Appalling.
Meet Taita, the lead character: writer, sculptor, painter, architect, engineer, surgeon, strategist, politician, warrior, athlete, historian, geographer, philosopher, mystic, philologist, adventurer, musician, chess player, veterinarian, actor, utterly handsome and wise beyond measure.
He is also a Caucasian 154 years old eunuch living in the ancient Egypt.
He is a slave too, but he does and goes as he pleases.
"The Quest" starts with Taita going to a lama monastery in the middle of Dark Africa to get his inner eye opened. A nun does that by extracting Taita's right eye with a spoon and piercing his eye socket with a bamboo needle.
Once the inner eye has been properly opened, Taita is able to enjoy a new set of mystic goodies like aura sighting and mind reading. He gets better too at astral traveling, concealment charms and dream interpretation.
That's how he can get a very bad vibe: back at home, his chum, the Pharaoh of "that very" Egypt, is in trouble. The Nile has dried up, the country is afflicted by several horrible plagues and the queen has a crisis of faith.
The enhanced Taita goes back and very soon realizes that the culprit of all these bad things is an evil sexy witch, thousands of years old, who lurks very far away, to the south of Egypt, close to a lake and a volcano. Right away Taita enlists a company of brave and insignificant men and down they go for country and king.
On their way to the witches' lair Taita happens to find his future female companion: a blond child of 7 years of age. He knows in his heart that the girl is the reincarnation of his old flame, the only woman that he truly ever loved (platonically): queen Lostris of Egypt.
He adopts the child and begins her education. She turns out to be exceedingly bright.
They find out that the evil witch has an appetite for geniuses. That makes Taita the best possible prize. But there is a problem, the witch feeds on geniuses only through sexual intercourse, and that is just the only thing that Taita cannot do, being castrated and all.
Never fear, Eos (that is the name of the witch) has a whole team of evil but highly skilled medical minions. They will be able to help Taita grow a penis (and new teeth too as a bonus). The operation consists of embedding pieces of slaughtered newborn babies in the right cavities of Taita's body and watching them grow.
Once Taita has a penis, he gallantly goes into a genital confrontation with Eos. This turns to be a battle of epical proportions, but in the end Taita prevails because is one of the good guys. He literally fucks the evil Eos into oblivion. By doing so, he gets all her wicked but extensive knowledge of the world too, we are talking about thousands upon thousands of years’ worth of wisdom.
Afterwards Taita doesn't stop for a smoke, no, using the memories of the witch he goes down to the basement in the volcano and finds the fountain of eternal youth, and there he takes a long and life changing shower.
Behold Taita 2.0: a perfect mind of unmeasurable depths within a perfect young body that will never grow old.
He gets back, tenderly teach the blond little girl (that has turned sixteen in the meantime) how to make love, unblocks the Nile, obliterates the surviving minions of the evil Eos (black and brown alike), liberates all the good people and guides them back to "that very" Egypt of them in a merry river procession.
I found the precedent three books bad but enjoyable. This one is just amazing. I have read it out of curiosity, how insane can it get? I do hope for the mental health of Mr. Smith that Taita is not his alter ego. I will read the next (and last one), just to assert whether this was just a crisis of sorts.
One of the first books I truly loved was Sinuhe the Egyptian by Mika Waltari. I wasn't expecting that when I started this series, but I wasn't expecting this either.
Just one last thing, on the jacket of my edition of Sinuhe, the font size of Mika Waltari's name is much smaller than that of the title. Exactly the opposite applies to this book: The Quest, by Wilbur Smith. Bad things happen when people or fictional characters take themselves too seriously.