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Philosophische Kultur
Dieser Band beinhaltet die folgenden
Einleitung
Das Abenteuer
Die Mode
Das Relative und das Absolute im Geschlechter-Problem
Die Koketterie
Der Henkel
Die Ruine
Die Alpen
Michelangelo
Rodin - mit einer Vorbemerkung über Meunier
Die Persönlichkeit Gottes
Das Problem der religiösen Lage
Der Begriff und die Tragödie der Kultur
Weibliche Kultur
Einleitung
Das Abenteuer
Die Mode
Das Relative und das Absolute im Geschlechter-Problem
Die Koketterie
Der Henkel
Die Ruine
Die Alpen
Michelangelo
Rodin - mit einer Vorbemerkung über Meunier
Die Persönlichkeit Gottes
Das Problem der religiösen Lage
Der Begriff und die Tragödie der Kultur
Weibliche Kultur
- GenresPhilosophySocial Science
1150 pages, Paperback
First published January 1, 1911
4 people are currently reading
66 people want to read
About the author
Georg Simmel
442 books222 followersGeorg Simmel was a major German sociologist, philosopher, and critic.
Simmel was one of the first generation of German sociologists: his neo-Kantian approach laid the foundations for sociological antipositivism, asking 'What is society?' in a direct allusion to Kant's question 'What is nature?', presenting pioneering analyses of social individuality and fragmentation. For Simmel, culture referred to "the cultivation of individuals through the agency of external forms which have been objectified in the course of history". Simmel discussed social and cultural phenomena in terms of "forms" and "contents" with a transient relationship; form becoming content, and vice versa, dependent on the context. In this sense he was a forerunner to structuralist styles of reasoning in the social sciences. With his work on the metropolis, Simmel was a precursor of urban sociology, symbolic interactionism and social network analysis. An acquaintance of Max Weber, Simmel wrote on the topic of personal character in a manner reminiscent of the sociological 'ideal type'. He broadly rejected academic standards, however, philosophically covering topics such as emotion and romantic love. Both Simmel and Weber's nonpositivist theory would inform the eclectic critical theory of the Frankfurt School.
Simmel's most famous works today are The Problems of the Philosophy of History (1892), The Philosophy of Money (1907), The Metropolis and Mental Life (1903), Soziologie (1908, inc. The Stranger, The Social Boundary, The Sociology of the Senses, The Sociology of Space, and On The Spatial Projections of Social Forms), and Fundamental Questions of Sociology (1917). He also wrote extensively on the philosophy of Schopenhauer and Nietzsche, as well on art, most notably his book Rembrandt: An Essay in the Philosophy of Art (1916).
Simmel was one of the first generation of German sociologists: his neo-Kantian approach laid the foundations for sociological antipositivism, asking 'What is society?' in a direct allusion to Kant's question 'What is nature?', presenting pioneering analyses of social individuality and fragmentation. For Simmel, culture referred to "the cultivation of individuals through the agency of external forms which have been objectified in the course of history". Simmel discussed social and cultural phenomena in terms of "forms" and "contents" with a transient relationship; form becoming content, and vice versa, dependent on the context. In this sense he was a forerunner to structuralist styles of reasoning in the social sciences. With his work on the metropolis, Simmel was a precursor of urban sociology, symbolic interactionism and social network analysis. An acquaintance of Max Weber, Simmel wrote on the topic of personal character in a manner reminiscent of the sociological 'ideal type'. He broadly rejected academic standards, however, philosophically covering topics such as emotion and romantic love. Both Simmel and Weber's nonpositivist theory would inform the eclectic critical theory of the Frankfurt School.
Simmel's most famous works today are The Problems of the Philosophy of History (1892), The Philosophy of Money (1907), The Metropolis and Mental Life (1903), Soziologie (1908, inc. The Stranger, The Social Boundary, The Sociology of the Senses, The Sociology of Space, and On The Spatial Projections of Social Forms), and Fundamental Questions of Sociology (1917). He also wrote extensively on the philosophy of Schopenhauer and Nietzsche, as well on art, most notably his book Rembrandt: An Essay in the Philosophy of Art (1916).
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Displaying 1 of 1 review
September 1, 2022
Endlich. Gesammelte Werke von Georg Simmel. Sehr interessant, sehr fokussiert auf Geld.
Displaying 1 of 1 review