I think if my father were Evelyn Waugh and I had literary inclinations, I would either (a) suppress them and become an accountant or something or (b) change my name (various children of famous writers have done this, like Stephen King's son, if I recall) so that I could rise or fall on my on my own merits. Auberon Waugh, as it turns out, has very few merits as a novelist, and so trying to coast on his family name—and failing even to succeed in that—was his first mistake. The snarky middlebrow comic novels he's churned out are so far from being half as good as, say, "Scoop" or "A Handful of Dust" that it is painful (plus, he has the chutzpah to mock the snarky, middlebrow, and incidentally far better, books of his uncle, Alec Waugh). And what I *certainly* never would have done, if I were Auberon Waugh, is written this precise memoir. For fans of Waugh (and when people say simply "Waugh" they always and always will mean Evelyn), this book is valuable in offering insights into his character and distinct lack of parenting skills. Like the story of how the three bananas (one per child) allotted under post-war rationing to the Waugh family—the children had never seen a banana, let alone tasted one—were served to Evelyn by his wife and consumed at a sitting by right in front of his children with visible relish. That pretty much typified Waugh's attitude toward children, especially his own, and there are plenty of revealing and memorable anecdotes like this in the book. However, once Waugh dies in 1966 (Auberon writes that in his father's last years their relationship became "cordial"), things in this book go downhill. Now we're stuck with the mediocre progeny as the main characters. Auberon marries into a titled monied family and then drifts into being a book reviewer, book review editor, to-all-practical-purposes failed comic novelist, and—what he considers his greatest accomplishment—the author of barbed, vicious humor pieces about public figures for The Spectator and, especially, Private Eye. A lot of his writing is hilarious in its place—I've enjoyed it myself—and his columns typically take half an hour to write, five minutes to read, with a belly laugh or two along the way, and then another five minutes to forget utterly. Only the British have managed to make being a conservative reactionary bigoted son of a bitch somewhat endearing, and Waugh (père) was a master of this. His conservatism was charming because he was a comic figure, like Don Quixote, a swivel-eyed loon when it came to adulation of the aristocracy (a charge against his father which Auberon unconvincingly denies) but ultimately harmless. Waugh stayed holed up at his country manor and refused even to use the telephone, so when he opined that the Crown should take back India—or whatever-all ridiculous views he espoused—you couldn't get mad about it because he wasn't really living in the real world. Auberon, however, was and is a manic socialite (and name-dropper) who is deeply engaged in politics, so as an Oxford graduate who is informed on all the issues, his unapologetically elitist Thatcherite views are often simply baffling, and ugly. His writing is enjoyable only insofar as you don't think about his actual views too much; he's more tolerable when he's tearing other people down than when he's saying what his own ideals are. Waugh Sr. was unbearably elitist, but he never just angrily spat on the poor, as Auberon often does in print. Plus, Auberon presents the last third of his book—what in a successful person's memoir is usually the part with the gradually expanding reputation and the honors and accolades—as a long catalogue of all the times he was sued for libel for his outrageous skewering of public figures. Nothing wrong with that, I suppose, except that he seems often unaware how sad it all is compared to his father's accomplishments. Evelyn Waugh fought on both fronts in World War II and knew Churchill personally, then wrote Brideshead Revisited, a masterpiece just brimming with some of the most perfect sentences ever written; Auberon, by contrast, got out of the army by barely surviving shooting himself with a machine gun and then, as a middle-aged man, barely escapes being fined by the race relations board for writing that a particular wine's bouquet tasted like "a dead chrysanthemum laid on the grave of a stillborn West Indian baby." That all pretty much sums up father and son. Auberon seems determined to vindicate his father's preemptive disappointment in him as a son and as a writer and as a person. Make no mistake, the title of this book, whether Auberon realizes it or not, is addressed to the ghost of his father, and I can just hear the old man saying, "No, my boy. No, it will not."