In the small seaside village of Osterley in Norfolk, sixty-four year old Herbert Baker a devout Protestant lies dying with the comfort of his family around him. As the end grows closer, he asks his daughter to call a Catholic priest to his bedside, an unusual request because he is not a Catholic. The family although surprised by his odd behavior agree to his request. When Father James arrives, Baker asks for privacy and the two spend half an hour together. After Father James leaves, Baker comforts his family to assure them he has not changed his faith and wants to be buried in accordance with his own beliefs. Shortly afterwards Baker dies and is buried.
A few weeks later, Father James returning to the rectory in late evening is brutally attacked, hit on the head with a heavy crucifix. When the priest falls, his assailant delivers two more blows and then with a gloved hand quickly wrecks the room. He pries open the tin box where the parish funds are kept, scoops up the money and flees.
When the town hears about the murder they are shocked and horrified. It appears Father James had returned home unexpectedly and was attacked by someone he disturbed in the middle of a burglary. But who would ever kill a priest, especially someone like Father James who had no enemies and was loved by everyone? With the church still acknowledged as the revered center of the community, people are quickly convinced that no one in their town could have carried out such a vicious crime. It must have been an outsider.
Inspector Ian Rutledge is on medical leave recovering from the gunshot wound he suffered in the line of duty on his last case in Scotland. The forced inactivity and confinement required for his body to heal has left him vulnerable to the horrible memories of the the war which have plagued him since he left the battlefield. The living voice of Corporal Hamish MacLeod is louder and more forceful and he longs for the mind numbing concentration of work, needing its distraction and subsequent exhaustion to have a more peaceful sleep. It comes soon enough when Chief Superintendent Bowles, always anxious to have Rutledge away from London as much as possible, sends him to look into the murder of Father James. People in the small are anxious to have the murder solved and the Bishop has contacted Scotland Yard to ask for help to reassure himself and the villagers that everything is being done to catch the murderer.
Rutledge meets with Inspector Blevins from the local detachment who asks Rutledge to stay on. He is glad to have assistance with solving the crime and being a member of Father James’s parish, not certain he is sufficiently detached to do the job well.
They make little progress until the police find a likely suspect in Mathew Walsh, the itinerant strong man who entertained at the recent church bazaar. He appeared in the next town with a new cart and some bills and coins in his pocket. However Rutledge knows not all the evidence fits the crime and realizes the police may be rushing to judgement, anxious to close the case. For his part, Rutledge is neither convinced the murder was due to a robbery gone wrong or that Walsh committed the crime.
The investigation takes Rutledge in many directions as he searches for a missing photograph, meets one woman who is researching and drawing old church artifacts for a book begun by her dead husband and another who hates Father James for some perceived wrong from the past. He also tries to locate a missing photograph referred to in the priest’s will and wonders why Father James was so obsessed with the sinking of the Titanic. His inquiries also take him to Lord Sedgewick and his two sons, the local gentrified nouveau riche family that lead a privileged life on a large estate on the edge of town.
Throughout the investigation the spectre of Corporal Hamish continues to haunt Rutledge who remains a prisoner of his own terrors. He has never found a way to shut Hamish out but the dead Corporal is becoming more of a help as time goes on, asking interesting questions, making comments, warning Rutledge about impending dangers and pointing out important clues. He is so real to Rutledge that he appears to take on the role of co-investigator and their ongoing silent conversations, although at times devastating for Rutledge, are also helping him solve the murder.
Like other novels in this series this one has a dense complicated plot and a large interesting cast of characters, all vividly described. The authors continue to evoke the gloomy dismal atmosphere of village life in post war Britain describing crippled men hobbling in the streets, the endless coughing of soldiers whose lungs have been damaged in the gas attacks and those who do not venture outside their homes without scarfs covering their necks and faces now permanently disfigured by burns. There are also long passages describing the countryside and the small towns which sometimes becomes overbearing, dragging the narrative when the reader wants the pace to pick up and reach some kind of a conclusion. All this is served up with the endless cups of tea, the calming ritual designed to ease tensions and provide calm and comfort but also gives time for those in a tight spot to think when pushed by an investigator with uncomfortable questions.
This is another solid addition to the series. Each book can be read as a “stand alone” but like other serials there are threads from past novels which enhance a reader’s experience when they are read in order.