Unique book. A stunt memoir from before the days of stunt memoir and, therefore, stirringly earnest. A book that is, in some ways, badly written, but whose bad writing contributes to what is ultimately a very effective narrative presentation. (The sense I kept getting was that of reading a novel whose first-person narrator has, deliberately, not been given a slick way with words–because a slick narrator wouldn't work with this particular story.)
Peter Jenkins, 22, raised in comfort in NYC-metro Connecticut, leaves the town where he has gone to college, with the idea of walking across America. He's sick at heart, tired and doubtful of himself and his country.
The book is a reminder that a journey is one of the simplest and most effective narrative structures there is. Peter walks, becomes involved with a few of the different communities he passes through, changes. The story is earnest but moving; if it had been more wry or intellectual, it probably wouldn't work so well. Like another successful travel book of a later generation—Eat, Pray, Love—A Walk Across America is an old-fashioned spiritual memoir dressed up as an individualistic modern quest.
It also reads like a portrait of an America on the brink. Jenkins walks through parts of Appalachia and the South that are thoroughly rural; it's a landscape seemingly untouched by cable TV or national chain stores, a landscape unimaginable today. He stays with hippies who are living off the land in Tennessee but, even more interestingly, meets people in North Carolina who've been living off the land since the World War II era and just never stopped, and he gives a vivid, in some ways idyllic portrait of their brand of rural poverty.
The most moving episode in the book, to me, was also the longest: the author's quasi-adoption into a poor, rural black family. (Reminded me how little has changed since '73? That a story of reaching across race & class lines that are still so real holds emotional charge? Found myself beating back tears on the subway a couple of times, at what seemed like pretty random moments in the text.)
Jenkins started this book, I think, as an article for National Geographic, which I'd sort of like to track down. They armed him with a camera, and the edition of the book I read had a number of his very good pictures, which added a lot to the book as a whole.