Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
1. The American counterculture was the result of a long process of anti-establishment sentiment: 'The Sixties counterculture in the United States didn't come out of nowhere: it appeared gradually as a ripening of popular discontent over America's shrill postwar triumphalism.' (8)
2. The counterculture should not be considered as a social movement, but instead as "an inherently unstable collection of attitudes, tendencies, postures, gestures, "lifestyles"'. (10)
3. "The state was erected on the platform of culture, not vice versa as a vulgar Marxist might argue." (10)
4. Two 'major phase(s)' of the Sixties- the 'Flower Power', utopian stage fueled by the expectancy of 'post-scarcity society' and the later, post-69 stage marked by racial tensions, economic downturn and the fragmentation of the counterculture.