Exploring the documentary film, this book traces its development from the first film shot by Louis Lumiere in 1895 to the last shaggy-dog story (Nick Broomfield's TV film, Tracking Down Maggie), and the commercial success of Steve James's three-hour saga, Hoop Dreams.
Kevin Macdonald is a Scottish director, best known for his films One Day in September, State of Play, The Last King of Scotland and Touching the Void. Macdonald was the grandson of the Hungarian-born English filmmaker Emeric Pressburger, and he began his career with a biography of his grandfather, The Life and Death of a Screenwriter, which he turned into the documentary The Making of an Englishman. After making a series of biographical documentaries, Macdonald directed One Day in September, which won an Academy Award for Best Documentary.
I recommend Imagining Reality, a magnificent collection of essays constructing a history of documentary filmmaking, to those interested in documentary films as well as the history of mankind of the 20th century. As far as I can perceive it, the book unveils some extraordinary details of human brutality and the filmmaking that has tried to cope with it. The essays open for discussion on the ambiguity of documentary as a form.