Saw this book at the SHAC where I'm taking watercolor lessons. Reid has a style I hope to get close to one day, although I have no desire to be a portrait painter. I wanted to read how he works light and dark, halftones and I learned that. The book is a step by step guide to painting a face in all light - front, side, backlit - without making the painting look overworked. Highlights need only be subtle, shadows same. Eyes are not all ovals and eyes are not the same on either side. Depending on what the painter is hoping to convey, it's not always necessary to have 2 eyes fully formed. Ears are important. Ditto noses. He includes panels of watercolor sketches he made quickly in class from live models, and that's the most helpful. He isn't bothered that not all his paintings look exactly like the subject. Reid begins the introduction by suggesting you forget about how expensive the material is and just play. Play. For the new watercolorist, trying to escape the rigidity and absoluteness of acrylic (or Illustrator technical illustration, like me), this is an excellent place to start.