Yowzers, this book is extremely thorough. It’s absolutely a no-stone-left-unturned kind of resource, but I’d expect no less from museum registrars, who are some of the most thorough and exacting and precision-minded people you will ever meet. Nitty-gritty items like copyright, photography and packing plans are covered in exhaustive detail, as well as broad ethical concerns such as NAGPRA and provenance research. Worst-case scenarios are discussed, as well as best practices. There is a glossary of terms (more useful than you’d think!) and some sample forms, always appreciated.
The book is the result of many smart people coming together to contribute articles reflecting their areas of expertise, allowing readers to benefit from the collective knowledge and know-how of the registrarial community at large and its abutting constituents, including entomologists, lawyers, collections managers, preparators, curators, archivists, customs brokers and the like. Inevitably it will be updated, as technological and ethical advances continue to push the field forward. It’s pervaded by a collegial spirit and a rigorous determination to cover any and every circumstance and detail. Whether choosing the correct solvent to use when labeling objects or figuring out how to interpret a certificate of subrogation for a traveling exhibit, this book has an answer, or at least a set of well-researched options. MRM5 is more than useful, it’s essential.