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Victorian Publishing and Mrs. Gaskell's Work

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For much of her own century, Elizabeth Gaskell was recognized as a voice of Victorian convention&emdash;-the loyal wife, good mother, and respected writer&emdash;-a reputation that led to her steady decline in the view of twentieth-century literary critics. Recent scholars, however, have begun to recognize that Mrs. Gaskell's high standing in Victorian society allowed her to effect change in conventional ideology. Linda K. Hughes and Michael Lund focus this reevaluation on issues pertaining to the Victorian literary marketplace.

Victorian Publishing and Mrs. Gaskell's Work portrays an elusive and self-aware writer whose refusal to grant authority to a single perspective even while she recirculated the fundamental assumptions and debates of her era enabled her simultaneously to fulfill and deflect the expectations of the literary marketplace. While she wrote for money, producing periodical fiction, major novels, and nonfiction, Mrs. Gaskell was able to maintain a tone of warmth and empathy that allowed her to imagine multiple social and epistemological alternatives. Writing from within the established rubrics of gender, narrative, and publication format, she nevertheless performed important cultural work.

220 pages, Hardcover

First published September 1, 1999

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Profile Image for Erica.
154 reviews5 followers
August 4, 2013
More of Hughes and Lund, this time applied exclusively to Gaskell. Their argument that serialization can lend itself to feminine textual pleasure is intriguing, but I don't think I ultimately agree or find the gendering of textual dynamics/reading affect very useful. Nonetheless, Hughes and Lund push us to re conceptualize the pleasures of serial texts (which are all too often taken for granted [it's just suspense!]), which I'm always into.
Displaying 1 of 1 review