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A Dark Matter
NEW YORK TIMES BESTSELLER • “One of the most adroit masters of the supernatural thriller” ( San Francisco Chronicle ) delivers a chilling novel about a man seeking the truth about what happened on a horrifying night on a Midwestern campus in the 1960s. • "Terrifying.... Impossible to put down." —Stephen King
On a college campus, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery—all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he’ll have to force those involved to examine the unspeakable events that have haunted them ever since.
On a college campus, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery—all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he’ll have to force those involved to examine the unspeakable events that have haunted them ever since.
588 pages, Mass Market Paperback
First published January 1, 2010
558 people are currently reading
4195 people want to read
About the author
Peter Straub
256 books4,178 followersPeter Straub was born in Milwaukee, Wisconsin, the son of Gordon Anthony Straub and Elvena (Nilsestuen) Straub.
Straub read voraciously from an early age, but his literary interests did not please his parents; his father hoped that he would grow up to be a professional athlete, while his mother wanted him to be a Lutheran minister. He attended Milwaukee Country Day School on a scholarship, and, during his time there, began writing.
Straub earned an honors BA in English at the University of Wisconsin–Madison in 1965, and an MA at Columbia University a year later. He briefly taught English at Milwaukee Country Day, then moved to Dublin, Ireland, in 1969 to work on a PhD, and to start writing professionally
After mixed success with two attempts at literary mainstream novels in the mid-1970s ("Marriages" and "Under Venus"), Straub dabbled in the supernatural for the first time with "Julia" (1975). He then wrote "If You Could See Me Now" (1977), and came to widespread public attention with his fifth novel, "Ghost Story" (1979), which was a critical success and was later adapted into a 1981 film. Several horror novels followed, with growing success, including "The Talisman" and "Black House", two fantasy-horror collaborations with Straub's long-time friend and fellow author Stephen King.
In addition to his many novels, he published several works of poetry during his lifetime.
In 1966, Straub married Susan Bitker.They had two children; their daughter, Emma Straub, is also a novelist. The family lived in Dublin from 1969 to 1972, in London from 1972 to 1979, and in the New York City area from 1979 onwards.
Straub died on September 4, 2022, aged 79, from complications of a broken hip. At the time of his death, he and his wife lived in Brooklyn (New York City).
Straub read voraciously from an early age, but his literary interests did not please his parents; his father hoped that he would grow up to be a professional athlete, while his mother wanted him to be a Lutheran minister. He attended Milwaukee Country Day School on a scholarship, and, during his time there, began writing.
Straub earned an honors BA in English at the University of Wisconsin–Madison in 1965, and an MA at Columbia University a year later. He briefly taught English at Milwaukee Country Day, then moved to Dublin, Ireland, in 1969 to work on a PhD, and to start writing professionally
After mixed success with two attempts at literary mainstream novels in the mid-1970s ("Marriages" and "Under Venus"), Straub dabbled in the supernatural for the first time with "Julia" (1975). He then wrote "If You Could See Me Now" (1977), and came to widespread public attention with his fifth novel, "Ghost Story" (1979), which was a critical success and was later adapted into a 1981 film. Several horror novels followed, with growing success, including "The Talisman" and "Black House", two fantasy-horror collaborations with Straub's long-time friend and fellow author Stephen King.
In addition to his many novels, he published several works of poetry during his lifetime.
In 1966, Straub married Susan Bitker.They had two children; their daughter, Emma Straub, is also a novelist. The family lived in Dublin from 1969 to 1972, in London from 1972 to 1979, and in the New York City area from 1979 onwards.
Straub died on September 4, 2022, aged 79, from complications of a broken hip. At the time of his death, he and his wife lived in Brooklyn (New York City).
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Displaying 1 - 30 of 719 reviews
April 2, 2011
I like Peter Straub. He's an ambitious writer who tries to do more with his novels, stretch out, ignore the borders and "go there", to the vast, unexplored land of the possibility of invention. Clive Barker didn't name him "a great classicist" without a reason - he's a pleasure to read. His work is intriguing, memorable and intelligent - the weird tale of Tom Flanagan and Del Nightingale that makes Shadowland, the terror of Eva Galli and the Chowder society in Ghost Story and the Vietnam vets who venture out to find Koko, the town of Hampstead and its inhabitants seized by two horrors in Floating Dragon...these are people, places and events that have managed to do one of the best things fiction can do: they have staying power, and make us think about them and return to them in the future, again and again.
After seeing several video interviews with Mr. Straub he comes off like a really cool guy, full of ideas and enthusiasm when it comes to writing, someone with whom it would be a pleasure to hang out and talk about all sorts of stuff. So, when I heard about A Dark Matter and what it was supposed to be about I was anxious to read it.
The time is the blasted 60's; We have a group of four high school friends that falls under the influence of a charismatic guru, the con man Spencer Mallon, who claims that he will be able to change the world, if only for a moment. Enchanted with the promise of something truly extraordinary, they venture into a meadow and perform a mysterious occult ritual. By now it should be obvious that the experience goes waaay out of control, and something awful happens; one person dies, Mallon flees and the survivors are scarred for life.
Years later we met Lee Harwell, a writer, who was not one of those who ventured to the meadow. His wife, also Lee (dubbed "The Eel") was; but even though she was blinded as a consequence she refused to talk about what happened. Lee wants to deal with the past once and for all, and he ventures to find the rest of the survivors and by using their accounts of the happening write the complete story. Through Rashomon-like storytelling the event is told by different people, and each account offers a different interpetation and insight into the occurences of that night.
Now, here comes the big problem. A Dark Matter is not at all scary or spine tingling. It's not even very suspenseful. A similar premise has been executed years earlier by Donna Tartt in The Secret History. A Dark Matter is nowhere near as captivating. The concept is intriguing - several people relating the same event, meaning their prejudices and personal interests will surface when the accounts will be compared - but the characters are very bland; the writer, the beautiful girl, the sidekick, the hopelesss guru figure, sidekick nr.1, sidekick nr.2...it pains me to say this, but only one persona is memorable - Hootie Bly (Turn of The Screw anyone?), whom the experience rendered insane, and who is able to communicate with the outside world only through quotations from Nathaniel Hawthorne. And remember, this is the man who created the duo of Flanagini and Night, Tim Underhill, the charming boy named Tom Passmore...even Mallon is bland, and he's the one who should have been the most mysterious and interesting character.
The other problem with A Dark Matter is that it simply goes nowhere. It has intrigue, but only barely at moments; there are moments of great imagery, but through repetition that offers little variation they soon become mundane and unimpressive. There are elements that offered great promise but somehow have never been expanded upon; the Mallon character is the best example. And when the puzzles come together, all the stories are known, the conclusion arrives which is a straightforward disappointment. I won't reveal the idea behind A Dark Matter, but I expected much, much more from a novel with such promise, scope and ambition.
Perhaps the biggest problem with the novel is that there's not enough story to justify its length. It would be a good novella, but the constant shifts do not allow for enough suspense to develop. To put things simply, it goes way to much around the bush, and too rarely peers into the tangled hedges of supposed wretchedness and horror. It's enjoyable at times, but there really wasn't anything there.
Peter Straub is a writer who has done, and with no doubt will do much better than this in the future. A Dark Matter is far and away from his best; For readers fresh to his work I'd recommend Shadowland which this book heavily borrows from, his great classic Ghost Story which is essential reading for any fan of horror, and Floating Dragon which utilized some similar concepts. A Dark Matter is for the completists only. I don't feel I wasted time reading it, but if it was my first work by this great author I'm not sure I would come back for more.
After seeing several video interviews with Mr. Straub he comes off like a really cool guy, full of ideas and enthusiasm when it comes to writing, someone with whom it would be a pleasure to hang out and talk about all sorts of stuff. So, when I heard about A Dark Matter and what it was supposed to be about I was anxious to read it.
The time is the blasted 60's; We have a group of four high school friends that falls under the influence of a charismatic guru, the con man Spencer Mallon, who claims that he will be able to change the world, if only for a moment. Enchanted with the promise of something truly extraordinary, they venture into a meadow and perform a mysterious occult ritual. By now it should be obvious that the experience goes waaay out of control, and something awful happens; one person dies, Mallon flees and the survivors are scarred for life.
Years later we met Lee Harwell, a writer, who was not one of those who ventured to the meadow. His wife, also Lee (dubbed "The Eel") was; but even though she was blinded as a consequence she refused to talk about what happened. Lee wants to deal with the past once and for all, and he ventures to find the rest of the survivors and by using their accounts of the happening write the complete story. Through Rashomon-like storytelling the event is told by different people, and each account offers a different interpetation and insight into the occurences of that night.
Now, here comes the big problem. A Dark Matter is not at all scary or spine tingling. It's not even very suspenseful. A similar premise has been executed years earlier by Donna Tartt in The Secret History. A Dark Matter is nowhere near as captivating. The concept is intriguing - several people relating the same event, meaning their prejudices and personal interests will surface when the accounts will be compared - but the characters are very bland; the writer, the beautiful girl, the sidekick, the hopelesss guru figure, sidekick nr.1, sidekick nr.2...it pains me to say this, but only one persona is memorable - Hootie Bly (Turn of The Screw anyone?), whom the experience rendered insane, and who is able to communicate with the outside world only through quotations from Nathaniel Hawthorne. And remember, this is the man who created the duo of Flanagini and Night, Tim Underhill, the charming boy named Tom Passmore...even Mallon is bland, and he's the one who should have been the most mysterious and interesting character.
The other problem with A Dark Matter is that it simply goes nowhere. It has intrigue, but only barely at moments; there are moments of great imagery, but through repetition that offers little variation they soon become mundane and unimpressive. There are elements that offered great promise but somehow have never been expanded upon; the Mallon character is the best example. And when the puzzles come together, all the stories are known, the conclusion arrives which is a straightforward disappointment. I won't reveal the idea behind A Dark Matter, but I expected much, much more from a novel with such promise, scope and ambition.
Perhaps the biggest problem with the novel is that there's not enough story to justify its length. It would be a good novella, but the constant shifts do not allow for enough suspense to develop. To put things simply, it goes way to much around the bush, and too rarely peers into the tangled hedges of supposed wretchedness and horror. It's enjoyable at times, but there really wasn't anything there.
Peter Straub is a writer who has done, and with no doubt will do much better than this in the future. A Dark Matter is far and away from his best; For readers fresh to his work I'd recommend Shadowland which this book heavily borrows from, his great classic Ghost Story which is essential reading for any fan of horror, and Floating Dragon which utilized some similar concepts. A Dark Matter is for the completists only. I don't feel I wasted time reading it, but if it was my first work by this great author I'm not sure I would come back for more.
December 2, 2020
I wanted to LOVE this book. I really did.
When I read the back cover, I was hooked. The premise sounded awesome: a group of college friends in the 1960s fall under the spell of a new age guru, and together they engage in a strange ritual which brings them into contact with otherworldly beings which shape the course of their lives thereafter...
And that ritual they conduct is undoubtedly the best part. In fact, it is pretty downright awesome. The creatures/beings that each of them encounter (they are all different) are very creepy and fantastically imagined. I loved it and wanted more of it, although the mystery surrounding this 'otherworld' kept me reading all the way to the end.
The rest of the book, however, was pale in comparison. Much of it dragged like a freaking broken zombie leg. There were pockets of almost total boredom scattered throughout. Reading felt like a chore way too often (something I can't stand) and I was hot & cold on too many characters too much of the time.
'A Dark Matter' could have been much, much better. Quite frankly, I expected a lot more from Peter Straub, aka "Master Of Horror". I couldn't shake the feeling while reading 'A Dark Matter' that this is the kind of book that happens when authors careers are set and they get too comfortable. At some points it felt like Straub wasn't even trying anymore.
A shame really, because I thought the potential for this tale was massive. It was very strange to read such awesomeness and such dismal mediocrity in the same story. My feelings on it are equally mixed.
When I read the back cover, I was hooked. The premise sounded awesome: a group of college friends in the 1960s fall under the spell of a new age guru, and together they engage in a strange ritual which brings them into contact with otherworldly beings which shape the course of their lives thereafter...
And that ritual they conduct is undoubtedly the best part. In fact, it is pretty downright awesome. The creatures/beings that each of them encounter (they are all different) are very creepy and fantastically imagined. I loved it and wanted more of it, although the mystery surrounding this 'otherworld' kept me reading all the way to the end.
The rest of the book, however, was pale in comparison. Much of it dragged like a freaking broken zombie leg. There were pockets of almost total boredom scattered throughout. Reading felt like a chore way too often (something I can't stand) and I was hot & cold on too many characters too much of the time.
'A Dark Matter' could have been much, much better. Quite frankly, I expected a lot more from Peter Straub, aka "Master Of Horror". I couldn't shake the feeling while reading 'A Dark Matter' that this is the kind of book that happens when authors careers are set and they get too comfortable. At some points it felt like Straub wasn't even trying anymore.
A shame really, because I thought the potential for this tale was massive. It was very strange to read such awesomeness and such dismal mediocrity in the same story. My feelings on it are equally mixed.
March 7, 2023
"It was the best of times, it was the worst of times; it was intensely dark and radiantly bright. What you knew was only what you thought you knew, nothing more. It was about Oneness. It was about Allness."
3.75 🌟
Initial Thoughts
If you didn't know by now I'm a massive fan of Peter Straub, who sadly passed away last year in 2022. Take a look back through my reviews and you'll find I've reviewed almost everything the guys ever written, including his two collaborations with Stephen King (Black House and The Talisman) which he is probably best known for. That's a shame really as he was, in my opinion, one of the most talented authors to put pen to paper in the horror genre with some fantastic entries, like Ghost Story and Koko.
But fear not. If you're sick to death of hearing me plug this author, I'm almost finished after completing his last full novel, A Dark Matter. A Bram Stoker award winner no less in 2010 (see I told you this guy was talented). So I had some very high expectations. Especially after reading Stephen King's blurb that it was "Terrifying... impossible to put down." What self respecting horror novel would be complete without one of those plastered on the front cover?
Masters of Fiction: Stephen King, John Grisham, Peter Straub, Pat Conroy
The Story
This is a story like no other and centres around the character of Lee Harwell, a popular writer of fiction, who is struggling after the success of his latest novel. Speaking with his publishers he has the idea to have a stab at some non-fiction, by delving into a horrific event that took part some fourty years previous while he was at college, when a group of his friends took part in some bizarre ritual in which one person was brutally murdered.
Thus begins Harwell's journey from the present day back into the past as the story of what happened, or could have happened, is told from a number of viewpoints. We find out quickly that the group of friends became enthralled with a mysterious figure, a guru of sorts, named Spencer Mallon in the year of 1966, who persuaded them to take part. Harwell being the only one sensible or stubborn enough not to get involved. But discovering what happened to his friends, one of whom became his wife, is now an obsession for him. And if he can make a few dollars in the process of uncovering the truth, then why the hell not?
Its a fantastic set up and if you're not intrigued then I really don't know what's wrong with you. Maybe syphilis?
"It seemed to him that he had drawn near to the defining mystery of his life - the great transformation that alone could give to his existence the meaning he knew it must possess - and the sheer importance of what he had come upon paralyzed him."
The Writing
I'm going to say this right from the start. This book is beautifully written. Straub's ability to articulate a scene is often amazing and some of the descriptions are so vivid they took my breath away. He has a unique talent for writing dreamlike sequences with an often surreal style that is perfect for this form of story.
As I've said before with this author, it's just as much about what he leaves out of a story as what he puts in and he utilises this perfectly to keep you guessing and wanting more. Theres is an almost tangible threat hanging in the air.
Anyone who's familiar with Straub's work will recognise a running theme of the past impacting on the present in an often terrible way that started all the way back in his first suspense novel, Julia (1975). He then went on to perfect this in 1979 with his masterpiece Ghost Story. Listening to interviews with the author himself, he suffered some tragic events in his childhood and he is a master of working this theme into his novels.
"I can't see it, I just know it's close. This huge, monstrous being is big, it's invisible, and it is really, really interested in me. I can hear it turning around to get a look at me, and all of a sudden I'm so scared I practically faint..."
But as much as I love Peter Straub, he is not above criticism and there were a few aspects of this novel that didn't work for me. Although I was drawn quickly into the story initially, I found that there were several occasions when there was too little action and my interest flagged. Pacing was definitely an issue, and it seemed to me that the story lost track of where it was going. For me it felt like the author put experimenting with an idea ahead of an actual story. That might really appeal to some readers, and I did enjoy a good chunk of this novel, but it's certainly not what I look for.
The Characters
The story contains a very interesting mix of characters and there were some fascinating interactions between them. Straub utilised them expertly to demonstrate the ravages of time and how a person can change over the years. It was endearing to see how friendships and feelings had matured and deepened with age and gave me a timely reminder of the value of maintaining contact with old friends.
My main issue was with the main character of Lee Harwell who provides the POV from which all events are interpreted. He was really bland and did not have a lot of depth. I really struggled to get invested in him and had as much empathy toward him as I had with the guy who kicked my dog round the park a couple of weeks ago.
The rest of the cast almost made up for him. Particularly the loveable Hootie, who is a very entertaining character who communicates by quoting certain pieces of fiction (like the Scarlet Letter), and the sinister Keith Hayward, who has an enthralling but frightening history. So it certainly wasn't all doom and gloom. Far from it.
Final Thoughts
So a very mixed review from me for a Peter Straub book. I'm usually nothing but praise, but that's because he fully deserves it. But this was a strange one for him. When A Dark Matter is at its best it's excellent and very entertaining but it does have a number of dips.
Although this won the Bram Stoker award I certainly wouldn't say it's a horror although it is very dark in places and extremely psychological. For me Stephen King's comments about it being " terrifying" are well off the mark. I felt it read more like a thriller with supernatural elements and I'd warn anyone expecting a bloodbath that they're going to end up disappointed.
Would I recommend this one? It's a tough question. For fans of Straub or well-written dark fiction that has a slower pace I'd certainly give it a try. But this would rank at the bottom of this author's work for me so certainly not a place to start. If I were you I'd try Ghost Story, Koko or Julia first.
Thanks for reading and...cheers!
October 27, 2013
Very weak novel of Peter Straub. Moving at a very slow pace. Uninspired characters, he could have done better. I really had to bite through this book. You don't have to read that, there are better ones out of Peter.
April 8, 2013
I've never encountered Peter Straub before and if it was not for the cautionary words of Maciek, who informed me that this was his most non scary output, i would probably not run out to seek his alternative works. My motivation for purchasing this book was quite shallow - there was a quote with the word 'terrifying' followed by the name Stephen King . Ah, i thought, there's a man who knows scary . If it made Mr King crap his pants then that is high praise indeed . All i can say is that maybe Steve was having a day where he needed his blanky and bobo because i waited for the scary and it never came.
Just to double check i rifled all the pages good and proper and gave the book a good hard shake. nothing fell out. Nope, definitely no scary in there.
So it's the 1960s and everyone is dressed like the kids in Stand by me and there are these kids with colourful nicknames .. Hootie, the Eel, Twin, Boats and Dilly and they fall collectively under the thrall of wandering stranger, moocher and self proclaimed guru .
Said moocher promises to open the doors of perception and so everyone follows him (aside from twin who is exercising strength of character ). Off they skip to a meadow where untoward things take place and one boy gets shredded like a crispy duck appetizer.
Skip more than 30 years into the future and the events of that fateful day still casts a shadowy pall over the lives of those who venturedw into the meadow . One by one everyone shares their version of what really happened ....
So what really happened ? F****d if i know and I've only just finished it.
Just to double check i rifled all the pages good and proper and gave the book a good hard shake. nothing fell out. Nope, definitely no scary in there.
So it's the 1960s and everyone is dressed like the kids in Stand by me and there are these kids with colourful nicknames .. Hootie, the Eel, Twin, Boats and Dilly and they fall collectively under the thrall of wandering stranger, moocher and self proclaimed guru .
Said moocher promises to open the doors of perception and so everyone follows him (aside from twin who is exercising strength of character ). Off they skip to a meadow where untoward things take place and one boy gets shredded like a crispy duck appetizer.
Skip more than 30 years into the future and the events of that fateful day still casts a shadowy pall over the lives of those who venturedw into the meadow . One by one everyone shares their version of what really happened ....
So what really happened ? F****d if i know and I've only just finished it.
February 15, 2010
Peter Straub’s A Dark Matter takes the setup that Stephen King turned into a horror trope: a group of friends face unspeakable horror as young ‘uns then reconvene when they’re old and damaged to finally defeat that unspeakable horror. Only Straub smartly plays it without the rematch. A Dark Matter isn’t the coming of age take as described above, it’s about age itself, and the events and people who shape us.
Lee the narrator is a middle-aged man, best selling novelist married to another Lee (Lee Traux, often referred to a the Eel). Eel and her high school chums fell in with a wandering Timothy Leary type, Spencer Mallon. Only Mallon promised world changing magical experiences, breaking through to a higher reality via the occult. During the ceremony something terrible happens, the aftermath both immediate and decades in length.
Lee (the husband) never trusted Mallon and wasn’t at the ceremony, and now years later, he wants to write a book about what happened that night. He travels to and fro interviewing the Eel’s friends, and everyone has a differing account of what happened.
The narrative structure of A Dark Matter is a joy (a twisting, and morphing first into third person), as are the collection of characters Straub has gathered. While the climatic reveal of Eel’s version of that night is somewhat anticlimactic insofar as it’s not about the big reveal. The novel isn’t supposed to be about the big shock payoff, anyway. It’s about the creeping dread of secrets and past lives controlling our present.
Lee the narrator is a middle-aged man, best selling novelist married to another Lee (Lee Traux, often referred to a the Eel). Eel and her high school chums fell in with a wandering Timothy Leary type, Spencer Mallon. Only Mallon promised world changing magical experiences, breaking through to a higher reality via the occult. During the ceremony something terrible happens, the aftermath both immediate and decades in length.
Lee (the husband) never trusted Mallon and wasn’t at the ceremony, and now years later, he wants to write a book about what happened that night. He travels to and fro interviewing the Eel’s friends, and everyone has a differing account of what happened.
The narrative structure of A Dark Matter is a joy (a twisting, and morphing first into third person), as are the collection of characters Straub has gathered. While the climatic reveal of Eel’s version of that night is somewhat anticlimactic insofar as it’s not about the big reveal. The novel isn’t supposed to be about the big shock payoff, anyway. It’s about the creeping dread of secrets and past lives controlling our present.
February 24, 2014
"TERRIFYING," says Stephen King on the front cover of this paperback. "Put this one HIGH ON YOUR LIST."
Well, I can honestly say this book was neither terrifying, nor will it ever receive the distinct honors of getting anywhere near the top of any of my lists...except maybe the top of the "worst books I have ever read" list.
Clearly King was paid a lot of cash to write that blurb, and obviously he and Straub have some kind of weird bromance thing going on since they teamed up for the "Talisman" (which was so opposite of this book, it's hard to believe Straub even had a hand in that one), because "A Dark Matter" is a very long (588 pages), very boring (seriously, it's the same story told over and over again), very bland, novel.
Let's start at the overall plot here. Yeah, it sounds good. It sounds dark. And violent. And mysterious. It is a true attention grabber, no doubt. Somehow, though, Straub doesn't know how to go from just sounding like all those things, because once this novel moves (after something like 120 pages), it just wallows around, repeating the same plot about a confusing portal between good and evil and the things that arise from it. The basic arc is told 4 different times from 4 different point of views, but none of those views ever really does much to advance the story. On the contrary, it only makes it more befuddled, and insanely cryptic. One girl turns into a bird, another gets eaten by some kind of demon that cannot even be described (despite Straub's use of archaic words) one person disappears in some ambiguous vacuum or something but randomly shows up at the very end of the novel, explaining absolutely nothing. Why does a girl go blind? Why does another get lost on a lake? These are the kind of actions and questions that Straub presents but never has any true answers or explanations for.
Sometimes, one can get through a particularly banal plot and confusing writing (look at all those hipster William Faulkner and James Joyce fans), but when a book has that AND a slow pace, then forget about it. "A Dark Matter" suffers even worse in its lack of speed. It is slow. Dreadfully slow. And I say slow with like 6 syllables. Slooooooooooooooow. I'm talking being stuck in traffic with a manual transmission, and your foot sitting on the clutch not being able to move for fear of stalling slow. Or waiting in line at the DMV slow. I kept reading, expecting things to pick up. After 100 pages I was sure something exciting and climactic would occur. At 200 pages I was dying of anticipation. At 300 pages I knew I had been duped. At 400 pages I gave up all hope of anything good coming out of this plot and regretted the rest of my day, struggling to finish because I had already divested far too many wasted hours on it.
It makes sense why this book sat on my shelf for 4 long years. I remember purchasing it, only to start and stop numerous times, eventually giving up on it all together. I recently rediscovered it after moving and finding it packed into a dusty box with other long-forgotten novels I never got around to reading. "A Dark Matter" is dull, wasteful, and frustratingly mediocre. Thankfully I am not alone in this assessment. 1 star reviews outnumber 5-star reviews 2 to 1 on Amazon. How this book was awarded a Bram Stoker award is flabbergasting. Maybe the judges were paid off by Straub like King was?
Well, I can honestly say this book was neither terrifying, nor will it ever receive the distinct honors of getting anywhere near the top of any of my lists...except maybe the top of the "worst books I have ever read" list.
Clearly King was paid a lot of cash to write that blurb, and obviously he and Straub have some kind of weird bromance thing going on since they teamed up for the "Talisman" (which was so opposite of this book, it's hard to believe Straub even had a hand in that one), because "A Dark Matter" is a very long (588 pages), very boring (seriously, it's the same story told over and over again), very bland, novel.
Let's start at the overall plot here. Yeah, it sounds good. It sounds dark. And violent. And mysterious. It is a true attention grabber, no doubt. Somehow, though, Straub doesn't know how to go from just sounding like all those things, because once this novel moves (after something like 120 pages), it just wallows around, repeating the same plot about a confusing portal between good and evil and the things that arise from it. The basic arc is told 4 different times from 4 different point of views, but none of those views ever really does much to advance the story. On the contrary, it only makes it more befuddled, and insanely cryptic. One girl turns into a bird, another gets eaten by some kind of demon that cannot even be described (despite Straub's use of archaic words) one person disappears in some ambiguous vacuum or something but randomly shows up at the very end of the novel, explaining absolutely nothing. Why does a girl go blind? Why does another get lost on a lake? These are the kind of actions and questions that Straub presents but never has any true answers or explanations for.
Sometimes, one can get through a particularly banal plot and confusing writing (look at all those hipster William Faulkner and James Joyce fans), but when a book has that AND a slow pace, then forget about it. "A Dark Matter" suffers even worse in its lack of speed. It is slow. Dreadfully slow. And I say slow with like 6 syllables. Slooooooooooooooow. I'm talking being stuck in traffic with a manual transmission, and your foot sitting on the clutch not being able to move for fear of stalling slow. Or waiting in line at the DMV slow. I kept reading, expecting things to pick up. After 100 pages I was sure something exciting and climactic would occur. At 200 pages I was dying of anticipation. At 300 pages I knew I had been duped. At 400 pages I gave up all hope of anything good coming out of this plot and regretted the rest of my day, struggling to finish because I had already divested far too many wasted hours on it.
It makes sense why this book sat on my shelf for 4 long years. I remember purchasing it, only to start and stop numerous times, eventually giving up on it all together. I recently rediscovered it after moving and finding it packed into a dusty box with other long-forgotten novels I never got around to reading. "A Dark Matter" is dull, wasteful, and frustratingly mediocre. Thankfully I am not alone in this assessment. 1 star reviews outnumber 5-star reviews 2 to 1 on Amazon. How this book was awarded a Bram Stoker award is flabbergasting. Maybe the judges were paid off by Straub like King was?
May 15, 2021
A Dark Matter is totally Peter Straub: obscure, difficult, wicked smart, intriguing. If this had been my first experience with Straub I probably would’ve DNF’d, though—only seasoned Straub readers apply. Newbies check out Ghost Story or The Hellfire Club.
This novel’s synopsis shouldn’t be enough to carry 400 pages, but Straub is a master of misdirecting and redirecting his readers, spinning them in all sorts of directions and spinning out a tale worth whatever length he chooses. Yes, this one is about a group of students in a cult and a strange experience they faced in a meadow in the mid-60s, but it’s so much more. What this isn’t is the characters retelling the same story over and over, as so many reviewers here imply. Did they really read this book? Straub is never repetitive, instead skillfully building the narrative at a nice pace while slowly drawing his characters.
I find this book is hard to talk about, maybe moreso than any other Straub book . . . what answers are given are outnumbered by questions, and I know this book will reward a reread. A masterful commentary on dark fiction and storytelling, A Dark Matter would serve as a fitting punctuation mark on the publishing career of this author—I suspect we’ll never get another novel from him, but I suppose time will tell.
This novel’s synopsis shouldn’t be enough to carry 400 pages, but Straub is a master of misdirecting and redirecting his readers, spinning them in all sorts of directions and spinning out a tale worth whatever length he chooses. Yes, this one is about a group of students in a cult and a strange experience they faced in a meadow in the mid-60s, but it’s so much more. What this isn’t is the characters retelling the same story over and over, as so many reviewers here imply. Did they really read this book? Straub is never repetitive, instead skillfully building the narrative at a nice pace while slowly drawing his characters.
I find this book is hard to talk about, maybe moreso than any other Straub book . . . what answers are given are outnumbered by questions, and I know this book will reward a reread. A masterful commentary on dark fiction and storytelling, A Dark Matter would serve as a fitting punctuation mark on the publishing career of this author—I suspect we’ll never get another novel from him, but I suppose time will tell.
July 7, 2016
I get that not everyone will like this book. But it is, in my opinion, one of the highest works of art that I've read in a very long time.
The end of the book, like something written by Gene Wolfe (or, for that matter, David Wong), doesn't actually happen at the end of the book, but previously. And so you may come to the last few pages and...
...feel as though you've been cheated out of a proper ending.
All I can say is that this book is not for you.
I plan to study and reread this. It is magnificent.
The end of the book, like something written by Gene Wolfe (or, for that matter, David Wong), doesn't actually happen at the end of the book, but previously. And so you may come to the last few pages and...
...feel as though you've been cheated out of a proper ending.
All I can say is that this book is not for you.
I plan to study and reread this. It is magnificent.
November 23, 2018
This book was a bore and nothing really happened. It don't capture my attention, I would read it and when I would put it down i would immedently forget what I read.
(Book 1 of The Read 5 lowest rated books on my shelf)
(Book 1 of The Read 5 lowest rated books on my shelf)
July 8, 2010
What a let down. I have loved every Peter Straub book (I have read them all) up until this one. A Dark Matter simply goes nowhere. The characters are uninteresting and even a bit annoying at times, and the constant rehashing of events through the eyes of different characters just gets boring in the long run. There also never seems to be a real driving force or need to find out what really happened, and when we do, we are left with "oh, I read all this for that?" Here is the main story line from Publisher's weekly:
...four high school friends in 1966 Madison, Wis.—Hootie Bly, Dilly Olson, Jason Boatman, and Lee Truax—fall under the spell of charismatic wandering guru Spencer Mallon. During an occult ceremony in which Mallon attempts to break through to a higher reality, something goes horribly awry leaving one participant dead. Decades later, Lee's writer husband interviews the quartet to find out what happened.
The problem is we do not really care what happened, nor do we really like any of the characters. If you are a fan of Straub you might want to read it for his still-worthy prose style, but as far as the story itself, you can skip this one.
...four high school friends in 1966 Madison, Wis.—Hootie Bly, Dilly Olson, Jason Boatman, and Lee Truax—fall under the spell of charismatic wandering guru Spencer Mallon. During an occult ceremony in which Mallon attempts to break through to a higher reality, something goes horribly awry leaving one participant dead. Decades later, Lee's writer husband interviews the quartet to find out what happened.
The problem is we do not really care what happened, nor do we really like any of the characters. If you are a fan of Straub you might want to read it for his still-worthy prose style, but as far as the story itself, you can skip this one.
December 17, 2014
Set largely in the 60's in Madison, Wisconsin, this latest novel by Peter Straub is a wonderfully strange ride, part mystery story, and part supernatural horror tale. A group of teenage friends become infatuated and taken in by the charismatic and older college guru, Spencer Mallon, who insists on performing a ritual ceremony off the campus grounds, in order to provide them all with such life changing enlightenment. Instead, one of their group is brutally killed and another vanishes, seemingly, into another realm, and the rest of the group is forever changed. The narrator of this dense, and at times somewhat challenging read, is at the novel's opening chapter thinking back to that time, since he wasn't at the meadow when whatever happened happened, and now that he's a successful novelist, decides to seek out the other members of the group (including his longtime blind wife, Lee Truax, or called the Eel, since childhood, because the narrator's name is Lee Harwell) and piece together the events of that mysterious and dark matter.
Straub may not be everyone's cup of tea, but he's always been one of the most original voices of modern horror fiction. A Dark Matter is definitely worth diving into for fans of more literary horror, but this reader wouldn't recommend this to first-time readers.
Straub may not be everyone's cup of tea, but he's always been one of the most original voices of modern horror fiction. A Dark Matter is definitely worth diving into for fans of more literary horror, but this reader wouldn't recommend this to first-time readers.
March 26, 2010
This review originally appeared at RevolutionSF.com:
It was 1966 in Madison, Wisconsin. A group of teens fascinated with a self-proclaimed guru named Spencer Mallon agree to participate in a ritual with him. By the time it's over, one of them has disappeared, one of them is insane, one is going slowly blind, one has been literally torn apart, and all have been altered. Years later, the only member of their group of friends who wasn't there, now a successful writer, tracks down his old friends and gets them to tell their versions of what happened that night.
Recalling Rashomon, each story differs in the details, and those differences give us insights into the characters telling the story. Also like Rashomon those differences and what they reveal about the characters is more important to Straub than illuminating exactly what happened that night and what it all means, so if you're only interested in linear storytelling with concrete conclusions, you'll want to look somewhere else. But if you're a “the journey is more important than the destination” type, you'll find a lot here to enjoy.
The prose itself is fluid without being flowery, and the pacing is very consistent. The chracters themselves are both the greatest strength and the greatest weakness of the novel. Some characters shine: bitter, empty Meredith Bright is just as chilling in her way as nascent serial killer Keith Hayward.
And Howard “Hootie” Bly is a revelation. He was so undone by the incident that he retreated into madness, able to communicate only by quoting from various books, mostly Hawthorne. Hootie's innate gentlenss and goodness is as clear and effective as Meredith Bright's emptiness. Straub's affection for Hootie is clear, and it's well nigh impossible not to agree.
Because so much of the information is filtered through one character (Lee Harwell, the writer), it's sometimes hard to get a grasp on the others in the group, or to know if a description or insight is objectively true, or merely Lee's opinion. This adds yet another Rashomon-layer to the story, but leaves the reader a bit adrift.
The other big problem for me was the character of Spencer Mallon. We're told about Mallon: he's devilishly handsome, he's ridiculously charismatic, he inspires devotion bordering on adoration from the group; but (barring a couple of glimpses by Lee that may or may not be Mallon, since he never met him when they were young) we never experience that charisma for ourselves. This may have been a conscious choice by Straub; we're in the same boat as our narrator, who only knows Mallon by what he's been told. But given that Mallon is another survivor of the incident, one can only wonder what his version of that night would have looked like.
So if you're looking for a straight-up, good-vs-evil, good wins in the end horror story, you probably won't be happy with what you find here. But if you're interested in good writing, layers of meaning, and a meditation on how what we see and remember often says more about us than about what we've seen, then you should give A Dark Matter a look.
It was 1966 in Madison, Wisconsin. A group of teens fascinated with a self-proclaimed guru named Spencer Mallon agree to participate in a ritual with him. By the time it's over, one of them has disappeared, one of them is insane, one is going slowly blind, one has been literally torn apart, and all have been altered. Years later, the only member of their group of friends who wasn't there, now a successful writer, tracks down his old friends and gets them to tell their versions of what happened that night.
Recalling Rashomon, each story differs in the details, and those differences give us insights into the characters telling the story. Also like Rashomon those differences and what they reveal about the characters is more important to Straub than illuminating exactly what happened that night and what it all means, so if you're only interested in linear storytelling with concrete conclusions, you'll want to look somewhere else. But if you're a “the journey is more important than the destination” type, you'll find a lot here to enjoy.
The prose itself is fluid without being flowery, and the pacing is very consistent. The chracters themselves are both the greatest strength and the greatest weakness of the novel. Some characters shine: bitter, empty Meredith Bright is just as chilling in her way as nascent serial killer Keith Hayward.
And Howard “Hootie” Bly is a revelation. He was so undone by the incident that he retreated into madness, able to communicate only by quoting from various books, mostly Hawthorne. Hootie's innate gentlenss and goodness is as clear and effective as Meredith Bright's emptiness. Straub's affection for Hootie is clear, and it's well nigh impossible not to agree.
Because so much of the information is filtered through one character (Lee Harwell, the writer), it's sometimes hard to get a grasp on the others in the group, or to know if a description or insight is objectively true, or merely Lee's opinion. This adds yet another Rashomon-layer to the story, but leaves the reader a bit adrift.
The other big problem for me was the character of Spencer Mallon. We're told about Mallon: he's devilishly handsome, he's ridiculously charismatic, he inspires devotion bordering on adoration from the group; but (barring a couple of glimpses by Lee that may or may not be Mallon, since he never met him when they were young) we never experience that charisma for ourselves. This may have been a conscious choice by Straub; we're in the same boat as our narrator, who only knows Mallon by what he's been told. But given that Mallon is another survivor of the incident, one can only wonder what his version of that night would have looked like.
So if you're looking for a straight-up, good-vs-evil, good wins in the end horror story, you probably won't be happy with what you find here. But if you're interested in good writing, layers of meaning, and a meditation on how what we see and remember often says more about us than about what we've seen, then you should give A Dark Matter a look.
August 18, 2018
I’m not sure what happened here. There wasn’t anything going on and then there was way too much and I got lost a bit. I am still not quite sure what happened.
If you chopped this up into 3 equal pieces and then threw two of them away it would have been much better. Great theme and well written but perhaps a bit ambitious in concept and overblown.
If you chopped this up into 3 equal pieces and then threw two of them away it would have been much better. Great theme and well written but perhaps a bit ambitious in concept and overblown.
July 1, 2016
One of those books I just kept reading in hopes it would finally it would get better. Never did. Thought it was a mess. And a horrible reading experience. Ranks pretty high among worst novels read cover to cover list.
June 3, 2013
I read A Dark Matter in 2011, and it was magnificent. In 2012, I revisited it from time to time, re-reading favorite scenes. These days, end of May – start of June 2013, I re-read it again from cover to cover. It’s still magnificent. It is not only awesome, it is awe-inspiring.
Let me rephrase that: I think this is the best English-speaking book written in the start of the 21-st century. Pre-WWII it was Fitzgerald, post WWII it was Kingsley Amis, post-2000 it’s Peter Straub with his Dark Matter. It’s not a Great American novel; it’s a Great Post-20th century novel, in the sense in which the 20th century starts in 1914 and ends in 2001. Or would have ended, had something taken its place, but that’s another question entirely, and possibly something has taken its place, only I’m too near to see it.
Anyway, it's certainly better than any mature Wolfe, or DeLillo, or Roth.
A Dark Matter is a fitting culmination, a summary, a final bow to the 20th century as it was perceived by those who lived it, and as it was presented by those who wrote of it and made music about it. It is also a love letter to literature itself, especially the one on the border between ‘ivory tower’ and ‘gutter’, the tense, unstable border region which generates new life forms.
A Dark Matter is, in a sense, The Great Gatsby of the early 21st century. Only richer and more layered. It does not have the linear driving energy of the young and the drunk and the Fitzgeralds, but so what. It has its own identity. It’s like Ross Macdonald didn’t spread his talent out on a score of private eye pulps, but concentrated it in one deliciously tangled and messy, yet disciplined and focused, meta-tale of life and love and survival.
I love the structure, the themes, the characters, and the language of A Dark Matter. I love the issue of genuine vs borrowed language; the issue of does authenticity make one a force of nature and does this mean an independent moral value; the issue of love, loyalty, and ‘down-to-earthness’. The issue of other worlds, be their forms ‘real’ or enforced by our inherited and learned matrixes, hovering on the edge of our shared trances. The issues of being one’s own parent and one’s own child.
I love the suspense, which is cerebral, not glandular. I love (and that goes for Mr. Straub's writing in general), how his‘horror’ is a magical, awe-inspiring symphony with elements of stunning beauty balancing the elements of unease. I never feel queasy when reading his books. I never feel a false note in the prose.
Alone of his generation of authors, Straub peaked now. In my opinion, of course. Graham Masterton and James Herbert peaked almost instantly, in the late 70’s. King and Koontz peaked in the late 80’s. McCammon peaked around 1990. But Straub…Straub reached his dazzling heights in 2010 with A Dark Matter. So subdued and elegant, that the world didn’t notice. Well, to hell with them. They’ll notice, when the time comes, when they’re ready.
I read a few criticisms of A Dark Matter in the sense of people dismissing it as a book based around a ‘bad acid trip’. Meh. All religions, philosophical schools, political and social movements, and every plot ever, can be reduced to ‘a good trip’ or ‘a bad trip’. And how does that help? How does that contribute? It only allows certain people to trumpet to the world ‘see how smart I am! How perceptive! Adore me, instead!’
I will not elaborate on the critics who thought the novel is too slow and too convoluted. Let them read their Patterson/Brown thrillers.
A Dark Matter is an event a bit like the invocation in the meadow described within. An event that changed the world, but only for a few seconds, and without anyone noticing.
Well, I noticed. Thank you very much, Mr. Straub.
Let me rephrase that: I think this is the best English-speaking book written in the start of the 21-st century. Pre-WWII it was Fitzgerald, post WWII it was Kingsley Amis, post-2000 it’s Peter Straub with his Dark Matter. It’s not a Great American novel; it’s a Great Post-20th century novel, in the sense in which the 20th century starts in 1914 and ends in 2001. Or would have ended, had something taken its place, but that’s another question entirely, and possibly something has taken its place, only I’m too near to see it.
Anyway, it's certainly better than any mature Wolfe, or DeLillo, or Roth.
A Dark Matter is a fitting culmination, a summary, a final bow to the 20th century as it was perceived by those who lived it, and as it was presented by those who wrote of it and made music about it. It is also a love letter to literature itself, especially the one on the border between ‘ivory tower’ and ‘gutter’, the tense, unstable border region which generates new life forms.
A Dark Matter is, in a sense, The Great Gatsby of the early 21st century. Only richer and more layered. It does not have the linear driving energy of the young and the drunk and the Fitzgeralds, but so what. It has its own identity. It’s like Ross Macdonald didn’t spread his talent out on a score of private eye pulps, but concentrated it in one deliciously tangled and messy, yet disciplined and focused, meta-tale of life and love and survival.
I love the structure, the themes, the characters, and the language of A Dark Matter. I love the issue of genuine vs borrowed language; the issue of does authenticity make one a force of nature and does this mean an independent moral value; the issue of love, loyalty, and ‘down-to-earthness’. The issue of other worlds, be their forms ‘real’ or enforced by our inherited and learned matrixes, hovering on the edge of our shared trances. The issues of being one’s own parent and one’s own child.
I love the suspense, which is cerebral, not glandular. I love (and that goes for Mr. Straub's writing in general), how his‘horror’ is a magical, awe-inspiring symphony with elements of stunning beauty balancing the elements of unease. I never feel queasy when reading his books. I never feel a false note in the prose.
Alone of his generation of authors, Straub peaked now. In my opinion, of course. Graham Masterton and James Herbert peaked almost instantly, in the late 70’s. King and Koontz peaked in the late 80’s. McCammon peaked around 1990. But Straub…Straub reached his dazzling heights in 2010 with A Dark Matter. So subdued and elegant, that the world didn’t notice. Well, to hell with them. They’ll notice, when the time comes, when they’re ready.
I read a few criticisms of A Dark Matter in the sense of people dismissing it as a book based around a ‘bad acid trip’. Meh. All religions, philosophical schools, political and social movements, and every plot ever, can be reduced to ‘a good trip’ or ‘a bad trip’. And how does that help? How does that contribute? It only allows certain people to trumpet to the world ‘see how smart I am! How perceptive! Adore me, instead!’
I will not elaborate on the critics who thought the novel is too slow and too convoluted. Let them read their Patterson/Brown thrillers.
A Dark Matter is an event a bit like the invocation in the meadow described within. An event that changed the world, but only for a few seconds, and without anyone noticing.
Well, I noticed. Thank you very much, Mr. Straub.
February 28, 2010
Years after performing a forbidden ritual during which a group of young people are brought in contact with “unspeakable evil” by a guru in 1966, the protagonist, Lee Harwell, reminisces about that night and its sequelae. The incident is set among the swirl of the 1960’s college life in Madison, Wisconsin, and those heady days of Vietnam, predatory gurus, and post teen age angst infuse the narrative. To perform this supernatural ritual, eight people go into a meadow, six come out alive. One body is found mutilated in the grass and one person simply disappears without a trace and the guru takes off leaving the remaining youngsters to sort out what is the wreckage of the rest of their lives.
As these genre’s go, the police are helpless and hapless in the face of unspeakable evil. The book shifts between Harwell’s jagged memories and attempts to understand and the meanderings of Hootie, the survivor who has lost his mind. Hootie spouts endless literary allusions to that night and his present disorganized state.
By the time that we get to the denouement we really don’t care, because this book is essentially a typical “let’s ponder the vast realm of evil beyond our understanding” convention.
This was my third attempt at liking this author’s work. I had given him a try with and without Stephen King a few decades ago. At the urging of the Philadelphia Inquirer’s book critic, I decided to give him another chance. Bleh! This is the third and last time. He has failed every time to engage my interest. I really tried to give his work another chance and now I am upset at having wasted my time.
I found this book to be boring and derivative. The writing was self-conscious and annoying – I want to be compelled, frightened, and horrified when I read this genre, not have to struggle with stream of consciousness and having to understand endless literary allusions.
As these genre’s go, the police are helpless and hapless in the face of unspeakable evil. The book shifts between Harwell’s jagged memories and attempts to understand and the meanderings of Hootie, the survivor who has lost his mind. Hootie spouts endless literary allusions to that night and his present disorganized state.
By the time that we get to the denouement we really don’t care, because this book is essentially a typical “let’s ponder the vast realm of evil beyond our understanding” convention.
This was my third attempt at liking this author’s work. I had given him a try with and without Stephen King a few decades ago. At the urging of the Philadelphia Inquirer’s book critic, I decided to give him another chance. Bleh! This is the third and last time. He has failed every time to engage my interest. I really tried to give his work another chance and now I am upset at having wasted my time.
I found this book to be boring and derivative. The writing was self-conscious and annoying – I want to be compelled, frightened, and horrified when I read this genre, not have to struggle with stream of consciousness and having to understand endless literary allusions.
March 2, 2010
I was into it until the last 50 pages or so. The story of Eel was obviously intended to be the ultimate explanation of the characters' occult experience together. I found it to be, I hate to be mean spirited but I'm going to be anyway: overwritten claptrap. I slogged through it. After all, I was in the last 50 pages of a 400 page book. But the time I was done, I no longer cared about the characters and was angry at the author. I have read other things from Peter Straub and have always liked him. This one, though, I HATED the ending. I'm giving the book to the library. Brand new hard cover.
August 20, 2020
Δεν με κέρδισε... Ενώ ξεκίνησε καλά! Βαρετό χωρίς ιδιαίτερο ενδιαφέρον
November 27, 2016
Πρέπει να είμαι ο μόνος που ξετρελάθηκε με αυτό το βιβλίο...
Μέσα από τις οπτικές γωνίες διαφορετικών χαρακτήρων βλέπουμε τις αναμνήσεις τους από ένα τελετουργικό που πήγε στραβά στην παιδική τους η ηλικία.
Οι σκηνές τρόμου είναι εντυπωσιακές, έρχονται όμως σε στρώματα, σαν κρεμύδι που το ξετυλήγεις αργά-αργά και σχηματίζουν ένα εντυπωσιακό ψηφιδωτό που με κάθε νέο επίπεδο σου δίνει κάτι παραπάνω για την ιστορία - για το λόγο αυτό και καταλαβαίνω γιατί δεν άρεσε σε πολλούς, δεν είναι 100% στα μούτρα σου τρόμος και σε πολλά σημεία επαναλαμβάνεται, αλλά με έναν τρόπο που σου αποδίδει τους διαφορετικούς χαρακτήρες.
Μέσα από τις οπτικές γωνίες διαφορετικών χαρακτήρων βλέπουμε τις αναμνήσεις τους από ένα τελετουργικό που πήγε στραβά στην παιδική τους η ηλικία.
Οι σκηνές τρόμου είναι εντυπωσιακές, έρχονται όμως σε στρώματα, σαν κρεμύδι που το ξετυλήγεις αργά-αργά και σχηματίζουν ένα εντυπωσιακό ψηφιδωτό που με κάθε νέο επίπεδο σου δίνει κάτι παραπάνω για την ιστορία - για το λόγο αυτό και καταλαβαίνω γιατί δεν άρεσε σε πολλούς, δεν είναι 100% στα μούτρα σου τρόμος και σε πολλά σημεία επαναλαμβάνεται, αλλά με έναν τρόπο που σου αποδίδει τους διαφορετικούς χαρακτήρες.
July 25, 2010
Ugh. What a complete waste of time this was. Whatever mojo Straub had in crafting classics like "Ghost Story" and "The Throat" is utterly absent here.
The story itself is somewhat engaging, but the characters are barely drawn, the dialog is wooden and often cringingly unrealistic, and the structure is just a mess.
Straub seems to be aiming for a sort of "Roshomon" type of tale, but all he really does is repeat the same hackneyed scenes from the viewpoints of different characters. There's no individual interpretation, or even the most minor disagreement among the characters about what happened all those years ago.
Honestly, it pretty much goes like this:
Character A's story:
"I was walking in front of Character B as we passed the empty lot."
Character B's story:
"I was walking behind Character A as we passed the empty lot."
And then Characters C and D come by and tell you where they were during the Great Empty Lot Passing of 1968.
Worst of all, these various permutations and flashbacks add up to a whole lot of nothing. The basic facts of "what happened on that fateful day" are laid out right from the beginning, and by the end, the only information that's been added is some meaningless detail and a bit of clunky, uninspired musing on the nature of evil.
The story itself is somewhat engaging, but the characters are barely drawn, the dialog is wooden and often cringingly unrealistic, and the structure is just a mess.
Straub seems to be aiming for a sort of "Roshomon" type of tale, but all he really does is repeat the same hackneyed scenes from the viewpoints of different characters. There's no individual interpretation, or even the most minor disagreement among the characters about what happened all those years ago.
Honestly, it pretty much goes like this:
Character A's story:
"I was walking in front of Character B as we passed the empty lot."
Character B's story:
"I was walking behind Character A as we passed the empty lot."
And then Characters C and D come by and tell you where they were during the Great Empty Lot Passing of 1968.
Worst of all, these various permutations and flashbacks add up to a whole lot of nothing. The basic facts of "what happened on that fateful day" are laid out right from the beginning, and by the end, the only information that's been added is some meaningless detail and a bit of clunky, uninspired musing on the nature of evil.
February 20, 2014
Peter Straub has written some of my favorite horror stories. A Dark Matter is not one of them. In fact, it's a miserable failure in virtually every way, from a narrator who's barely a part of his own story to a narrative structure so redundant and tedious I felt the words pinging unprocessed off my eyeballs to a central conflict that manages to be both incoherent and boring. A few words about the story, because that's all it's worth: narrator Lee Harwell is a writer who wants to find out what really happened when his group of high school friends (including his future wife) follow a charismatic guru into a field to conduct a mysterious ceremony that resulted in the death of one of them. What follows is a wannabe-Rashomon, where Lee reconnects with his old friends to get their side of the story.
This could have been great. As I get older I'm drawn to stories where people try to make sense of their youth, and, as I mentioned above, Straub is a favorite of mine from way back. But this is just piss-poor storytelling, top to bottom. There were hints of the book that could have been (hence the two stars), but for most of the time I couldn't have been less interested if this had been a 500-page manual of IKEA assembly instructions.
Also, how the hell did this win the 2010 Bram Stoker Award?
This could have been great. As I get older I'm drawn to stories where people try to make sense of their youth, and, as I mentioned above, Straub is a favorite of mine from way back. But this is just piss-poor storytelling, top to bottom. There were hints of the book that could have been (hence the two stars), but for most of the time I couldn't have been less interested if this had been a 500-page manual of IKEA assembly instructions.
Also, how the hell did this win the 2010 Bram Stoker Award?
August 18, 2015
Lee Harwell is a writer with writer's block and a detective's need to uncover just what happened to his wife and her friends in a meadow in the 1960's. There was a guru, a ritual, and, at the end of the night, a dismembered body. Harwell's wife, Lee Truax, has been obstinately silent about the events of that night. Thus, the story is the unraveling of these mysterious events as Harwell contacts the other people who were in the meadow that fateful night.
Many of the disappointed reviews I saw were from Straub fans. Perhaps I liked it more than I would have if I had certain expectations going in. I found the ending to be fairly satisfactory. There are areas I'm fuzzy about...but just enough to keep me guessing. The characters are developed well. The mystery was intriguing. The running discussion about the nature of evil was interesting--if somewhat flawed. But in the end I felt that it was a bit lacking. I got to the climax and didn't feel that it lived up to the build up. Quite. At the same time, he still has me thinking about what it all meant, so maybe I'll figure out the missing pieces soon and bring it all together.
It's obvious that Peter Straub is a gifted storyteller. I'll make sure to check out some of his other stuff at a later point.
Many of the disappointed reviews I saw were from Straub fans. Perhaps I liked it more than I would have if I had certain expectations going in. I found the ending to be fairly satisfactory. There are areas I'm fuzzy about...but just enough to keep me guessing. The characters are developed well. The mystery was intriguing. The running discussion about the nature of evil was interesting--if somewhat flawed. But in the end I felt that it was a bit lacking. I got to the climax and didn't feel that it lived up to the build up. Quite. At the same time, he still has me thinking about what it all meant, so maybe I'll figure out the missing pieces soon and bring it all together.
It's obvious that Peter Straub is a gifted storyteller. I'll make sure to check out some of his other stuff at a later point.
April 7, 2010
Six book critics venture into a new novel by a best-selling horror writer. The writer is said to have magical abilities to blend horror conventions with literary fiction to keep the pages turning. He is even said to have touched Stephen King! Four of the critics come away convinced that a transcendent supernatural event has occurred, which may have something to do with the nature of evil. But two are horribly scarred by the event--unbearably bored, convinced they have just read a rejected script from Lost. Whose version of events is true? We may never know. All critics agree on is that the only possible way to describe such a plot structure is to reference Akira Kurosawa's Rashomon--so readers may just have to investigate for themselves. This is an excerpt from a review published in Bookmarks magazine.
August 18, 2025
This was written so weirdly in the beginning that I thought it may be a collection of short stories at first instead of the past and present. It wasn't until about a third of the way through that things seemed to mesh together a bit better.
By the point, I was struggling to be invested.
There was just barely enough going to keep reading instead of DNFing, but not by much.
2 Stars for me.
By the point, I was struggling to be invested.
There was just barely enough going to keep reading instead of DNFing, but not by much.
2 Stars for me.
September 9, 2013
This is a very ambitious book with rich characterization and a non-linear plot, which hinges on a decades-old mystery that's pieced together though a variety of conflicting viewpoints throughout the course of the story. It's a well written tale with something to say about the human condition, good versus evil, and mankind's small role in this vast universe. And while the subject matter regarding otherwordly gods and parallel universes can get really far-fetched, it's handled in a hallucinatory manner that keeps the story sufficiently anchored in reality that I didn't put it down and roll my eyes. For those looking for white-knuckle terror, this title probably won't do the trick, and that's largely due to the central concept of piecing together an old mystery for the sake of personal curiosity (and insight into the protagonist's marriage). While this may be a serviceable way to plot the narrative, there are no immediate stakes to the characters in the present, and this serves to dilute the tension since the "mysterious incident" appears to pose no threat to the characters' current reality. With that said, the wild world that Straub weaves and the interesting players that populate it are enough for me to recommend this book to horror fans. 3.5 stars
April 6, 2016
A Dark Matter by Peter Straub
2★'s
From The Book:
On a Midwestern campus in the 1960s, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery—all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he’ll have to force those involved to examine the unspeakable events that have haunted them ever since. Unfolding through their individual stories, A Dark Matter is an electric, chilling, and unpredictable novel that proves Peter Straub to be the master of modern horror.
My Thoughts:
The book blurb really made the story sound really promising but I can say that it never lived up to the hype, even with Stephen King's glowing recommendation. The events of what took place in that meadow in 1960 was straight out of a teen horror movie and just retold over and over by each individual involved. Turns out it wasn't spine-chilling or scary...just short of totally boring. it did give lots of ammunition for a reading challenge...so not a total wast.
2★'s
From The Book:
On a Midwestern campus in the 1960s, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery—all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he’ll have to force those involved to examine the unspeakable events that have haunted them ever since. Unfolding through their individual stories, A Dark Matter is an electric, chilling, and unpredictable novel that proves Peter Straub to be the master of modern horror.
My Thoughts:
The book blurb really made the story sound really promising but I can say that it never lived up to the hype, even with Stephen King's glowing recommendation. The events of what took place in that meadow in 1960 was straight out of a teen horror movie and just retold over and over by each individual involved. Turns out it wasn't spine-chilling or scary...just short of totally boring. it did give lots of ammunition for a reading challenge...so not a total wast.
January 29, 2012
"A Dark Matter" should have been entitled "A Dull Matter." It was dull, duller, dullest. A dustbowl of tedium. Although billed as a supernatural thriller, it is only marginally supernatural and certainly not thrilling. This was my first Peter Straub novel and perhaps will be my last. I resent having spent so many precious hours slogging my way through this book, hoping it would redeem itself and that I would be rewarded with a clever denouement, only to be further and finally disappointed by its lackluster finish. If you're looking for a classy, supernatural thriller, I recommend you look elsewhere. The only saving grace is that I borrowed this book from the library and didn't waste money as well as time.
November 3, 2010
Another treasure from Peter Straub--Incredibly engrossing and characters that are hard not to love and be concerned for. I think Straub's ability to draw you in and make you not want to put the book down and at the same time really throw you some curveballs is highlighted here--he mixes the sort of pow bang style of Stephen King with the more philosophical and intricate style of Lovecraft. This book is even named well--you go through day to day details and stories to get to the heart of a truly "dark matter"--I read this in just a few days yet it has a resonance that you don't often find in horror novels. Highly recommend.
October 3, 2020
2,5/5. Oufff! J'aurais bien aimé apprécier cette lecture, mais ce ne fut pas le cas. Pendant une grande partie, j’ai suffisamment apprécié les personnages, leurs interactions, leur histoire, pour m’accrocher, même si l’intrigue centrale, la partie horreur, avec ce rituel, me laissait complétement indifférent. Par contre, dans les dernières 120-150 pages, le tout devient simplement absurde et on laisse toutes les forces de côtés pour se concentrer sur les faiblesses, le résultat est catastrophique, m’offrant une des pires fins de livres de mon année 2020. Très décevant! Trop pour en justifier la lecture. Je ne recommanderais pas.
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