First thoughts upon getting this galley: AWESOME COVER. I love the red slip and the way it hides words. High hopes for this one.
First thoughts upon finishing the book:
Just.
Not.
Impressed.
I used to like James Patterson- and by 'used to', I mean when I first read The Angel Experiment. It was fast-paced, it was intriguing, and it kept my interest. As the series went on, it degraded and dragged; what I expected to be a trilogy is now what, going on six books? And it's not even tongue-in-cheek like the Hitchhiker's Guide books.
But anyways...back to W&W.
I was lucky enough to miss the enormous hype before the release, since I don't watch much television, but I've heard there were actual commercials. Now, this seems a bit like overkill. Seriously. Hang on a moment; let me find it on Youtube if I can.
OH MY GOODNESS.
SOMETHING INSIDE OF ME JUST DIED.
Jeez, JP. BE MOAR PHAIL.
(Hey, can I call him JPattz? I think I might. Just for kicks.)
Okay.
Seriously?
'Now you can stop waiting for the next Harry Potter book'?
ALL SEVEN ARE OUT, YOU IDIOTS.
No one's waiting.
If this were published, hmm, let me think...THREE YEARS AGO it would have been accurate.
As it is, it's hideously out of date.
But enough about the publicity campaign- how about that book?
1. JPattz, I expected better.
Not that his books have been that good, lately, though I haven't read Max yet...but I'd hoped that the first book of a new series would have some, I don't know, actual WRITING TALENT to it? Apparently not.
It was just...flat. Like it was trying to get the energy of the Angel Experiment, but ended up getting short-circuited.
2. ENOUGH WITH THE SHORT CHAPTERS.
So, maybe that's his trademark style or something...but here, it just didn't work. Too many chapters felt like they were cut off when they shouldn't have been, just for the sake of making them short. Now, the commercial tells me you're trying to appeal to the masses who don't read much, but short chapters don't reduce the length of the book; in fact, they make it look longer. You'd be better off with longer chapters and MORE FLOW.
3. What in the world did Whit and Wisty's parents have against them?
Seriously.
'Whitford' and 'Wisteria'?
Maybe in Victorian London those names wouldn't have been out of place, but most parents are more merciful nowadays. And the names didn't fit their personalities- or at least Wisty's didn't. (Did Whit have a personality? I forget.) I mean, Wisteria? Wisty? And she's supposed to be the truant, the smartass, the girl in detention all the time? Could she have a more wispy name?
4. CAN HAS FLOW WITH A SIDE OF LOGIC, PLOX?
Very little is explained in this book. The world, the political system, the magic- it's all written as if we're supposed to recognize it. Which, in general, I did not; I'm not sure if I'm typical in this respect, but not understanding drove me up the wall. I like worldbuilding. This...this was like trying to explore the second floor of a building with a false front- THERE'S NOTHING THERE.
And come on. The 'magic'? Made no sense at all. There was no pattern, no system, no nothing.
5. Weee-oo, weee-ooo, Sue and Stu alert!
They're put in a magic-dampening prison. But sparkly little Wisty and Whit aren't affected by this...they're tooooo special, the little snowflakes.
Oh, gag me now.
You know, at the very least there could have been a reason- oh, remember that little 'Logic' thing I mentioned? Yeah, some of that would have been nice.
Okay, I'm tired of hating on this book...and quite honestly, I don't want to dwell on it. It sucked too badly.
The good things, few as they are:
Yes, the slipcover was a pain, but it was really really cool.
I did like the way everyone in the government called themselves 'The One Who' whatever. That was kinda catchy, and original.
...Hey, that's all the good I can think of.
What a surprise.