This edition features a leather binding on the spine and corners, adorned with gold leaf printing on the rounded spine. Additional customizations are available upon request, such as full leather binding, gold screen printing on the cover, colored leather options, or custom book colors. Reprinted in 2019 from the original edition published many years ago [1919], this book is presented in black and white with a sewn binding to ensure durability. It is printed on high-quality, acid-free, natural shade paper, resized to meet current standards, and professionally processed to maintain the integrity of the original content. Given the age of the original texts, each page has been meticulously processed to enhance readability. However, some pages may still have minor issues such as blurring, missing text, or black spots. If the original was part of a multi-volume set, please note that this reprint is a single volume. We hope you understand these limitations and appreciate our efforts to preserve this valuable piece of literary history. We believe this book will be of great interest to readers keen on exploring our rich cultural heritage and are pleased to bring it back to the shelves. We welcome your feedback and suggestions. Urdu, 354. Full leather binding is available for an additional $25 beyond the price of the standard leather-bound edition. {Folio edition also available.} Complete Tazkirah 1919 [Leather Bound] by zd, Ablkalm,Mrz, Fazluddn Amad
Maulana Sayyid Abul Kalam Ghulam Muhiyuddin Ahmed bin Khairuddin Al-Hussaini Azad was an Indian scholar, Islamic theologian, independence activist, and a senior leader of the Indian National Congress during the Indian independence movement.
One of the finest works of Urdu language. It is part history, part biography, part religious tome, part soliloquy, part personal musings, and part Abul Kalam Azad relishing in the echo of his own voice and sheer vanity. Tazkirah is a fascinating look at Muslim history of India through a very personalized lens. Azad's analysis of various religious controversies and religious movements of India (such as the Mehdawiyyah) provides much fodder for thought. However, his overly embellished account of his own intellectual and ancestral lineage is a bit self-absorbed. And above all it's a great work to challenge and improve one's Urdu with. I am personally not an admirer of Azad, but I absolutely adore this work of his.