This is my favorite of the 8 or 9 L'Amours I've read over the years. He wrote Reilly's Luck in 1970. Will Reilly is a loner, like most L'Amour heroes. A friend comes to him asking an incredible favor - take this four year-old boy whose mother wanted him left out in the prairie to freeze. The boy actually remembers being around Will Reilly in the past:
"Val ... remember(ed) him, a tall, wide-shouldered young man ... He was a man who rarely smiled, but when he did his whole face seemed to light up. Val ... liked him. Maybe more than anybody, but he could not have said why that was so."
Reilly ends up raising Val as he travels throughout the country and even in Europe. Val grows up wanting to be just like his adopted father, and takes on his lonely lifestyle as well, perhaps the core conflict of the novel, an existential one:
"He felt a growing irritation with himself. He had a right to practice law, but he had done little of it, and then merely as an employee. He owned a part of a ranch which he would soon visit, but he had no taste for ranching. He had a good deal of experience with railroads and investments, but not enough to qualify him for the kind of a job he wanted, nor was he very interested in business. ... He liked the drifting, but it was no use. Beyond every trail there were only more trails, and no man could ride them all. He had known a few girls in passing, but had never been in love. Within himself he felt a vast longing, a yearning for something more ... he did not know what."
As a young man, Val becomes the protagonist of the story. I've noticed that in most of his books, L'Amour is obsessed with rubbing our faces in the goodness of his heroes. He was not a believer in complex or stained heroes, and I feel that is one of his shortcomings as a writer, although his sales would say otherwise.
The plot is excellent and compelling. I noticed similarities to the opera Carmen, and a striking similarity of L'Amour's woman antihero Myra to Steinbeck's Cathy Ames of East of Eden. I love L'Amour's evocation of the West and characters' relationships with it:
" ... this here country has a pull on a man. You get to looking at the mountains, and at the stretches of wide-open, empty land ... and it gets to you."
And "Tascosa was born of a river crossing. It thrived on trail herds; and died, strangled with barbed wire. Its life was brief and bloody, and when it died there were left behind only a few crumbling adobes, the ghosts of dead gunmen slain in its streets, and Frenchy McCormick, the once beautiful girl who had promised never to leave her gambler husband and who never did, even in death."
Bill Hickock and Billy the Kid put in brief cameos. The story builds to a climax in Denver, where Val has three separate enemies coming for him for different reasons.