feels more like two kids realizing something is above their heads and instead of just saying they need an adult’s guidance, making it out to be that they personally are in danger) and seek out aid (which does not come) from Karsh and Ileana, thus leaving them to their own devices. It felt contrived and forced. That feeling is only confirmed when Ileana does finally meet them (because of their deception) and tells the twins some surprising information about their biological family as well as about Karsh’s situation. The twins immediately do an about-face in what they want out of this meeting with Ileana:
“We’ll find him,” Alex blurted. “We’ll help you find him.”
“There’s nothing more important than that!” Cam knew she sounded over-the-top. She felt like her blood was boiling, veins and arteries pulsing hard against her skin.
[…] Ileana thought, So earnest! And fierce! She’d just divulged a family secret that shook them to the core. And yet, finding Karsh was uppermost in their minds. When it came to helping someone else, Apolla and Artemis had no fear and knew no bounds. – page 145
While Cam and Alex have already shown a proclivity for helping others, and we’re told that is the basic nature of any good witch or warlock, scenes and events such as this clearly put the mold and plot of the story in a position of higher importance than natural evolution of the twins. And the authors are not shy about presenting other, often antagonistic characters in clearly 2D manners: Thantos is just “evil” in his hunger for power and wealth and because he killed his brother; Fredo is a simple-minded slimy lackey; Shane starts as a foil and the questioning he starts to go through at the end comes across too simply, and forced. Even the good guys are mostly 2D, with very select elements added to them to attempt to flesh them out, like what is driving Beth to seek out a way to help others at the expense of everything else (friends, school, soccer, etc.), and pushing Ileana to show more compassion and care than her arrogance and “Call me goddess” would allow, surprising even Karsh who knows her best. Not to mention the side characters, like Jason who is crushing on Cam – I mentioned in an early status update, in book 1 Cam couldn’t even remember his name, in book 2 she barely did any better, and all of a sudden in book 3 she’s not sure if she likes likes him or just likes his attributes (page 65). Dylan gets the best arc of side characters, and that is largely due to how he and Alex bounce off each other, how they both argue and bond. There are also seeds planted in this book for the plot of the 4th book, namely, that Alex’s dead-beat deserter debtor adoptive father Ike Fielding is trying to get custody of her.
This series remains a light fluff read, and three books in, I’m not sure it will manage more than that, even if my extremely vague faded memories of it 18 years ago hint that they might get a bit more serious. Of course, that could just be vague vibe I get from the cover images. Oh, bonus: there are a couple references/comparisons to Harry Potter which garner a smile (page 53, and towards the end of the book too), one of the few pop-culture references which does not totally date the book. Unlike how they present e-mails working and ease of not only guessing at someone’s email address, but hacking into it and more, as fifteen-year-olds. All in all, though, I can’t take this series too seriously if I want to enjoy it. And I really wish I remembered what I thought of it when I first read it, when it came out 18 years ago…
Favorite quote:
[Karsh said,] "Guilt is not a productive emotion, my child. Use it only to learn a lesson, then discard it." - page 179
Typos:
Twin beds, a shared night table between then, twin desks. - pg 103 – This is just a strangely structured sentence. I think “then” should be “them, and”,or either remove the comma after “then” or move it to after “between” instead
The good-natured ever steady friend been emotionally off-balance, freaked about her parents. - page 181 - The good-natured ever steady friend had been emotionally off-balance, freaked about her parents.
... of five. Perfectly. - page 225 - missing closing quotation marks