Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.
Everything that I said about the first book in the series holds true with this book.
I mention this because we've all ready series that start strong *ahem* and then have a pretty severe dip in quality when the second book in the series comes out.
This was an exceptional collected comics and not just in the writing and the art, but in production values too. This was the kind of hardcover collection one did not see anymore.
Tom Strong was a title I remember buying when it first came out. That was just before the turn of the century and it has a pretty cool Alex Ross cover. Most comics at that time period were to classify them crudely, stories that tried to look into the future. In Tom Strong, Alan Moore was mining the genre's pre-comic past and gave us a character that was more Doc Savage that Dr. Richards.
Tom Strong was the comic formatted as an anthology of short stories featuring the character and his family of super inventor-explorers. It still had the regular comic book tropes like multiverses and alien invasion, but sometimes it was a western or a ghost story. This variety of tales allowed for multiple artist to guest and a few of them were legends of the medium.
The book itself used a rather thin paper for pages, similar to what was used in the monthly edition but this was bound in cloth and had a nifty page marker attached to the spine.
Some of the anthology issues were a little meh but there was still some really creative concepts and fun stories in them. I really liked the Tom Strange issues and the time travel one. Tom Strange as a concept was not what I was expecting and that made it a lot more interesting.
Whereas the first volume seemed to have been conceived and executed with a fair amount of confidence in its vision and tempo, this one suffers from conspicuous unevenness. Experimentations and genre send-ups often read as half baked dalliances or comic Laffy Taffy wrappers even when formally successful, and the lack of commitment in these short peices is even more jarring when contrasted with a relatively lengthy story arc as unforgivably boring as the Tom Strange Terra Obscura line included here. I suspect Mr. Moore was just overworked writing every book for and running ABC at the time. Overall still quite good by mainstream American comic standards, even in the weakest bits, and occasionally clever, but from Alan I have grown to expect Moore.
Segundo volumen con cienciaventuras de Tom Strong y primer cruce con los cientihéroes de Terra Obscura, que incluye varios personajes en dominio público como el mismísimo Tom Strange.
I think Alan Moore tries too hard to be too many things with Tom Strong. There's a touch of parody to all the "science heroes" of the past -- Doc Savage, all the Tom Swifts, the Quest Family, and Mr. Fantastic among others, and parody of 70 years of comic book super hero tropes.
Even so, this volume is all over the page with wild animation styles, anthropomorphic rabbit variants of Tom, superman variants of Tom, time travel; so much, that the fun gets lost in trying to sort out what the parody is all about.
Once Moore gets away from all form of long term narrative and falls into these popcorn tidbit 8-page long stories, the book really becomes a complete bore. Unfortunately those dull quickies made up the most of this collection.
Another fun series of stories that finds Tom Strong & his family take on everything from an alien Western town to a parallel Earth inhabited by superheroes. Alan Moore brings lots of fun & action tot he series, paying homage to the classic comic book stories of the 1940's & 50's, which stories varying from dramatic to cartoony (literally, at one point Strong is in an alternate cartoon universe where he's a superhero rabbit). The Strong family dynamic continues to be great as well, ranging from Tesla having to explain why the house is trashed due to a gravity controlling villain or Tom threatening his teenage self in a time travel story for hitting on their daughter. The various artist shine as well, with each perfectly matching their stories tone. Overall, Alan Moore just having fun with comics, and that is always a good thing.
I got to say, with Alan Moore, when he is great, he's great. When he's awful, he is FUCKING awful like nobody's business. I read the first trade of Tom Strong a couple years ago, and I vaguely remember somewhat enjoying it. It struck me as the sort of pulp science fiction fantasy that The Venture Bros has thoroughly skewered, making it rather difficult for me to take it at all serious. I think Moore intended for this series to also poke fun at the conventions of pulp sci-fi, but frankly, Moore isn't known for his wit. Part of my problem with this series, too, is that it is very sporadic - it features the Family Strong partaking in outrageous adventures in vignettes, which is how golden age comics were formatted. It just wasn't my thing, and each attempt to read through this trade felt like a chore. I think I'll opt out of reading the rest of this series for now (or, hell, most likely forever).
Tom Strong Book 2 continues the excellence of Book 1 with smart, pulp-influenced science-hero stories. There's a wide mix of tales, many short and a couple longer, and Moore deftly switches between humorous and affecting. The rotating cast of artists, anchored by Chris Sprouse, complement the stories nicely.
I'm really enjoying this. It's unpredictable and clever, and the world feels real without being too concrete. The Earth Z (whatever) plotline loses some points for being a little dense, but the alternate universe portal way makes up for it. Bunny Tom Strong!
Sequel to the other Tom Strong book, this one is a lot less impressive. All the elements are still there, some of the opponents are hilarious and some of the references are interesting, but all in all, first one was a lot better.
Very light hearted, enjoyable superhero nonsense. Obviously not even close to what Alan Moore is capable of, even compared with the first volume of Tom Strong this one comes across a little weak. In particular the shorter storylines are rather flat.
I really enjoyed the first volume of this series, and this book does have some shining moments, but the barrage of 8-page stories just isn't the interesting to me. Not enough time to build suspense or anything.
This volume was so much fun to read and you can tell Moore had a great time writing it. To me, it feels like Mr. Moore was writing stories that he felt his twelve year old self would have thrilled to, and the whole thing reads as a real great love letter to the Silver Age of comics.
This one continues the greatness of Volume one, and did i forget to say the art is great? Things start coming together in a more progressive longer story with relationships building here.
Doc Savage/Jonas Venture as seen through the mind of Alan Moore. A very retro-feeling book like the Golden Age Science Heroes. This volume in particular focuses on time travel and parallel universes.
The first half of the stories in the book were just OK. The last few, including Funnyland, I enjoyed much more. I was still interested enough to stick with book 3.