臭鼬的时光：罗伯特·洛威尔文集

by Robert Lowell, 罗伯特·洛威尔, 程佳 (Translator)

本书是美国桂冠诗人、“他那一代z好的美国诗人”洛威尔去世后整理出版的*一部文集。全书共四个部分，收录了洛威尔一生写作的近四十篇文章，在书中，洛威尔或结合自己的创作，凝视古今诗歌，评析对自己影响深远的《伊利亚特》《变形记》等经典作家作品，阐述英语格律、诗与戏剧等重要诗歌主题，也细读了自己与朋友的一系列作品；他还将追忆和述评相结合，描摹兰塞姆、弗罗斯特、艾略特、奥登等前辈诗人群像，回忆理查兹、毕肖普、贾瑞尔、贝里曼、普拉斯等好友，讲述其生平、轶事、写作以及与他们的友谊；此外，他还毫无遮掩，袒露了自己的家族史，家庭、亲人、自己的成长历程，以及身体和精神上的困境。这些文章，严谨而细腻，深情而真挚，深度与广度兼具，为我们理解众多大师提供了洛威尔视角，也向我们呈现了一个全面、真实、充满魅力的洛威尔，一个自白派大师的真知、洞见和风骨。对洛威尔而言，写作是自我表达，更是自我治疗，是他克服肉体与精神之痛的一剂良方，而阅读它们，对现代社会中焦虑而困惑的灵魂无异于一种巨大安慰。

Genres: Essays, Poetry, American, Nonfiction

448 pages, Hardcover

First published January 1, 1987

About the author

Robert Lowell, born Robert Traill Spence Lowell, IV, was an American poet whose works, confessional in nature, engaged with the questions of history and probed the dark recesses of the self. He is generally considered to be among the greatest American poets of the twentieth century.

His first and second books, Land of Unlikeness (1944) and Lord Weary's Castle (for which he received a Pulitzer Prize in 1947, at the age of thirty), were influenced by his conversion from Episcopalianism to Catholicism and explored the dark side of America's Puritan legacy.

Under the influence of Allen Tate and the New Critics, he wrote rigorously formal poetry that drew praise for its exceptionally powerful handling of meter and rhyme. Lowell was politically involved—he became a conscientious objector during the Second World War and was imprisoned as a result, and actively protested against the war in Vietnam—and his personal life was full of marital and psychological turmoil. He suffered from severe episodes of manic depression, for which he was repeatedly hospitalized.

Partly in response to his frequent breakdowns, and partly due to the influence of such younger poets as W. D. Snodgrass and Allen Ginsberg, Lowell in the mid-fifties began to write more directly from personal experience, and loosened his adherence to traditional meter and form. The result was a watershed collection, Life Studies (1959), which forever changed the landscape of modern poetry, much as Eliot's The Waste Land had three decades before.

Considered by many to be the most important poet in English of the second half of the twentieth century, Lowell continued to develop his work with sometimes uneven results, all along defining the restless center of American poetry, until his sudden death from a heart attack at age 60. Robert Lowell served as a Chancellor of The Academy of American Poets from 1962 until his death in 1977.

Reviews

[Jonfaith · Rating 5 out of 5]

In his art, too, Ransom found pain, or a harmony of disequilibrium.

Lowell remained measured--except when he wasn't. He may have erred towards generosity when regarding his peers and their tradition, but I think Lowell was always fair and relentlessly cagey. Derek Walcott said Lowell suffered from a "fanatical humility" but this was a heart's strategy for avoiding the pratfalls of hubris. Especially in the interviews featured here there is a humble bounce which keeps from being flat-footed, it isn't exculpatory, but Lowell appears to have found that most poetic issues lent themselves to a polemical configuration. That wasn't the point at all.

4.5 stars

[Jesse Hilson · Rating 5 out of 5]

There are sentences and insights on literature and life in this book that I actually feel…sad? that I won’t be able to re-experience them for the first time. I’ll study Lowell for the worldly polish of his writing. I want to reread sections of this book as well as rereading some of his poetry that I’ve looked at before. This collection of prose is recommended for those wanting insights into the poetry scene(s) of the post-war 20th century. Lowell was a critic to contend with. A lot of the pieces in this book were incomplete fragments of what could have been longer critical or memoirist works. Maybe next is wanting to read his letters to various other writers, which I guess were plentiful.