I did not expect this anthology to be this good. It's a collection of excerpts from zines that came out of New Orleans before and just after Hurricane Katrina. Like the best mixtapes, zines are whole entities. They don't always work well as singles. And sure enough, the few stories I read by randomly opening the book were good enough stories alone, but they didn't sit well together. They needed their context.
Luckily for posterity, the editor, Ethan, is a master zinester. Thank you!! Ethan manages to cut and paste a narrative flow from a mixed up collection of punk adventures, love stories, political analysis, rambling essays, and miscellanea like show flyers. All the original handwriting, formatting, and drawings are lovingly photocopied into the pages of the book. Ethan ties the pieces together with short introductions to each themed section that illustrate what makes the stories contained therein uniquely New Orleans.
Taken as a whole, Stories Care Forgot crafts its own story, a vibrant, tangible picture of a punk scene in New Orleans that is explosive, artistic, and alive. Struggle to survive is a major theme in a lot of the selections, but most temper the struggle with some kind of celebration. Shit jobs like bike delivery turn into the ultimate alleycat race. Awful living conditions in falling apart houses mean cheap rent. Everywhere there is some kind of lack, there is creation. This book made me so psyched for DIY creativity: bands and zines and puppets and bikes and gardens and banners, whatever that wild-eyed coffee-driven late-night productivity could make for anyone but a boss.
The middle section, "Neighborhoods," collects different zinesters' attempts to deal with gentrification, the role of white activists and squatters who live in New Orleans' poor, mostly African American neighborhoods (describing, it seems, the majority if not all of the zinesters contained in this book). They write about surviving the constant robberies, muggings, and fights their city is famous for. They write too about the violence of poverty and racism that the city exerts on its people, and a little (maybe too little) about resistance. Like most writings on gentrification, especially by those white people living on its leading edges, there are more questions than answers here. But the urgency of these zines out of NOLA is particular to that city. With the displacement of whole neighborhoods and the demolitions of subsidized housing that have escalated after the hurricane, the situation has only gotten more dire.
The zine scene in NOLA was devastated by Hurricane Katrina. Zinesters were displaced, neighborhoods flooded and abandoned, everything, all that-- and many of the zines themselves were destroyed. Ethan, the editor, explains in his introduction that many of the stories excerpted in this book are reprints of reprints since the original zines were eaten up by flood and mold. Stories Care Forgot is a bittersweet collection, then. It saved so many gems. But it stands as a reminder of all the stories that didn't survived the storm.