Bloch's literary essays are not, strictly speaking, "theoretical" pieces, certainly not applications to literature of some pre-existing conceptual apparatus. Collectively they represent a field of experiment in which a thinker of astonishing originality exposes his thought to the provocation of literary, musical, and artistic works, but also to such phenomena as advertisements, landscapes, cliches and obsessive images, films, and forms of interaction in country and city. The pieces gathered here, which date from 1913 to 1964, are held together by Bloch's view of the human as being always beyond itself, as anticipating itself and never positively there. This thrust beyond the horizon of positivity expresses itself in wishes, hopes, fantasies, dreams, imaginative creations, and utopian projects.
Ernst Bloch was one of the great philosophers and political intellectuals of twentieth-century Germany. Among his works to have appeared in English are The Spirit of Utopia (Stanford University Press, 2000), Literary Essays (Stanford University Press, 1998), The Utopian Function of Art and Literature: Selected Essays (1987), and The Principle of Hope (1986).