I read this book for the podcast I’m currently listening to called “American Girls” by Allison Horrocks and Mary Mahoney.
Welp, it finally happened.
They couldn’t all be perfect, could they? Up to this point in the “Josefina: An American Girl” series, I was really enjoying them - mostly because of the characters and how thoughtful they are. Unlike in “Felicity: An American Girl”, Josefina and her family are very respectable, don’t make terrible decisions, and treat everyone really kindly (and carefully). Now, that’s not to say that all that didn’t happen in “Happy Birthday, Josefina!” because it did. The characters are still very good and thoughtful especially Josefina, which is completely unlike Felicity’s character. Josefina made some mistakes in this book, but was able to really recover from them by owning up to what she had done eventually and being better (which is something Felicity struggled to do all throughout her series of books). So you might be asking, “Megan, if this is all the case, why did you give the book two stars?”… Well…
I’m bored, to put it plainly. But, also, more importantly, something is brewing… Something is brewing that I just don’t like…
First, let’s look at the first one: Boredom. How very true for this book. I struggled to read it all for like a week and half (or two?) because I just couldn’t have cared less. For a lot of what’s going on in this book, nothing is really going on except for like in the final chapter. It was also very predictable, which I know it’s a book for CHILDREN, okay??? But I’ve read some of these other American Girls books and could never tell you what in the hell is gonna happen next to them, in them. With this one, there just seemed to be too much foreshadowing to the snake incident and Josefina wanting to be a healer (although I did like the Josefina wanting to be a healer arc, what happened to the snake and how this connects to her father, and the addition of little Sombrita). But, even with that predictability, I didn’t care too much to read on. It’s one thing when the girls are going into the emotional depth of the loss of their mother, which we’ve gotten for several books now and what I really like… However, I think the point of this Springtime story was to focus on the grief less, as them moving forward (but obviously not forgetting anything they’ve went through, of course) which makes total sense as they should do… But Valerie Tripp struggled to find anything going on for this family (now outside of their grief) in this one, which just left the reader bored. If we are going to take away the emotional depth because it’s time to in the story, fine, but you need to replace it more with something than just these still images of the Josefina’s world that move at the pace of a snail, in my opinion. For a lot of this book, it was just Josefina cleaning things, trading blankets, and so on till a snake does a thing and then we have a birthday party/Saint’s Day celebration (which all happens in the final chapter pretty much). It’s like Tripp can’t strike a good balance. In “Felicity: An American Girl”, it’s too much. In “Josefina: An American Girl”, it’s not enough. The next book seems a little bit more promising in plot, so I am looking forward to that one… I’d like to be more in the thick of something even if the thick of something might not actually be entirely accurate to necessarily the historical period at this point because I AM BORED. Felicity was such a mess of a child, but had so many interesting things happening in her world. Josefina is so perfect and angelic, but there is nothing going on in her outer world currently at all. I wish Valerie Tripp could just give me both - someone to root for, but the stakes are high in the time period she’s living in! It shouldn’t have to be a picking and choosing of a likable person or an interesting time period/place.
However, what I will say, in regards to the second issue, is actually the bigger problem of this book… Something is brewing (I THINK) potentially and if it is what I think it is - I just do not like it. So help me God, Valerie Tripp. If you do what I think you’re about to with a certain Tía Dolores and a certain male, known as Josefina’s Papá… I will scream. At the top of my lungs. In no way do I want Dolores and Josefina’s dad to be hooking up in the future of these books. Do I support the dad finding another wife eventually after time goes on with his grief? Absolutely. Do I want it to be his dead wife’s sister that he remarries with? Absolutely fucking not. But little comments and things keep happening all THROUGHOUT this book. Tía Dolores touching Papá’s hand and how Papá looks in Dolores eyes with an unspoken question that she understands and nods. How Tía Magdalena is saying Dolores needed the family and needed Josefina. How Dolores says we all need second chances sometimes and then how Josefina repeats this back to her dad at the end of the book and Papá says, “Does she? Does she indeed?”… I CANNOT. While I understand that this was very typical and common of the time historically, I am telling you as a reader of this series, which up to this point I’ve been very happy and fond of, if Valerie Tripp hooks up Tía Dolores with Josefina’s father… Good Lord, it will ruin everything she has built here for me. I’m fine with Dolores being her aunt, taking on the mothering role, and doing what she can to help the rancho BUT I WILL NOT TAKE IT WELL, WHATSOEVER, IF HE ENDS UP DOING THE DEED WITH HER AND THEY GET TOGETHER IN THE END LIKE ONE BIG HAPPY, CONVENIENT FAMILY. All the grief we explored, emotions we went through, and things we did will really be lost and overshadowed by that one decision if Mrs. Tripp decides to pull the trigger on it like I think she ultimately is.
I never thought that would be something I’d have to say about a kid’s book series, but oh well. Here we are.