This was an enjoyable read about James Cagney's life and his perspective on not only his films but also a variety of subjects. He had a wide array of interests and apparently an energy that equaled the characters he portrayed. I took my time reading it, because I did not want it to end. In a way, it was like reading a personal account of 20th century American history. The first few chapters centering on his life in early 1900s New York were especially interesting; I wish he would have written a separate book focused solely on stories from his childhood and adolescent years. Cagney was 4 years older than my great-grandma, whom I had the pleasure of knowing when I was a young child, but being a child, I didn't ask her about her life or any other fascinating history she could have offered. Thus, by reading about Cagney's childhood, it was neat to envision how times probably were during my great-grandma's childhood.
Cagney talks about his film experiences, going through them chronologically, save a few he chose to not mention for whatever reason, and spends about a paragraph or so on them. But as he says early on, his story is more about the remarkable people he met in life and he talks quite a bit about his family and friends. In the last few chapters, when he is retired from acting, he discusses subjects important to him, such as conservation and art. The book comes with a generous amount of photos, including an adorable baby Cagney and one of his oil paintings.
I recommend to fans of Cagney and classic movies. The only two things I didn't like were 1. the amount of cursing (I had read one reviewer's lament on this, so I was prepared for it, but it still bothered me) and 2. Cagney's disappointment in the City for Conquest's final cut. That is one of my top five favorites of his films*; I can only imagine how much better it would have been if they'd kept the poetic dialogue he liked so well. Overall, an entertaining and informative book written by one who seemed to be an all-around pleasant fella.
*This is irrelevant to the review, but for fellow Cagney fans who are interested, I enjoy his song and dance/good guy roles better than his gangster roles, though his acting was great in any genre. This is probably because my first Cagney film was Midsummer's Night Dream shortly followed by Strawberry Blonde and Time of Your Life. A year later, it was Yankee Doodle Dandy, the film responsible for getting me hooked on Cagney. Therefore, one could imagine my horror upon watching Kiss Tomorrow Goodbye. I kid you not - I was so disturbed seeing psycopath Cagney, I avoided his other gangsters roles as long as I could. I still cannot bring myself to watch White Heat. Maybe some day...
**Update: I finally watched White Heat. Not my favorite; still like him the best as a song and dance man. :)