This book is informative, and though a reference book, it is pretty readable. Of course, it exposes you to the comprehensive and technical if you dig in. The appendixes get into electrical engineering a little, and no one will get past the jargon without a little patience. If you have a professional history with audio or electronics it would probably help. I don’t. I am a person interested in building a better system on a budget, partially because some of my best memories come from playing music myself, or going to concerts. I want to be able to approximate the experience while listening at home. So sometimes I had trouble with learning about the scientific aspects of hi-fi. However, I still appreciated the stuff that was over my head being in the book.
The main thing that is good about this book is it systematically covers all the bases, and is easy to search through. Want to find out about how to set up an analog, or digital hi fi system? It ’ll walk you through both of those options. Want to invest in a set of headphones, it goes through the types. Getting set in a new house and want to install a listening room? It has the information.
I also realized from reading this book that given the exact nature of the systems, the best experience would be to hear any component in your home. This book made it clear that despite all the resources you can make use of, there is no substitute for your own listening and experience, and that a specific room where music is listened to has properties as important as any of the equipment.
Every component is meaningful, but in a chain of components the last thing before the sound hits your ears is the room. The room has a shape, and the shape changes which frequencies are loud or soft. So you can spend a lot of money and still have a system that isn’t living up to its full potential. Food for thought.
Furthermore every person registers sound in a slightly different way. You can definitely use the experience of experts and dealers to shorten the list to get you closer something you would like, but ultimately it is pretty personal, equipment that is selected specifically for your own ears.
I felt comfortable reading this because I spend a lot of time reading forum posts and blogs that talk about the same issues.
If you listen at all to the PS audio company owner Paul McGowan, you’ll find that many of his responses to questions are accessible summaries of most of the subjects covered in this book. He does little videos answering letters. Another person who both writes reviews and talks about audio issues is Steve Gutenberg. But if you need a more organized taxonomic approach, you’ve got this book.