How I Came To Read This Book: I think I spotted it at a bookstore first, and then when I got my new library card (yeah I've been without in my new city for the last 1.75 years!) on the weekend I decided to pick up some writing manuals.
The Plot: Each two-page spread of this book (sometimes less) covers off a different element of the writing & editing process, although many of the spreads are actually linked (from a vague assessment, I'm assuming the colours on the edges of the pages link up the similar sections). The idea is to give you a smattering of smart advice in as succinct a form as possible, without overwhelming. This isn't a dreary writer's manual designed to be read in one swoop (although that is how I read it hah), but it's a quick reference guide you can digest in smaller pieces.
The Good & The Bad: In general, I assess writing books based on two things: who or what they're for, and whether their advice is any good. James V. Smith Jr.'s book is a bit hard to classify in terms of audience. Some of the advice is SO perfunctory to someone who is a professional writer - as per, proper spelling and grammar techniques that pop up throughout - that it makes me think this is for a true newb, or at least, someone who doesn't care much for basic editing. But then on the flip side, I also found him to just skim the surface of structure - which is, to me, the key to writing - that I'd be hesitant to give this to a newbie writer. In short, I think this is a good reference manual to have on your desk, but it is certainly not the be all and end all for writing books - it's too simplistic to function independently of other writing manuals. And his explanation of structure was truly dreadful and oversimplified, to the point where I skim-read the structure sections.
That being said, I think this is an excellent resource for editing your work in two respects: both as you're writing, keeping certain suggestions and ideas in mind, and as you're editing, as you prepare a book to be shipped out for potential pick up. I jotted down quite a few notes and actually find the technical formulas for readability to be quite fascinating and helpful, and not something I'd seen in other books before. I'll make a note though, that the author seems to work quite heavily in the mass market world and doesn't give much credo to breaking the rules of fiction (including again, his approach to structure). You might find his insistence on word count and character count to be a little restrictive, but I actually found them intriguing. Yes you can use a seventy-syllable word if you want, but reading comprehension will plummet. Still, it's just something to keep in mind: If you're doing something really off-the-wall with your work, this book probably won't be much use to you either.
All in all I did enjoy this handy little book and thought it provided some fresh new things to think about. I appreciated the brevity of the sections, and I thought the subtitle of 'editing hip shots' that appears on some of those uber basic grammar / spelling pages is an accurate descriptor for the entire book. This is a great resource as you head towards a publication-ready manuscript. Pop it open, check your book against it (of course you should have read it in the first place and used it throughout, but it's good for a final sweep) and then send away.
The Bottom Line: A handy little resource indeed, but a supplementary one to the more detailed writing guides out there.
Anything Memorable?: I did one of the 'reading tests' against the opening scene of a novel I'm working on...and it passed. Across the board. Yay me!
60-Book Challenge: Book #3 in 2015