First up is Sullivan Waring, the 'natural child' of a peer, yet unacknowledged. Sullivan is a successful horse breeder/trainer and has only turned to theivery to recover his mother's paintings which were unjustly taken from him while he was fighting on the Peninsula. Someone wrote recently in their own review that they found Isabel to be quite spoiled, haughty, and snobbish for too much of the book and I have to completely agree on that one (really hated how much she ordered him around)! Sullivan was darling and Bram made me laugh out loud several times, but Isabel - for about the first 2/3 to 3/4 of the book - definitely detracts. P.S. Was also slightly bothered by how young Isabel was - she's only 19. I've definitely reached the point where a heroine under 20 just doesn't really cut it for me anymore. Sullivan Waring, an illegitimate horse breeder who has never been acknowledged by his father, comes home from war to find that his inheritance has been stolen. All that Sullivan expected to receive from his artist mother was a few paintings that she kept and meant for him to have. I liked Sullivan and I thought it was great the way Ms. Enoch integrated his love of horses and their training into the book. Personally, Sully's gentle, respectful nature with the horses made me adore him all the more. I did kinda feel like we went from 3-4 stolen, hawt kisses to "meet me in the stables at midnight" pretty quickly, though I was ready for them to get there... But it is the secondary characters that win it for me: Bram is great - rude, unpredictable, and dangerous, even the heroines's younger brother is a great character and William, the hero's friend's brother, is intriguing. A unique premise in which bastard war hero, Sullivan Waring, sells and breeds horses by day; by night he masquerades as a thief, stealing back his mother's paintings from aristocrats after they'd been wrongfully taken from him by his father. A father who refuses to acknowledge his son, at that. It just so happens during one raid Sullivan is caught unawares by Lady Isabel, but he quickly hushes her up with a kiss and so this epic romance begins. I thought the tension between Isabel and Sullivan was pretty damn palpable at the beginning, but I got bored at the end.
What a delightful Regency historical Suzanne Enoch has provided with "After the Kiss". This is the first story in her new trilogy 'The Notorious Gentlemen' which, according to her blog, will tell the tales of three friends who somehow end up on the wrong side of the law after returning from the Peninsula War (1808-1814). I thought the story was different... that was a plus... a non-titled bastard who would never be recognized by his Marquis father and the heroine was a titled daughter. He was a horse breader and she blackmails him in to training an unbroken horse for her for her silence in some burglaries that she knows he has committed. It moves fast, but for some reason I wasn't feeling the love. They fell in love but really all the had was this horse connection and this secret. In this book, Suzanne Enoch strung together several plot lines, none of which I usually enjoy, and she somehow turned them into a story that really worked for me. I have enjoyed most of the historical romances that I have read by Enoch, but this one is now one of my top two or three favorites by her. I really enjoyed it. The hero is a bastard son/war hero who returned from the war to discover that his noble father has sold all the paintings his mother left to him. So he's going to steal them all back again. He's only got a few left to go when the heroine surprises him in the act. He kisses her, to keep her from screaming, but she rips off his mask and sees his face. I started this one thinking "not another dreary HR with a blonde, beautiful Society darling as heroine", but I have to say I really enjoyed it. It developed nicely, and ended up being a lovely romantic story. The hero is fabulous the whole way through, knows how to handle horses ( sigh<\i>) and the heroine really improves, thankfully redeeming herself by realizing that what she wants is not what Society wants, and showing a bit of backbone along the way. Ahhh, a historical romance. Did you know those are my favorites? They are. And this was great. Oh man, I really liked this. Here was an obstacle that actually created tension and felt like it had stakes. Here, finally, was a believable reason that a hero would push a lady away and that she would be reluctant to like him. I just really loved the characters and the plot and I can't wait to read the next two books, and I wish I could get a dozen companion novels about the background characters.