I give the novel two stars because I haven't found a typo. Unfortunately, that is the best trait of the work.
I have read several of Ms. Hoag's novels, as I'm an avid reader, and I try to give authors a few tries, especially if they have a sizable following. Sadly, all of her books seem to share some similar traits that just annoy me right out of the story. I try to be constructive with reviewing, so I'll explain my rating.
This novel is set in 1985. That's fine, but there are repeated references to the point where you just want to say, "I get it, it's 1985." The repeated head jumping has forced me to stop several times, just to make sure I know which character the author is speaking or thinking from. There are numerous instances of problems with showing vs. telling. We aren't given examples of how characters do what they do, we're simply told they are this way, because the author says so. The author also makes repeated allusions of approaching technology or procedure from the future, but the story is supposed to be in 1985.
There is also a good deal of parenthetical material, in the first chapters, which do not belong in parenthesis. They should've been given their own sentences.
The characters tend to come across as stereotypical portrayals, sometimes to the point of caricatures. This is something that has occurred in the other novels by the author. Likewise, characters are oddly moody or emotional towards one another. The dialogue is often clunky and clichéd. This book features the schoolmarm, the flamboyant stereotype of a gay man, the wife-beater, the redneck, and several others. Her best friend is flamboyantly gay so he makes a scene wherever he goes.
The main character in this novel, Anne, is the conventional old schoolmarm who never married. She's moody and often hateful, but she still isn't explained well enough to grant her real depth. The perspective of the kids is fairly well done, but you still get a sense that an adult is trying to depict what a kid is thinking.
The main character describes herself as "conservative as they come," yet this schoolmarm abandons her inhibitions to have sex with a man she's known a day and a half. As if that wasn't unbelievable enough for the character, they're outside on the back porch, with her father at home. She lives with her father. They're out in the open while there's enough light to discern what color the wine is. Any neighbor or passer-by can stop to watch, and several do.
The book has numerous instances of child abuse that no one cares about, even the teachers. We are given a child bully, and an adult bully, but no reason is ever given as to why they bully. One of the children in the novel is caught trying to force another child to eat a dead human finger, while a serial killer is on the loose, but the authorities don't really seem to care. It is implied the child is a deranged psychopath, but we aren't told why or how he became that way.
There's a pedophile mentioned in the book, one of the suspects, and he is the epitome of the stereotypical hillbilly. Human remains are found in the "hogpen," but oddly enough, any information on that wasn't important enough to include elsewhere.
An autopsy is performed, but it is described as if the corner is wearing a spacesuit.
These discrepancies in detail leave much to be desired from the readers' perspective. The most interesting characters are the ones least discussed. I am a fan of horror and supernatural novels, so long as the gruesome scenes justify the story. There are just too many loose ends, too much chaos, and too many questions left unanswered.