What happens when Bret Harte, predominately known for his short pieces, writes a novel? You get Gabriel Conroy: an mix of settings, scenarios, and characters familiar from his short fiction. These elements accumulate over a number of plot restarts and reveals, such that the novel feels as if it were constantly spurring itself on with new energy, or as if each chapter were trying to jump into the story, like a short story, from a new angle. Gabriel Conroy is by no means great, but it has a fast-paced plot that covers a fair bit of ground, some features of formal and stylistic interest, and a good dash of witty humor: it by no means deserves the disregard it has received.