This story is an odd one, given there isn’t chance any Dr Who fan regards this as the most significant Pompeii story the show has ever done. Although the 10th Doctor story is more famous, the overplayed cliches and the guilt tripping plus other eye-rolling soppiness; makes that one really great. This story was very different for many reasons, it is a lot more understated and really focuses on characters rather than screaming ‘VOLCANO’ in your face every 45 seconds. This story is hardly anything special but it was fairly fun, the odd ideas such as having the 7th Doctor be so depressed throughout, gave the story something different. I’ve never been a big fan of Mel but here she was actually really good, her optimism is played down with subtlety, she isn’t screaming at every passing thing, most importantly actually was useful. The 7th Doctor is doing his Machiavelli thing so having her lead the story and doing it well really surprised me.
The other characters in the story really were blatant tropes and didn’t really do much more than serve their purpose to the plot. There’s people who are bad and trying to kill the Tardis team, comedic relief, the attempting to make you emotional ones… Safe to say it is a complete set of archetypes and really it is only thanks to the fact they are written well and have good dialogue that saves them from complete redundancy. The plot isn’t much to write home about is arguably one of the weakest things about the story, given the narrative of the Doctor and Mel ‘engaged in local politics is a mad exaggeration’. All it is some people taking exception to them, a bit of conflict and then everyone bar the Tardis team are melted by lava. The conflict is really meant to camouflage the fact that the there isn’t really a clear direction the narrative going on, especially considering that the Doctor effectively goes ‘nah’ and then the antagonists back off (to then be melted by lava).
The story is okay from a technical perspective, and the story is definitely perfectly imbued with background music; but oddly enough the sound design is really lacking. This one really doesn’t feel like these characters are at the foot of a volcano, there really isn’t much of an element of suspense created by sound effects. Of course the dialogue carries most of the weight of establishing locations and what is occurring, but the relative silence bar the music just makes the story feel a bit empty. Beyond that my only other main criticism would be that this crux the story relies on (the Tardis being found in the future and that supposedly implying they don’t get out of Pompeii) is mediocre at best. All it contributes to the plot is that the Doctor is more distraught than usual and doesn’t actually do that much because he’s so sad. It is a weird creative decision, and considering the fact that they easily escape their ‘perilous’ situation, makes the actual stakes in the story redundant.
All in all, the story coasts along fine and the story feels decent, but it really is unremarkable. I hardly feel like I never want to listen to it again, but don’t really foresee any circumstances of me wanting to really put it on in future. I do love that Mel has a lot more depth to her character here than she did on TV, but I still don’t like her that much so I wasn’t exactly in massive suspense about her and the Doctor escaping. I recommend it to fellow fans who savour every second of Sylvester Mccoy in the role, but other than that not much.