When it comes to adventure novels, this one is near the top of my list, despite its occasional problems. Operation Red Jericho is noteworthy because of the inventive mythology that Mowll has created, as well as the action-packed story that he creates with this mythology. Although the story occasionally indulges in unflattering tropes and characters often struggle to rise above archetypes, he manages to create an awesome yet slightly flawed story nevertheless. This would be the type of story that you would definitely have to suspend your disbelief for – except thanks to Mowll’s creativity, the opposite is true.
When Becca and Douglas Mackenzie’s parents disappear, they’re sent to live with their uncle, a mysterious ship captain currently on a research expedition in China. Their uncle is, in fact, no mere researcher, but a member of a secret organization called the Guild of Specialists. What follows is a madcap adventure involving pirates, ninjas, aviators, volatile explosives, awesome submarines, and more technical drawings than you can shake a stick at.
What makes this series so exceptional is the sheer detail that Mowll put into this book. He includes supplementary material such as maps, technical drawings, sketches, and photographs. The story behind this story is that Becca was Mowll’s great-aunt and what we’re reading is her journal, and everything else was found in a hidden archive in her house. And all this is done in such painstaking detail that you will seriously have to reassure yourself that this is a work of fiction. Repeatedly.
Of course, the actual story leaves a little to be desired. But only a little. It’s clear that Mowll was heavily influenced by the serial adventure stories of the 1930s and their later successors, the Indiana Jones movie. So, yes, there are quite a few clichés. I wouldn’t say these clichés are especially offensive, but certain characters could have been handled better. Personally, I find such stories fun, but you may disagree. The Guild of Specialists trilogy is decidedly not for everyone, I suppose.
Mowll’s bizarre choice to combine an excessively realistic background story with a clichéd foreground story definitely produces…interesting results, shall we say. It’s definitely a sign of his talent that he makes this story work as much as it did. He manages to tell a fun, engaging story and keep us enthralled the whole way through. It also features my favorite painting, Holbein’s The Ambassadors prominently, which is a nice touch for me. I also want to give kudos to his undoubtedly talented illustrators, who really make the story work. This is a great book. Not a superlative one. But definitely great.