(Repost - deleted from shelf by accident)
Charlotte is doing work she’s good at for a petrochemical company she doesn’t like. It’s an industrial relations, rather than an environmental objection. She thinks they haven’t done right by her Uncle Joe. He worked for the company for many years, and now … doesn’t. Shouldn’t he have had some severance pay or something? She can’t support them both long-term on her salary.
Her musings as she walks to work (and Charlotte walks to and from her office daily, which maybe takes about an hour, so Charlotte’s totally smashing her 10k steps) are interrupted when a Ford slams into a Mercedes. Charlotte’s quick to confirm that it was the Ford’s fault, and the policeman, who knows her, organises for the Mercedes driver to take her to the office, since that’s where he’s going.
Kit is American and visiting from the American offices of the petrochemical company. He’s shady. He’s vague about his job title. He’s buff and tanned like he’s working on rigs, but claims to be the chief accountant. Charlotte thinks he’s very attractive, but he is giving multi-layered mixed signals and she can get zero read on him.
Kit sort of asks her out to lunch, is sort of impressed with her work skills, sort of seems interested, but mostly ignores her. Still, when Charlotte discovers that Uncle Joe has a huge gambling problem, and the arrival of loan sharks to break his bones is immanent, she turns to Kit for help.
His help is to have a private conversation with Uncle Joe, and then inform Charlotte that Joe’s gone to America. He’s rehired, but in exile. Joe has also embezzled money from the company, and Kit uses this information to at first coerce Charlotte into becoming his personal assistant on a business trip to London, and then into what he insists will be a temporary marriage. Again, Kit sends out really confusing signals – one minute he’s got his hand and mouth all over her boob, and the next he’s telling her he doesn’t fancy her brand of totty, she’ll have to get in line behind all the rest if she wants any more smooching action. Kit goes in for punishing kisses and seducing kisses, and Charlotte is certainly keen, but he’s really screwed up his strategy with this whole blackmail/temporary arrangement thing.
Charlotte and Kit marry. Kit’s buddy has changed some hotel room arrangements to get them upgraded to the honeymoon suite, so there’s some complicated hotel and room movements that don’t really make a lot of sense. This book has a lot of ‘old school’ tone – there’s Charlotte’s buttoned up exterior, to meet the expectations of her straight-laced Victorian boss. Kit calls her Miss Prim. There’s a lot of nearly getting naked and being around beds and almost doing stuff and then not. When they finally get down to the deed, it’s a forced seduction, all worded as reluctantly pleasurable with a side of pain.
Kit’s stated reason for marrying Charlotte is that he needs a shield to fend off the wife of his best friend. This wife is, according to Kit, an idiot, and will back off the moment she sees Charlotte.
The wife, Veronica, is just about waiting on the doorstep when Kit brings Charlotte to his plantation manor on Chesapeake Bay. She’s all ‘darling I’ve missed you, let’s cuddle!’ and then a little blue about the marriage. She gets in a few snarks about Charlotte, but displays no sign of letting up.
Charlotte may have total crazy face as she dances in her fluffy crinoline on the cover of this book, but she’s a bit more toned down when compared to some other Wilson heroines. She’s ultra-beautiful (of course) and she’s sensitive. There’s a bittersweet moment where she becomes very conscious of just how on the outside of everything in Kit’s life she is, and that no matter how much she wants to, she has no basis to make demands of his time, attention and support. Her instinct is to conceal her feelings for Kit, and while just about every heroine goes through this, it felt like a really good idea in her case. Kit wasn’t trustworthy. She had her moments of win, and she stood up to both Kit and his grandfather. She had her moments of crazy too, and her moments of being the cute little pet for the hero to cuddle and protect, but she had a strong streak of reserve. She’s a little less fun that ther Wilson heroines.
Kit, as other reviewers have noted, was all over the place. Even relying on the fact that all Wilson heroes are completely gone for the heroine within about five minutes of meeting her, his behaviour doesn’t make a lot of sense. He’s manipulative. He spends half the book avoiding the heroine. And: although he denies it in the end, he was in a relationship with OW Veronica. I’m prepared to accept that OW behaviour in romance is made up of three things. The heroine’s perception is huge – her observations are all based on strong emotions, so when the hero comes clean at the end, it’s clear she was seeing more than was actually there. There’s the OW’s behaviour: she’s capable of inventing a very plausible-seeming relationship around next to nothing. But there’s also the hero’s behaviour … and in this instance: Kit had some clear chemistry with Veronica. If he really wanted to discourage his best friend’s wife, he wouldn’t have chosen to spend the amount of time with her that he did. He can’t mount an argument that convinces me that he was paying attention to Veronica to make Charlotte jealous. I’m not suggesting that he’ll continue in a relationship with Veronica after the HEA. But I don’t like him. If it hadn’t worked out with Charlotte, he’d have had an affair with Veronica.
More than anything, it’s Kit that lets this book down. He’s not likeable, and he’s not a strong enough character for his ‘love to hate’ qualities to be interesting.