I had previously read two Kate Grenville novels - The Secret River, possibly her best known work, and The Idea of Perfection - and thoroughly enjoyed both.
And so it was with keen anticipation that I went back to the beginning to read Lilian's Story, for which Grenville won the 1984 Australian Vogel Award for best unpublished manuscript that year.
In her Preface, Grenville explains that her character, Lilian Singer, is loosely based on a famous Sydney eccentric, Bea Miles, who was a large, old woman who hung around the streets looking quite disreputable, annoying passers-by, quoting Shakespeare, and who was deemed to be quite insane.
Grenville knew something of Bea Miles' background and was fascinated by her story, but rather than write a biography, she created Lilian Singer and embarked on a work of fiction, while incorporating elements of Bea Miles into the story.
Lilian, or Lil as she was mostly known, was always a little awkward and eccentric - a chubby inquisitive child, a fatter, socially ill-at-ease youth who attracted boys and girls of a similar nature (what today we might call nerds), and finally, a very fat, outgoing, annoying but inwardly sad and lonely woman.
Lilian, who was born in 1901, was raised by a reasonably wealthy rural family, but always ran foul of her strange and domineering father, who was frustrated that his daughter would not conform to his expectations. Her mother was more tender, but ultimately weak in the face of her husband's dominant traits.
Lil's father betrayed her tragically twice - her stole her innocence and then, without any discussion, had her committed to an insane asylum, what Lil always referred to as the 'loony bin'.
With help form her aunt, she managed to be released from the 'loony bin' after a lengthy stay and took up residence in a flat in Sydney.
Slowly, her confidence grew, and she started to become well known on the streets, with the local prostitutes and shopkeepers, the police and regular commuters.
Always intelligent, despite her unsociable habits, Lil was fond of Shakespeare, and would offer to recite passages to strangers for a shilling.
She had a habit of getting into random cars and taxis, to the surprise of the occupants, to hold conversations or recite until she was removed, usually by the police, who knew her well and mostly treated her with patience. She would also board trams, refuse to pay the fare, and entertain the commuters.
She eventually met up again with Frank, now a hopeless drunk, whom she had known at university, one of the few men that had shown any interest in Lil and wanted a relationship with her.
She joined Frank in living in a storm water drain in Sydney, until one day he didn't return, his ailing body having finally submitted to the ravages of alcohol abuse.
When Lil also later collapsed on the street, she was taken in to a Catholic institution that cared for homeless women.
Written in short episodic chapters that keep the story moving along without lingering too much on any one element, this early novel clearly demonstrates why Kate Grenville has gone on to become one of Australia's finest writers.
Full of humour, pathos, sadness wry observation, this is a truly enjoyable story.