More a 3.5-3.7, The Black Cloister is nevertheless a book that sticks in my memory. It's sort of a throwback for me, in that I read it years ago but only recently reread it for review. It was the book that got me interested in Melanie Dobson, and now I remember why.
First off, Melanie Dobson was a pro at giving familiar tropes new twists even when The Black Cloister was first published circa 2008. For instance, I've seen Christians deal with spiritual warfare and cults fairly often, in fiction and nonfiction, because I find these topics interesting. However, I usually see them inside a modern American context. Here, I got to see them in the context of Heidleberg, Germany, which while still modern retained a lot of Old World tone and charm. The church where Elise finds shelter, the ruins of Marienthron, the German countryside, and Old Town are some of the best examples. The story feels authentically German and "exotic," but familiar and relevant, throughout.
So too, Elise is familiar and relevant, as well as particularly relatable. This is partially because she reminded me of myself as a college student--studious, curious, but at the end of the day, wanting nothing more than to snuggle in the safety of her warm home with her books and cats. More importantly though, Elise is relatable because she's human. She's reckless, often to her detriment. She gets into situations without considering how she's going to handle them if they go "off script," trusts the wrong people and rebuffs the right ones. Yet never did I feel she was stupid, naive, or not worth rooting for. Instead, I thought she was an intrepid, brave person who deserved answers. The fact that Elise was lied to and victimized gave me sympathy for her, but never did I think of her as pathetic or a victim.
The secondary characters aren't developed as well as Elise, but I enjoyed them, as well as the facets of them I was allowed to see. Some of these are summed up rather than shown to the reader; Addison is a good example, as we are told straight up that she is a businesslike, upwardly mobile, yet insecure and hurting person. Carson falls into this trap a bit too, since a lot of the time we spend with him, he's ruminating on how foolish he thinks Elise is being (which she is sometimes, but still). Phoebe and Sol are somewhat one-note antagonists. That said, everyone is memorable and vital to the story. For example, Sol and Phoebe may be "typical" villains--but boy, can you still root against a typical villain. I sure did. For most of the story, Sara is a victim, but I also hung in there with her and cheered for her to be okay. The same was true for Rahab, unnamed Chosen Girls, and even Addison.
Speaking of cheering for characters to be okay, there was more to that for me with The Black Cloister. Namely, Melanie Dobson paints a raw portrait of spiritual abuse here that gets under your skin like nothing I've seen in a while. Some of it comes from sheer depravity, like a scene where we see Sara tied to a bed and learn she and other Chosen members are "branded like livestock." But most of the gut punch here comes from how easy it is for people like Sol to succeed. That is, it was easy for me to read The Black Cloister and immediately think, "I'd never fall for that. I know what the Bible says and who Jesus is, and it doesn't say that and He's not like that." But within a few chapters, as I spent more time with Elise and learned more about Catrina, Rahab, Sara, and others, I found myself learning. And what I learned is, anybody could be deceived. Satan is sneaky like that. His goal is death, and he'll get it any way he can, even through twisted versions of Scripture. The exploration of this is bone-chilling and will inspire you to pray against spiritual abuse, as well as for all those trapped in it.
With all this said, why not five stars or a confident four? Well, as I said, some things are told rather than shown. I also thought that as much as I liked the characters, most of them needed more development. I wanted more introspection, especially positive spiritual introspection. For example, we know Elise and Carson are Christians, and that Carson is in fact a recent convert who became that way because he embraced the true Christ with a lot of enthusiasm. I wanted to know more about that. I also wanted to see more of Elise's journey based on her desire to help oppressed women. I got some of that with Sara, but was hungry for more. (What can I say, I'm a glutton for deep themes).
Additionally, I have a personal preference about this book. I didn't dock a star for it, but: I wanted The Black Cloister to be a split time novel. I wanted to see Elise's story better developed, and perhaps juxtaposed with that of a nun who got out of Marienthron or suffered for new Protestant faith, and struggled with the concept of grace. That, however, is purely personal preference. The Black Cloister still gets my confident recommendation, especially if you like spiritual warfare, battles between good and evil, and an Old World feel.