REM, Nirvana et Francis Ford Coppola sont quelques-unes des «guest stars» qui apparaissent au fil de ces huit nouvelles, à l'image des vedettes de cinéma dans les séries télévisées. C'est que l'expérience de la performance, de l'exposition au public, de la scène (de la salle de patronage au stade de foot) est ce qui réunit tous les protagonistes de Reidy et lui fournit son fil conducteur. Mais on aurait tort de ne voir à travers ces portraits musicaux qu'un rituel de fan ou un traité pour amateurs de disques vinyl. Au contraire, au travers de l'initiation musicale, c'est tout l'apprentissage des adolescents au monde des adultes qui se joue. Comment faire coïncider une dévorante passion de jeunesse à la réalité d'une vie formatée d'avance, c'est ce défi que relève Audience captive, dans une écriture claire, élégante et inventive. Le High-Fidelity du début du siècle.
JIM SHEPARD A ECRIT : « Dave Reidy nous enseigne que lorsque l'on écrit sa petite chanson pour tout le monde, c'est bien la chanson pour soi-même que l'on joue, tant nous absorbons continuellement les autres en nous-mêmes.»
Dave Reidy's novel The Voiceover Artist was listed among Top Fall Indie Fiction titles by Library Journal and named a Midwest Connections Pick by the Midwest Independent Booksellers Association. Reidy's first book, a collection of short stories about performers called Captive Audience, was selected as an Indie Next Notable Book by the American Booksellers Association. His fiction has been published by Granta and his non-fiction has appeared in Belt Magazine and South Side Weekly. He lives in Chicago, Illinois.
The young male narrators(except for Abe Vigoda) in Captive Audience aspire to rise from the fringe of their crafts to some kind of spotlight but often find their success comes in ways other than planned. In “Dancing Man,” a sideman organist hits the road with ska band Sod Off Shotgun, but instead of playing the keys, he energizes the crowds with his lone dance move, the running man.
The attention to detail that illuminates such esoteric arts as screenprinting is laid out so specifically that you can imagine performing them yourself. From karaoke to basketball camp, Reidy nails the art of performance.
Being a teacher, it is difficult for me to be a "captive audience" to any book during the academic year; yet, Mr. Reidy's book seized my literary attention. His collection of short stories provide beautiful and at times, poetically crisp, anecdotes of those who perform and those who only dream of performing. Within the span of a few sentences, Reidy transports the reader into a voyeur of a cast of protagonists that one can not help but find as empathetic companions, trying to make sense of the human condition. Each story gleams with the grace of an experienced writer who truly appreciates his craft, as well as the creative spark that lies within each one of us.
This is a must-read for anyone who considers him or herself a fan of the arts--it's a book FOR the appreciators. You'll know what I mean when you read it.
A collection of short stories about various types of performers/performances from a first-time author (who I also happen to know). I encourage you to check it out!