I. F. Stone deserves better than this.
A few years ago in the U.S., well-known members of the right-wing chattering classes (henceforth, w-k. m. of the r-w. c. c.), perhaps having discovered that the living are deceptively difficult to bully, turned their attentions to the dead, who are not only in less of a position to object, but also conveniently cannot sue for libel. Armed with the finest cherry-picked facts from the recollections of former KGB operatives (a group not generally known for their high regard for accuracy) plus some publicly-released documents from the KGB archives, w-k. m. of the r-w. c. c. interpreted certain genuine evidence of attempts to recruit a man who met Stone's description to the Kremlin payroll as proof that Stone actually was a Soviet agent. Negative propositions being notoriously difficult to prove, it is impossible to say that Stone was never a Soviet agent. But even the inattentive reader of the accusatory articles by w-k. m. of the r-w. c. c. on this topic will note a gleeful willingness to assume the worst about Stone.
Armed with an understandable sense of outrage both at the accusations directed at her late friend as well as at the general direction that the US was taking at the time (i.e., during the George W Bush administration), Myra MacPherson gathered together newly-released documents and wrote this worshipful biography in Stone's defense. In her admirable desire to defend Stone, MacPherson commits multiple infractions against George Orwell's first and third rules of good writing, as stated “Politics and the English Language”. They are, respectively:
Never use a metaphor that you are used to seeing in print.
If you can cut a word out, then cut it out.
There's something mildly insulting to the reader's intelligence in the desire of the author to make sure that everyone understands that Hitler and Stalin were “two monstrous dictators” (p. 78) and that protesters shot down by the Czar's palace guard in the streets of St. Petersburg in January 1905 died “in the crimson snow” (p. 7). It's as if we're all too dumb to recognize horror when we see it.
Or perhaps the reader resembles the newspaper reporter of the present day, whose character is criticized with great gusto on page 63. The damning indictment of the modern journalist is that he/she often has (1) a briefcase, (b) a mortgage, and (iii) an inclination to drink strong spirits only in moderation. These symptoms, taken together, are conclusive evidence that the contemporary journo is “often comfortable with the status quo of corporate America.” Like today's scribes, we readers may need to be regularly insulted to erode our bourgeois complacency.
There are many places where the text seems to be accompanied by the thumping of Grandma's cane. For example, there is a lot of commentary about the life and career of journalist Walter Lippmann, which the author claims is relevant as a point of comparison to Stone, as an “establishment” journalist vs. Stone's “outsider”. The point of this incessant comparing is not apparent to me; I understood that the two were very different after the first comparison. Also, Lippmann does not appear to meet Stone very often over the course of their long lives, so a reader might reasonably wonder why he keeps popping up like a whack-a-mole. If the answer is not “because the author enjoys criticizing Lippmann”, then my second guess is that, like the guy in David Copperfield who couldn't stop writing about King Charles's head, it's just an impulse beyond the author's control.
I'm not being mean here for the sheer joy of being mean, although I will admit that being mean is one of life's simple pleasures. I'm being mean because I imagine a new generation of modern readers, for whom references to Walter Lippmann, the ancient stereotype of the lovably alcoholic newsman, now-unknown cultural figures like Archie and Edith Bunker (p. 213), and equally-obscure historical events like Edward R. Murrow's “famous 1958 farewell tirade to the TV industry” (p. 345) will convey nothing. These young people will pick up this book (the most recent biography of Stone I'm aware of) with the sincere desire to know what made him a great journalist, but will be unable to find out because the answer, while present, is buried too deeply in a thick cover of bad writing, tedious sarcasm, digressions, and irrelevant detail.
If you admire America's leftists of the 20th century, then this book will confirm your existing ideas and you don't need to read it. If you don't know enough about them to admire them or not, this book will answer your questions only if you invest great time, patience, and attentiveness, but you may abandon it in disgust or boredom first. (If you know that you don't admire them, then you probably won't read this book.)
If you pick up this book to examine evidence that refutes the above-mentioned accusations of w-k. m. of the r-w. c. c., you may skip the bits about the crimson snow and Walter Lippmann by going directly to p. 309.
There are many potential citizen journalists using new media today. They could benefit from studying Stone's technique (e.g., p. 278: “He always told reporters to read documents back to front”). Outsiders like Stone, they need to know more about Stone's unglamorous but vital genius for getting news stories by burrowing patiently into the mountains of documents produced, for both external and internal consumption, by governments, organizations, and businesses, instead of waiting for news to be spoon-fed to them by some self-serving politician or media flack. Occasionally (e.g., p. 209-10, p. 397, p. 425), a useful “how-I-got-that-story” narrative appears in this book. It would have been a better book with more of them.
As an alternative, I recommend reading from the enormous pile of journalism that Stone produced in his lifetime.
In conclusion, I'd like to apologize for this cranky review to my long-suffering wife, who (with love in her heart) bought this book, which I wanted, for my birthday.