Possession and loss, rapture and despair: David St. John's narrator in this dazzling collection of poems remains unflinchingly aware that the trajectory between these two states is both brief and irresistible. Like modern Dante's Virgil, he guides us through a mosaic of experiences to depict the vast architecture of erotic desire and communion. The sexual bond, with its potential for the breakdown of all spiritual and physical boundaries between two formerly separate beings, becomes the site of almost unbearable psychological and erotic tension that runs throughout the collection. The Red Leaves of Night finds its breathtaking power in a recognition of the necessary impermanence of such communion, and gives voice to that most courageous of modern men--one who grasps the dangers of ecstasy yet cannot turn away.
Lush language describes a passionate but past love affair. Shades of longing and desire permeate its pages. It has a confessional feel to it, all of the poems related to each other and to the poet's lived experience. The end poems will be familiar to anyone who has loved and lost and found him or herself alone. In "Beeches," the poet retreats to the woods and bathes in the nostalgia the walk engenders in him to a point where he is able to let the past be, to find some peace ...
"To say that I miss you is to say almost nothing To say that the forest is the sanctuary of ghosts Is only the first step of my own giving way --
Not the old giving up -- just the old giving thanks."
Elegant, sensuous, delicate, ephemeral. Somehow lush and diaphanous at the same time -- muscular and ghostly. And I think "ghostly" is the word that best captures the experience of these poems, this collection, for me: I am haunted by the erotic grief I find in these poems.
The ideal way to read this book is aloud, in bed, to a companion. Mysterious, sensual, intellectual - a good book for those who love love but might be tired of Neruda.